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Self Portrait (recto)

Meno Trieda Dátum

john guthrie spence smith, Self Portrait (recto) (1917). Verejná doména

Základné informácie

Umenec
john guthrie spence smith wahooart.com/sk/artists/john-guthrie-spence-smith/
Životné obdobia umelca
1880 – 1951
Maľované
1917
Pôvodná veľkosť
50 x 41 cm
Pohyb
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

V kontexte

Self Portrait (recto) — john guthrie spence smith

Aká je jeho veľkosť?

Pôvodné rozmery sú 50 × 41 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Shaded: životný príbeh john guthrie spence smith (1880–1951) ▲ toto dielo, 1917

Podobné diela

  • Bakehouse Close, 1941 wahooart.com/sk/art/john-guthrie-spence-smith-bakehouse-close-AQUSHK-en/
  • Cir Mhor wahooart.com/sk/art/john-guthrie-spence-smith-cir-mhor-AQUSJ9-en/
  • Old Perth Buildings, 1932 wahooart.com/sk/art/john-guthrie-spence-smith-old-perth-buildings-AQUSHH-en/

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: wahooart.com/sk/art/similar/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Walnut #614423

    Uložená paleta

    • #614423
    • #34200D
    • #CCA46C
    • #94703E
    Paleta
    Earthy Dominantná farebná skupina na obraze.
    Dominantná farba
    Walnut
    Saturácia
    Balanced Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Bold Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Unified Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Deep_shadow Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Balanced Soft Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Umenec a múzeum

    Umenec

    john guthrie spence smith

    John Guthrie Spence Smith: A Visionary of Scottish Landscapes

    John Guthrie Spence Smith (1880-1951) remains a quietly significant figure in 20th-century British art, particularly within the rich tapestry of Scottish painting. Born in Perth, Scotland, into a family profoundly shaped by tragedy – his three older brothers succumbed to illness at young ages – Smith’s early life instilled a sensitivity and perhaps an unusual focus on observation. A childhood affliction robbed him of speech and hearing, a circumstance that arguably sharpened his visual perception and fostered a unique way of engaging with the world around him. This formative experience deeply influenced his artistic approach, imbuing his landscapes with a profound sense of stillness and quiet contemplation.

    Smith’s formal training began at Dundee College of Art, followed by studies at Edinburgh College of Art and the prestigious Royal Scottish Academy Life Drawing Classes under the tutelage of Robert Burns and Charles Hodge Mackie. These formative years exposed him to established artistic traditions while simultaneously nurturing his own distinctive style. He quickly distinguished himself as a talented artist, winning several prizes during his time at the RSA, demonstrating an early aptitude for capturing light, atmosphere, and the subtle nuances of the Scottish countryside. Crucially, he became involved with the Edinburgh Group, a collective of artists who challenged academic conventions and sought to forge a new path for modern art in Scotland. This association exposed him to innovative ideas and provided a platform for his work to be seen alongside other emerging talents.

    A Distinctive Style: Landscape and Streetscapes

    Smith’s artistic output is primarily characterized by meticulously rendered landscapes and evocative street scenes, predominantly depicting the familiar yet subtly transformed vistas of Perthshire, Angus, and the surrounding areas. He wasn't interested in dramatic, sweeping compositions; instead, he favored a measured approach, capturing the quiet dignity of rural life and the understated beauty of everyday settings. His palette was restrained, relying on muted earth tones – ochres, browns, greys, and blues – to create a sense of atmospheric depth and realism. He skillfully employed light and shadow to convey the changing moods of the Scottish weather, imbuing his paintings with a palpable sense of time and place. His work is often described as having a “colourist” quality, echoing the influence of artists like J.M. Whistler, though Smith’s approach was firmly rooted in his own unique vision.

    Influences and Artistic Development

    Smith's artistic journey reveals a complex interplay of influences. The traditional landscape painting of the Scottish Colourists – particularly their emphasis on capturing the essence of light and colour – undoubtedly shaped his early style. However, he also absorbed elements from Impressionism and Post-Impressionism, evident in his use of broken brushstrokes and his exploration of subjective perception. His time spent in France during World War I, though brief, provided a crucial opportunity to study the works of masters like Monet and Renoir, further expanding his artistic horizons. Following the war, he returned to Scotland, continuing to develop his distinctive style while maintaining close ties with the Edinburgh art community. His later work demonstrates an increasing confidence and maturity, reflecting a deeper understanding of both his subject matter and his own artistic voice.

    Legacy and Recognition

    Despite not achieving widespread fame during his lifetime, John Guthrie Spence Smith’s contribution to Scottish art is now increasingly recognized. His paintings are held in public collections across Scotland, including those of Glasgow, Paisley, Perth, and Greenock Museums, testament to the enduring quality of his work. His membership in the Royal Scottish Academy and his association with the Edinburgh Group cemented his place within a pivotal period of artistic innovation in Scotland. Smith’s legacy lies not only in his beautiful paintings but also in his quiet determination to pursue his artistic vision despite significant personal challenges. He represents a compelling example of an artist who found solace and expression through observation, capturing the essence of Scottish life with remarkable sensitivity and skill. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a profound appreciation for the beauty of the Scottish landscape.

    Further Resources

    Art UK: https://artuk.org/discover/artists/smith-john-guthrie-spence-18801951

    Fleming Collection: https://www.flemingcollection.com/copy-of-spencer-richard-b

    Glasgow Museums Collections Online: https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=8890;type=701

    askART: https://www.askart.com/artist/john_guthrie_spence/11071253/john_guthrie_spence.aspx?alert=info

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    QR kód odkazujúci na stránku na stiahnutie Self Portrait (recto)

    wahooart.com/sk/art/download/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

    Citácia diela

    MLA
    smith, john guthrie spence. Self Portrait (recto). 1917, https://wahooart.com/sk/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    APA
    smith, john guthrie spence (1917). Self Portrait (recto) [Painting]. https://wahooart.com/sk/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    Chicago
    john guthrie spence smith. Self Portrait (recto). 1917. https://wahooart.com/sk/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    Harvard
    smith, john guthrie spence (1917) Self Portrait (recto). Available at: https://wahooart.com/sk/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

    Pozrite si bližšie

    Self Portrait (recto) — john guthrie spence smith

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Koľko tvárí dokážete nájsť? ____ (náš katalóg ich počíta na 1 — súhlasíte?)
    4. Náš katalóg zaraďuje toto dielo pod: portrait painting, self reflection, earth tones art. Súhlasíte? Čo by ste pridali alebo odobrali?
    5. Pozrite sa späť na dielo Bakehouse Close (1941), ktoré ste spomínali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má spoločné s týmto dielom, a jednu, ktorá je odlišná.

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umelackom diele. Využite fakty z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.