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Figure 3

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Meno Trieda Dátum
graham coughtry, Figure 3 (1960). Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv.

Základné informácie

Umenec
graham coughtry wahooart.com/sk/artists/graham-coughtry/
Životné obdobia umelca
1931 – 1999
Maľované
1960
Pôvodná veľkosť
135 x 135 cm

In context

Figure 3 — graham coughtry

How big is it?

The original measures 135 × 135 cm (height × width), drawn here beside an adult of average height.

Kedy bolo toto vytvorené?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Shaded: životný príbeh graham coughtry (1931–1999) ▲ toto dielo, 1960

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: wahooart.com/sk/art/similar/graham-coughtry-figure-3-ARA92G-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Gray #676767

    Uložená paleta

    • #676767
    • #D5D5D5
    • #9D9D9D
    • #333333
    Paleta
    Neutrals Dominantná farebná skupina na obraze.
    Dominantná farba
    Gray
    Saturácia
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Statement Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Unified Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Bright Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Umenec a múzeum

    Figure 3 — graham coughtry

    Umenec

    graham coughtry

    Graham Coughtry: A Toronto Visionary

    Graham Coughtry (1931 – 1999) was a British-born Canadian painter who established himself as a prominent figure in Toronto’s artistic landscape during the mid-century period. His distinctive style—characterized by textured impasto, muted color palettes, and semi-abstract representations of human figures—earned him recognition both nationally and internationally. Though relatively unknown outside of Canada, Coughtry's work holds considerable importance within Canadian Modernism and continues to inspire artists today.

    Early Life & Artistic Beginnings

    Born in London, England, Coughtry’s artistic inclinations emerged early in his life. He pursued formal training at Chelsea School of Art and later studied at Pratt Institute in New York City, absorbing influences from Surrealist painters like René Magritte and Yves Tanguy. These formative experiences instilled a fascination with exploring psychological states and conveying emotion through visual imagery—a core element that would permeate his subsequent artistic endeavors.

    The Toronto Years & Pierre Bonnard Influence

    Coughtry relocated to Toronto in 1960, where he quickly gained traction within the burgeoning Canadian art scene. He became particularly captivated by the work of Pierre Bonnard, whose subtle tonal harmonies and atmospheric landscapes profoundly impacted Coughtry’s artistic approach.

    Viac informácií si môžete prečítať tu

    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Figure 3

    wahooart.com/sk/art/download/graham-coughtry-figure-3-ARA92G-en/

    Citácia diela

    MLA
    coughtry, graham. Figure 3. 1960, https://wahooart.com/sk/art/graham-coughtry-figure-3-ARA92G-en/
    APA
    coughtry, graham (1960). Figure 3 [Painting]. https://wahooart.com/sk/art/graham-coughtry-figure-3-ARA92G-en/
    Chicago
    graham coughtry. Figure 3. 1960. https://wahooart.com/sk/art/graham-coughtry-figure-3-ARA92G-en/
    Harvard
    coughtry, graham (1960) Figure 3. Available at: https://wahooart.com/sk/art/graham-coughtry-figure-3-ARA92G-en/

    Look closely

    Figure 3 — graham coughtry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Late Afternoon Interior (1957), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. graham coughtry was about 29 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.