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Formerly Jugoslavia II

Meno Trieda Dátum

grace gardner, Formerly Jugoslavia II (1994). Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv.

Základné informácie

Umenec
grace gardner wahooart.com/sk/artists/grace-gardner/
Životné obdobia umelca
1920 – 2013
Maľované
1994
Pôvodná veľkosť
76 x 91 cm
Pohyb
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

V kontexte

Formerly Jugoslavia II — grace gardner

Aká je jeho veľkosť?

Pôvodné rozmery sú 76 × 91 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Shaded: životný príbeh grace gardner (1920–2013) ▲ toto dielo, 1994

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: wahooart.com/sk/art/similar/grace-gardner-formerly-jugoslavia-ii-AR2CYW-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Putty #d0d1b6

    Uložená paleta

    • #D0D1B6
    • #2D3639
    • #657066
    • #9FA893
    Paleta
    Neutrals Dominantná farebná skupina na obraze.
    Dominantná farba
    Putty
    Saturácia
    Balanced Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Statement Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Discordant Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Bright Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Subtle Color Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Umenec a múzeum

    Umenec

    grace gardner

    Grace Gardner: A Life Painted in Bold Color and Evocative Abstraction

    Grace Gardner (1920-2013) wasn’t merely an artist; she was a force of nature within the abstract art world, a vibrant spirit who relentlessly pursued her vision of color and form. Born in Yugoslavia – though later adopting the name “Gardner” – her early life laid the foundation for a career defined by bold experimentation and a deep connection to the natural world. From humble beginnings, she embarked on a journey that took her across continents and culminated in a body of work celebrated for its dynamic energy, intricate layering, and profound exploration of fertility and nature’s rhythms.

    Gardner's formative years were shaped by a confluence of influences. Initially trained in traditional methods, she quickly gravitated towards abstraction, finding inspiration in the works of artists like Rudolf Laban and Frances Richardson. These early teachers instilled within her a disciplined approach to technique while simultaneously encouraging her to break free from conventional boundaries. Crucially, she also found resonance with the work of Kwok Wai Lau, whose explorations of color and texture proved pivotal in shaping her distinctive style. Her relocation to Cornwall in 1984 marked a significant turning point, providing her with a new environment and a renewed sense of creative purpose. The rugged beauty of the Cornish coastline, with its dramatic cliffs and abundant flora, became a constant source of inspiration, permeating her canvases with a palpable sense of place.

    The Evolution of a Distinctive Style

    Gardner’s artistic evolution is characterized by a remarkable progression from early explorations of color to increasingly complex and layered compositions. Her initial works often featured vibrant fields of color – reds, blues, yellows – applied with a loose, expressive brushstroke. However, as her career unfolded, she developed a sophisticated technique involving multiple layers of paint, creating textured surfaces that seemed to shimmer and vibrate with energy. The “grid” series, born during a period of illness, stands as a testament to this evolution. These intricate compositions, built upon a repeating grid pattern, explored themes of growth, renewal, and the cyclical nature of life – mirroring her own experience of recovery.

    A key element of Gardner’s style was her masterful use of ribbons—a recurring motif in her work that she described as representing “the flow of energy” and “the interconnectedness of all things.” These ribbons, often rendered in bold strokes of color, weave through her paintings, creating a sense of movement and dynamism. Her later works became increasingly abstract, with the ribbons dissolving into swirling patterns of color, evoking the feeling of a vibrant, living landscape.

    Major Works and Exhibitions

    Throughout her prolific career, Gardner exhibited extensively both in Europe and North America. Her work has been featured in prestigious galleries such as the Drian Galleries in London, the American Embassy Gallery in Rome, and the Polish National Museum in Warsaw. Notably, she participated in “American Artists in Britain” at Universities of Hull and Leeds in 1976, showcasing her distinctive style to a wider audience. Her painting "Formerly Yugoslavia II," a dynamic abstract expressionist piece dominated by blues and reds, exemplifies her ability to convey powerful emotions through color and texture – a work now housed in the AllPaintingsStore database.

    The Falmouth Art Gallery holds a significant collection of Gardner’s works, including a substantial donation from the artist herself. This collection offers invaluable insight into the development of her style and provides a comprehensive overview of her artistic output. Her 2004 gift to the gallery solidified her legacy as a major figure in British abstract art.

    Legacy and Historical Significance

    Grace Gardner’s impact on the art world extends far beyond the individual canvases she created. She was a tireless advocate for abstraction, consistently pushing the boundaries of color and form. Her work reflects a deep engagement with both the natural world and the human experience – themes that resonate powerfully today. Her unwavering dedication to her craft, coupled with her distinctive style and prolific output, has cemented her place as one of the most important abstract artists of the 20th century. She left behind a body of work that continues to inspire and challenge viewers, reminding us of the transformative power of color and the enduring beauty of abstraction.

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    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Formerly Jugoslavia II

    wahooart.com/sk/art/download/grace-gardner-formerly-jugoslavia-ii-AR2CYW-en/

    Citácia diela

    MLA
    gardner, grace. Formerly Jugoslavia II. 1994, https://wahooart.com/sk/art/grace-gardner-formerly-jugoslavia-ii-AR2CYW-en/
    APA
    gardner, grace (1994). Formerly Jugoslavia II [Painting]. https://wahooart.com/sk/art/grace-gardner-formerly-jugoslavia-ii-AR2CYW-en/
    Chicago
    grace gardner. Formerly Jugoslavia II. 1994. https://wahooart.com/sk/art/grace-gardner-formerly-jugoslavia-ii-AR2CYW-en/
    Harvard
    gardner, grace (1994) Formerly Jugoslavia II. Available at: https://wahooart.com/sk/art/grace-gardner-formerly-jugoslavia-ii-AR2CYW-en/

    Pozrite si bližšie

    Formerly Jugoslavia II — grace gardner

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Náš katalóg zaraďuje toto dielo pod: abstract expressionism, dark blues and reds, dynamic composition. Súhlasíte? Čo by ste pridali alebo odobrali?
    4. Pozrite sa späť na dielo Grid Dancing (2000), ktoré ste spomínali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má spoločné s týmto dielom, a jednu, ktorá je odlišná.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Kde to v tomto diele môžete vidieť?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umelackom diele. Využite fakty z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.