Obraz, ktorý priniesol slávu Viktor Madarász, je Dobozi and his Spouse (1868); visí v galérii Maďarská národná galéria, Budapešť. The Exile's Dream (1856) a Felicián Zách (1858) ich nasledujú v srdciach zberateľov a návštevníkov múzeí. Z 15 diel umelca Viktor Madarász v našom katalógu je týchto 14 najobdivovanejších, pričom každá je prezentovaná s dátumom jej vytvorenia, názvom múzeja a unikátnými vlastnostvami.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každé majstrovské dielo na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v rozmeroch podľa vašej voľby.
The canvas captures a moment of desperate velocity. A man and his wife gallop across a wide field, their horse appearing as a magic steed driven by the sheer force of their flight. They are fleeing from the approach of the Turks, and the realization of their inevitable capture has turned their flight into a final, terminal act. The composition utilizes a wide horizontal format, with the low line of…
The painting Ilona Zrínyi Before the Investigating Judge by Viktor Madarász is a stunning example of Hungarian art from the 19th century. Created in 1859, this oil on…
Objednajte si ručne maľovanú kópiu od $181 →Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Viktor Madarász | Obrazy z tohto zoznamu |
|---|---|---|---|
 Maďarská národná galéria |
Budapešť | 12 | Dobozi and his Spouse, The Exile's Dream, Felicián Zách |
The canvas captures a moment of desperate velocity. A man and his wife gallop across a wide field, their horse appearing as a magic steed driven by the…
Dobozi and his Spouse (1868), Maďarská národná galéria, Budapešť. Nasledujú The Exile's Dream (1856) a Felicián Zách (1858).
38 rokov: Dobozi and his Spouse vzniklo v roku 1868 a Viktor Madarász sa narodil/a v roku 1830.
Dobozi and his Spouse, The Exile's Dream, Felicián Zách, Self Portrait, László Hunyadi on the Bier, Dózsa's People, Miklós Zrínyi poet and general, Felicián Zách, Gábor Bethlen among his Scholars a His Wife. Vyššie uvedené hodnotenie uvádza rok a múzeu každého z nich.
Náš katalóg obsahuje 15 diel umelca Viktor Madarász z perioda od 1856 do 1873.
Väčšina z nich sa nachádza v Maďarská národná galéria (Budapešť). Tabuľka vyššie uvádza jednotlivé múzeá.
V období 1850s: 6 z 14 diel na tejto stránke pochádza z tohto obdobia, pričom medzi nimi je The Exile's Dream.
Najstaršie dielo na tejto stránke pochádza z The Exile's Dream (1856), najnovšie z Miklós Izsó (1873).
Dobozi and his Spouse, The Exile's Dream a Felicián Zách sa nachádzajú medzi 12 dielami na tejto stránke, ktoré vlastní Maďarská národná galéria, Budapešť.
Áno. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v požadovanom rozмере, priamo na stránke daného obrazu.
Born in 1830 in the small village of Csetnek, Viktor Madarász came from a family of once-noble descent that had fallen into poverty. His father, András, worked as an iron manufacturer and craftsman. The path laid out for him was one of law, leading him to study in Pozsony. However, the winds of change arrived with the Hungarian Revolution of 1848. Madarász left his studies behind to join the struggle for independence, serving first as a private soldier and later rising to the rank of Second Lieutenant. The defeat of the revolution and the subsequent surrender at Világos left him with deep scars. After a period in exile, he eventually returned to his family in Pécs.
This period of upheaval heavily influenced the themes he would later pursue on canvas. He did not merely paint history; he lived through its most turbulent chapters. His early training took him to the Academy of Fine Arts in Vienna between 1853 and 1855, where he studied under Ferdinand Georg Waldmüller. Seeking broader horizons, he moved to Paris in 1856. There, he entered the studios of Léon Cogniet and was influenced by the works of Paul Delaroche. These years in France allowed him to bring a specific academic-romantic style back to his homeland.
Madarász became known for his ability to translate Hungarian historical struggles into dramatic visual narratives. He often focused on moments of profound grief or political tension, using the techniques of French Romanticism to reach his audience. His work frequently revisited the heroism and tragedies of the Hungarian people, particularly those resisting Habsburg rule.
Some of his notable works include:
The later years of his life were marked by professional hardship and personal loss. Upon returning to Hungary in 1870, he found that his French-influenced style was met with resistance from a public accustomed to different traditions. Following the harsh reception of his work, he made the difficult decision to retire from painting in 1873 to manage his father's business. This period of transition was not easy; by 1902, his business had gone bankrupt and was sold at auction.
In 1903, a spark of his former passion led him to attempt a return to art, focusing primarily on portraits. While these later works lacked the monumental scale of his earlier historical scenes, they represented a final effort to reclaim his identity as a painter. He lived in Budapest until his death in 1917, during the First World War, passing away at a time when much of his earlier glory had faded from the public eye.