Wilhelm Eberhardt, 1875 – 1940

2 самых известных картин художника Wilhelm Eberhardt

Картина, принесшая Wilhelm Eberhardt мировую славу, — это Foggy mood Hamburg harbor (1923). Из 2 работ Wilhelm Eberhardt в нашем каталоге эти 2 являются самыми признанными; для каждой указаны дата создания, музей и уникальные особенности.

Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Ноябрь 2026. Каждое произведение на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в любом выбранном вами размере.

Портрет Wilhelm Eberhardt
Wilhelm Eberhardt · 1875 – 1940
Дата рождения · дата смерти
1875 – 1940, Hamburg
Работы в нашем каталоге
2
Самые известные
Foggy mood Hamburg harbor (1923)

Wilhelm Eberhardt: десять шедевров

Wilhelm Eberhardt, по годам: знаковые полотна

Каждый шедевр Wilhelm Eberhardt, датированный 1923, представлен на этой странице: вот они.

  1. 1923

Шедевры Wilhelm Eberhardt: вопросы и ответы

Какая картина наиболее известна авторства Wilhelm Eberhardt?Показать ответ

Foggy mood Hamburg harbor (1923)

Сколько лет было Wilhelm Eberhardt, когда он(а) писал(а) Foggy mood Hamburg harbor?Показать ответ

48 лет: Foggy mood Hamburg harbor датируется 1923 годом, а Wilhelm Eberhardt родился в 1875.

Сколько работ написал Wilhelm Eberhardt?Показать ответ

В нашем каталоге представлено 2 работ Wilhelm Eberhardt.

Могу ли я приобрести репродукцию шедевра Wilhelm Eberhardt?Показать ответ

Да. Каждую картину на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в выбранном вами размере на странице самой картины.

Жизнь Wilhelm Eberhardt

A Life Shaped by the Hanseatic Spirit

Born in Hamburg in 1875, Wilhelm Eberhardt was a product of the German maritime atmosphere. His early years were defined by the rigorous training of the Kunstgewerbeschule in his home city, a foundation that would later support his professional endeavors. He sought further refinement in Berlin, studying at the Unterrichtsanstalt des Kunstgewerbemuseums under the guidance of M. Seliger. This period of education provided him with the technical precision required for both draftsmanship and painting.

His professional life was deeply intertwined with the civic identity of Hamburg. He achieved a significant milestone when he served as an assistant to Hugo Vogels, contributing to the murals within the festival hall of the Hamburg City Hall. This involvement in public art suggests a man deeply embedded in the visual fabric of his community, working on a scale that moved beyond the private canvas to the very walls of the city's administrative heart.

Technical Foundations and Subject Matter

Eberhardt’s work often returned to the atmospheric qualities of his surroundings. His paintings frequently captured the specific light and mood of the northern German landscape, particularly the maritime environments that defined his upbringing. His technical approach was characterized by a disciplined hand, a trait likely honed during his years as a draftsperson.

The following elements characterize his documented output:

  • The use of oil on cardboard as a preferred medium for certain studies.
  • A focus on urban and maritime scenes, such as the Hamburg harbor.
  • Detailed depictions of city architecture, including the Katharinenstrasse and its church.

His ability to translate the heavy, shifting air of the harbor into a visual medium allowed him to document the changing face of Hamburg. Whether working on large-scale murals or smaller, intimate studies of the Altstadt, his focus remained on the intersection of architecture and atmosphere.

The Final Years

The later years of Eberhardt's life remain a subject of some historical ambiguity. While some records suggest he passed away in 1940, other accounts place his death between 1943 and 1946. This uncertainty reflects the turbulent era in which he lived, a time that often obscured the personal histories of many artists. Regardless of the exact year, his presence in the German art scene was marked by a commitment to the visual language of his home city.