Гверчино, 1591 – 1666

100 самых известных картин художника Гверчино

Картина, принесшая Гверчино мировую славу, — это Pietà (1638); она находится в Музей Конде, Шантильи. St Peter and the angel (1650) и David with the Head of Goliath (1657) следуют за ними в сердцах коллекционеров и посетителей музеев. Из 367 работ Гверчино в нашем каталоге эти 100 являются самыми признанными; для каждой указаны дата создания, музей и уникальные особенности.

Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Октябрь 2026. Каждое произведение на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в любом выбранном вами размере.

Портрет Гверчино
Гверчино · 1591 – 1666
Дата рождения · дата смерти
1591 – 1666, Ченто
Направление
Baroque
Работы в нашем каталоге
367
Самые известные
Pietà (1638)
Больше всего работ в
Баварские государственные живописные коллекции

Гверчино: десять шедевров

Pietà (1638) работы Гверчино
1

Pietà

1638 · Oil On Canvas · Музей Конде, Шантильи

This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.

St Peter and the angel (1650) работы Гверчино
2

St Peter and the angel

1650 · Acrylic On Canvas · Art Gallery of South Australia, Аделаида

Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…

David with the Head of Goliath (1657) работы Гверчино
3

David with the Head of Goliath

1657 · Oil On Canvas · Музей Бойманса-ван-Бёунхина, Роттердам

A single, heavy silence hangs in the air. David lunges forward, his muscular torso caught in a sudden, sharp light that carves his anatomy from the surrounding shadows. He does not wear the triumphant grin of a conqueror; instead, his face holds a quiet, introspective gravity. His golden cloak, lined with white fur, sweeps across the composition in a diagonal arc, pulling the eye toward the severed head of Goliath.…

The Samian Sibyl with a Putto (1651) работы Гверчино
4

The Samian Sibyl with a Putto

1651 · Oil On Canvas · Национальная галерея, Лондон

The room is heavy with silence and the weight of unseen truths. A woman, the Samian Sibyl, sits anchored beside a weathered wooden desk, her body forming a stable, pyramidal shape that commands the center of this shadowed space. She is lost in deep introspection, perhaps mourning or contemplating a future only she can perceive. Her face and chest catch a sudden, directional light emerging from the upper left, pulling…

Saint-Jean-Baptiste (1661) работы Гверчино
5

Saint-Jean-Baptiste

1661 · Oil On Canvas · Musée Fabre, Монпелье

The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.

La Madonna del passero работы Гверчино
6

La Madonna del passero

Oil

In this intimate composition, we find a moment of profound stillness between a mother and her child. The Virgin Mary, draped in a deep red garment, holds the infant Jesus with a tenderness that feels both sacred and deeply human. A small sparrow rests near them, its presence drawing the gaze of both figures. This bird is not merely a casual addition to the scene; it acts as a focal…

Painting and Drawing (1656) работы Гверчино
7

Painting and Drawing

1656 · Oil On Canvas · Staatliche Kunstsammlungen Dresden, Дрезден

The oil on canvas titled Painting and Drawing was executed by the artist Guercino in 1656. This allegorical work captures a quiet moment of creative exchange between two figures. A woman sits at the center, her hands engaged in the act of creation, while an older man observes the progress of a sketch. The scene functions as a visual metaphor for the relationship between different modes of artistic expression.

Portrait of a Woman (1628) работы Гверчино
8

Portrait of a Woman

Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.

Christ and the Moneylender (1628) работы Гверчино
9

Christ and the Moneylender

The composition presents a close-up profile view of two male figures positioned against a dark, indistinct background. On the left, a figure with long dark hair and a beard looks downward, his expression settled into a contemplative or sorrowful state. He is dressed in a reddish-brown garment. To the right, a second figure is shown in profile, wearing a white turban accented with blue stripes. This man possesses a weathered…

St Anthony of Padua with the Infant Christ работы Гверчино
10

St Anthony of Padua with the Infant Christ

Oil On Canvas

In this intimate composition, we find St. Anthony of Padua cradling the Infant Christ. The scene is stripped of grandiosity, focusing instead on the profound connection between the Franciscan friar and the child. There is a palpable tenderness in the way the figures interact, a moment of stillness that invites the viewer into a private space of devotion. The light falls softly upon the figures, pulling them from the shadows…

Больше шедевров художника Гверчино, от 11 до 100

God the Father (1630) работы Гверчино
#12

God the Father

1630 · Национальный музей в Варшаве

Guercino presents God the Father as a singular presence upon the canvas. This religious art piece captures a divine figure through the medium of oil on canvas. The…

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Cleopatra (1621) работы Гверчино
#35

Cleopatra

1621 · Национальная галерея Армении

In this 1621 oil painting, we encounter Cleopatra, a work by the Italian artist Guercino. The subject is rendered with a profound sense of psychological weight, capturing the…

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Amnon and Tamar работы Гверчино
#43

Amnon and Tamar

Национальная галерея искусств

In the grand, sweeping theater of the Italian Baroque, few moments possess the psychological tension found in Guercino’s 'Amnon and Tamar'. Created between 1649 and 1650, this evocative…

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Картины Гверчино по периодам

Сюжеты, которые чаще всего писал Гверчино

Четыре темы, которые чаще всего встречаются в этих шедеврах, с лучшими примерами каждой из них.

Где можно увидеть картины Гверчино

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Гверчино Картины из этого списка
Баварские государственные живописные коллекции, МюнхенБаварские государственные живописные коллекции Мюнхен 8 Portrait of a Woman, Christ and the Moneylender, The Persian Sybil
Национальная галерея Ирландии, ДублинНациональная галерея Ирландии Дублин 6 Saint Joseph with the Christ Child, The Pensive Muse, Saint Agatha
Национальный музей в Варшаве, ВаршаваНациональный музей в Варшаве Варшава 2 God the Father, Saint Francis with an angel playing violin
Rhode Island School of Design Museum of Art, ПровиденсRhode Island School of Design Museum of Art Провиденс 2 Study for St. William of Aquitaine, Bust of a Soldier in Armor
Национальная галерея, ЛондонНациональная галерея Лондон 8 The Samian Sibyl with a Putto
Staatliche Kunstsammlungen Dresden, ДрезденStaatliche Kunstsammlungen Dresden Дрезден 4 Painting and Drawing
Fitzwilliam MuseumFitzwilliam Museum 3 The Holy Family on the Flight meets the infant St John
Национальная галерея Шотландии, ЭдинбургНациональная галерея Шотландии Эдинбург 3 The Virgin and Child with the Infant Saint John the Baptist

Гверчино, десятилетие за десятилетием: главная картина каждого периода

  1. 1610s
  2. 1620s
    Portrait of a Woman (1628) работы Гверчино
    Место 8 из 100

    Portrait of a Woman

    Возраст 29 – 38 · Баварские государственные живописные коллекции

    Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her…

  3. 1630s
    Pietà (1638) работы Гверчино
    #1 из 100

    Pietà

    Возраст 39 – 48 · Музей Конде

    This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635…

  4. 1640s
  5. 1650s
    St Peter and the angel (1650) работы Гверчино
    Место 2 из 100

    St Peter and the angel

    Возраст 59 – 68 · Art Gallery of South Australia

    Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes…

  6. 1660s
    Saint-Jean-Baptiste (1661) работы Гверчино
    № 5 из 100

    Saint-Jean-Baptiste

    Возраст 69 – 75 · Musée Fabre

    The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as…

Шедевры Гверчино: вопросы и ответы

Какая картина наиболее известна авторства Гверчино?Показать ответ

Pietà (1638), Музей Конде, Шантильи. Далее следуют St Peter and the angel (1650) и David with the Head of Goliath (1657).

Сколько лет было Гверчино, когда он(а) писал(а) Pietà?Показать ответ

47 лет: Pietà датируется 1638 годом, а Гверчино родился в 1591.

Какие десять величайших картин принадлежат Гверчино?Показать ответ

Pietà, St Peter and the angel, David with the Head of Goliath, The Samian Sibyl with a Putto, Saint-Jean-Baptiste, La Madonna del passero, Painting and Drawing, Portrait of a Woman, Christ and the Moneylender и St Anthony of Padua with the Infant Christ. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько работ написал Гверчино?Показать ответ

В нашем каталоге представлено 367 работ Гверчино, созданных в период с 1613 по 1666.

В каких музеях можно увидеть шедевры Гверчино?Показать ответ

Большинство из них находятся в Баварские государственные живописные коллекции (Мюнхен), Национальная галерея Ирландии (Дублин) и Национальный музей в Варшаве (Варшава). В таблице выше музеи перечислены по порядку.

Когда Гверчино написал свои шедевры?Показать ответ

За 1650s: 9 из 100 работ на этой странице относятся к этому периоду, в том числе St Peter and the angel.

Каковы первые и последние известные картины Гверчино?Показать ответ

Самая ранняя работа на этой странице датирована The Glory of All the Saints. Fragment (1613), самая поздняя — Virtuous Love (1666).

Каковы были любимые сюжеты Гверчино?Показать ответ

Woman (11), Man (10) и Religious (9) из 100 работ на этой странице.

Какую технику предпочитал Гверчино?Показать ответ

Oil On Canvas: 15 из 100 работ на этой странице.

К какому художественному направлению относится Гверчино?Показать ответ

Baroque, как показывают картины на этой странице.

Какие шедевры Гверчино находятся в Баварские государственные живописные коллекции?Показать ответ

Portrait of a Woman, Christ and the Moneylender и The Persian Sybil — одни из 5 работ на этой странице, хранящихся в Баварские государственные живописные коллекции, Мюнхен.

Могу ли я приобрести репродукцию шедевра Гверчино?Показать ответ

Да. Каждую картину на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в выбранном вами размере на странице самой картины.

Жизнь Гверчино

Giovanni Francesco Barbieri (Il Guercino): A Master of Shadow and Emotion

Giovanni Francesco Barbieri, universally known as Il Guercino – “the squint” – was a name born from a physical characteristic that ultimately defined an artistic vision of extraordinary power. Born in 1591 in Cento, a small town nestled between Ferrara and Bologna in the heart of Italy’s Emilia region, his journey began not within the gilded halls of formal academies, but through a profound self-discovery shaped by early apprenticeship and a relentless pursuit of individual expression. Guercino's life was one of dramatic contrasts – from humble beginnings to recognition as a leading figure of the Baroque period, marked by both intense darkness and breathtaking luminosity in his art.

Early Influences and the Caravaggist Spirit

Guercino’s artistic development unfolded during a time of immense change and religious fervor in Italy. His early years were profoundly influenced by Ludovico Carracci, a pivotal figure in the Renaissance revival, whose studio provided him with a foundational understanding of classical composition and technique. However, it was the revolutionary naturalism of Caravaggio that truly ignited his artistic spirit. Guercino’s initial works – paintings like *Amnon and Tamar* – demonstrate this early debt to Caravaggism: stark contrasts of light and shadow (tenebrismo), a gritty realism depicting human flaws and passions, and an unflinching portrayal of biblical narratives. Unlike many artists seeking the idealized perfection of classical antiquity, Guercino embraced the raw, visceral energy of Caravaggio’s style, capturing the drama and intensity of human experience with remarkable immediacy. This early period established his reputation for dramatic intensity and a willingness to confront difficult subjects – a characteristic that would define much of his later work.

A Shift Towards Classical Grace: The 1630s Transformation

Around the 1630s, a significant transformation occurred in Guercino’s artistic style. Responding to both artistic curiosity and the demands of discerning patrons, he began to temper the harshness of Caravaggism, moving towards a more balanced and luminous approach. This wasn't merely a stylistic adjustment; it reflected a deeper engagement with classical ideals – a desire to create works that were not only emotionally resonant but also aesthetically refined. He softened his palette, introducing subtle gradations of color and employing a greater sense of spatial depth. This period witnessed the emergence of masterpieces like *The Return of the Prodigal Son*, showcasing a newfound harmony and elegance alongside the enduring intensity of his emotional vision. The influence of Guido Reni, another prominent Bolognese painter, is also evident in this shift towards a more balanced composition and refined technique.

Biblical Narratives and Psychological Depth

Guercino’s artistic focus consistently revolved around biblical narratives – stories of faith, doubt, redemption, and human suffering. However, he didn't simply illustrate these tales; he imbued them with profound psychological depth and emotional resonance. His figures are not idealized saints but flawed individuals grappling with complex moral dilemmas, wrestling with their beliefs, and experiencing the full spectrum of human emotions. *The Vocation of Saint Aloysius Gonzaga* is a particularly compelling example – a powerful depiction of religious awakening rendered with breathtaking skill and sensitivity. Guercino’s ability to capture the inner lives of his subjects, to portray their vulnerabilities and struggles with honesty and empathy, set him apart from many of his contemporaries. He understood that true piety wasn't about outward displays of devotion but about the internal battles and sacrifices that defined a life dedicated to faith. This psychological realism, combined with his masterful use of light and shadow, created paintings that were both visually stunning and emotionally compelling – works that continue to resonate deeply with viewers today.

Legacy and Rediscovery

Despite facing periods of relative obscurity in the 18th and 19th centuries, Guercino’s artistic genius was eventually rediscovered thanks to the tireless efforts of art historian Sir Denis Mahon. Mahon's meticulous research, particularly his analysis of Guercino’s account book – a detailed record of his commissions and payments – provided invaluable insights into the artist’s life and career. His work highlighted Guercino’s innovative approach to composition, his masterful use of light and shadow (chiaroscuro), and his profound understanding of human psychology. Today, Guercino's paintings are celebrated in prestigious museums across Europe – from the Pinacoteca Nazionale in Ferrara to the National Gallery in London – serving as a testament to his enduring artistic legacy. His influence can be seen in the works of subsequent generations of artists, and his paintings continue to captivate viewers with their dramatic intensity, emotional depth, and unparalleled beauty.
  • Key Museums: Works by Guercino are prominently displayed at institutions like the Pinacoteca Nazionale (Ferrara), Palazzo Brignole-Sale (Genoa), and the National Gallery (London).
  • The Power of Light and Shadow: His signature use of chiaroscuro remains a defining element of his distinctive style.
  • A Portrait of Humanity: He masterfully depicted biblical narratives with an unparalleled focus on human emotion and psychological complexity.

Все 367 работ Гверчино →