Хаим Соломонович Сутин, 1893 – 1943

Хаим Соломонович Сутин Paintings: The 100 Most Famous Works, Ranked

Хаим Соломонович Сутин's most famous painting is Chicken Hanging in Front of a Brick Wall (1924), in the Кунстмузеум Берна, Берн. With Подвешенная гусь (1925) and Suburban Landscape with Red Houses (1917), it completes the three works everyone recognises. Our catalogue lists 118 works by Хаим Соломонович Сутин; the 100 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.

Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Октябрь 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Портрет Хаим Соломонович Сутин
Хаим Соломонович Сутин · 1893 – 1943
Дата рождения · дата смерти
1893 – 1943, Смиловичи
Направление
Expressionism
Работы в нашем каталоге
118
Самые известные
Chicken Hanging in Front of a Brick Wall (1924)
Больше всего работ в
Музей Оранжере

The 10 most famous Хаим Соломонович Сутин paintings

Подвешенная гусь (1925) работы Хаим Соломонович Сутин
2

Подвешенная гусь

1925 · Масло на холсте · Ohara Museum of Art, Курасики

Художник и Время: Чайм Сoutine и Картина «Подвешенная Гусь» Чайм Сoutine (1893–1943) был одним из самых ярких представителей экспрессионизма начала XX века, художником, чье творчество отражает глубокую эмоциональную связь с природой и внутренним миром человека. Его работы отличаются необычной техникой живописи и мощным воздействием на зрителя, что делает их особенно привлекательными для коллекционеров и ценителей искусства. Картина «Подвешенная Гусь», созданная в 1925 году, является прекрасным примером этого стиля и служит…

Suburban Landscape with Red Houses (1917) работы Хаим Соломонович Сутин
3

Suburban Landscape with Red Houses

1917 · Oil On Canvas

In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

Girl in Red (1919) работы Хаим Соломонович Сутин
4

Girl in Red

1919 · Oil

A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

Portrait of a Child (1937) работы Хаим Соломонович Сутин
5

Portrait of a Child

1937 · Oil

In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

Untitled (1411) работы Хаим Соломонович Сутин
6

Untitled (1411)

A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

Beef and calf's head (1923) работы Хаим Соломонович Сутин
7

Beef and calf's head

1923 · Oil On Canvas · Музей Оранжере, Париж

The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

The Gipsy (1926) работы Хаим Соломонович Сутин
8

The Gipsy

1926 · Oil On Canvas · Statens Museum For Kunst, Копенгаген

The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

Return from School After the Storm работы Хаим Соломонович Сутин
9

Return from School After the Storm

Oil

Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

Хаим Соломонович Сутин, paintings 11 to 100

The big altar boy (1925) работы Хаим Соломонович Сутин
#13

The big altar boy

1925 · Центр Помпиду

The big altar boy is an oil on canvas portrait by Chaim Soutine. Created about 1925, the work presents a young figure, likely an altar boy, centered within…

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Man with Horse (1920) работы Хаим Соломонович Сутин
#21

Man with Horse

1920 · Метрополитен-музей

In Man with Horse, Chaim Soutine presents a scene of heavy, shifting forms. Painted about 1920, the work centers on a figure, likely a man, moving alongside a…

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Duck on Blue Background (1925) работы Хаим Соломонович Сутин
#23

Duck on Blue Background

1925 · Staatliche Kunsthalle Karlsruhe

A single avian form, likely a duck, is caught in a violent, swirling vortex of color. The subject is not rendered with anatomical precision but through a series…

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Little Girl in Blue (1935) работы Хаим Соломонович Сутин
#24

Little Girl in Blue

1935 · Кунстмузеум Берна

Chaim Soutine's "Little Girl in Blue," painted circa 1934-1935, is not merely a portrait; it’s an immersion into the heart of emotional vulnerability. This arresting canvas, currently residing…

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Dead Fowl (1926) работы Хаим Соломонович Сутин
#25

Dead Fowl

1926 · Институт искусств Чикаго

is an oil on canvas painted by Chaim Soutine in 1926. The work is part of the Joseph Winterbotham Collection. It is also known by the alternate titles…

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The Table (1919) работы Хаим Соломонович Сутин
#27

The Table

1919 · Музей Оранжере

The Table is an oil on canvas work by Chaim Soutine. Created circa 1919, this still life captures a moment of domestic disarray. It resides within the collection…

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The Turkey (1925) работы Хаим Соломонович Сутин
#28

The Turkey

1925 · Музей Оранжере

is an oil on canvas created by Chaim Soutine. Executed about 1925, the work belongs to the Jean Walter et Paul Guillaume collection. It is currently held at…

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Farm Girl [La Fille de Ferme] (1919) работы Хаим Соломонович Сутин
#50

Farm Girl [La Fille de Ferme]

1919 · Nagoya City Art Museum

白ロシア共和国(現ベラルーシ共和国)ミンスク近郊の寒村に生まれたスーチンがパリに出たのは19歳の時だった。貧困と、作品に対する無理解に苦しみながら、一人異国の地で模索する、そんな彼の才能をいち早く見い出したのがモディリアーニであった。教養もなければ、礼儀も知らず、野生児そのままといったスーチンに、モディリアーニはナイフやフォークの使い方を教え、制作の助言をし、しばしば絶望感にさいなまれる彼を励ました。しかし、彼は生涯野生児のままであった。30歳目前の若さでアメリカ人のコレクターに見い出され、作品が売れ、流行の背広に身を包むようになっても、彼の孤独と不安は、ついにいやされることはなかった。 スーチンの作品に一貫して表現されているのは、彼の孤独と不安の叫びである。その絵画世界では、あらゆるものがゆがみ、ねじまげられ、苦し気にのたうっているが、それはまさしくスーチン自身の内面の姿にほかならない。 《農家の娘》でも筆致の速さは目立つものの、スーチン特有のうねり、ゆがみの表現は比較的少なく、モデルの素朴な印象が引き立つように色彩は抑えられている。画家の描く対象との向き合い方を物語る一枚である。(出典: 名古屋市美術館展示解説カード)

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The old mill работы Хаим Соломонович Сутин
#65

The old mill

The old mill is an oil on canvas by Chaim Soutine. It emerged from the artist's brush around 1922-23. The paint clings to the fabric in thick, restless…

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Landscape with trees in the wind (1919) работы Хаим Соломонович Сутин
#66

Landscape with trees in the wind

1919 · The Ema Klabin House Museum

This arresting landscape, titled “Landscape with trees in the wind,” offers a profound glimpse into the artistic world of Chaim Soutine (1894-1943), a painter whose intensely personal and…

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Windy Day, Auxerre работы Хаим Соломонович Сутин
#67

Windy Day, Auxerre

The Phillips Collection

Windy Day, Auxerre is a work by Chaim Soutine. Created in the summer of 1939, the painting captures a specific moment of atmospheric tension. The scene is situated…

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The Pheasant работы Хаим Соломонович Сутин
#69

The Pheasant

The Phillips Collection

The Pheasant is a work by Chaim Soutine, executed between c. 1926 and c. 1927. The artist was born near Minsk, Russia, in what is now Belarus. Following…

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Woman in Profile работы Хаим Соломонович Сутин
#70

Woman in Profile

The Phillips Collection

Woman in Profile is a portrait of Madame Tennent painted by Chaim Soutine. This work was created about 1937. The composition focuses on the subject from a side…

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Хаим Соломонович Сутин's paintings by period

The subjects Хаим Соломонович Сутин painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Хаим Соломонович Сутин's paintings

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Хаим Соломонович Сутин Картины из этого списка
Музей Оранжере, ПарижМузей Оранжере Париж 9 Beef and calf's head, The Table, The Turkey
Метрополитен-музей, Нью-ЙоркМетрополитен-музей Нью-Йорк 7 Woman in Red Blouse, Man with Horse, Apples
The Phillips Collection, Вашингтон, округ КолумбияThe Phillips Collection Вашингтон, округ Колумбия 4 Windy Day, Auxerre, The Pheasant, Woman in Profile
Nagoya City Art Museum, НагояNagoya City Art Museum Нагоя 3 Still Life with Fowl [Nature Morte à La Volaille], Farm Girl [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
Израильский музей, ИерусалимИзраильский музей Иерусалим 3 Landscape, Hill in Céret, Calf and Red Curtain
Кунстмузеум Берна, БернКунстмузеум Берна Берн 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
Кливлендский музей искусств, КливлендКливлендский музей искусств Кливленд 2 Seated Woman, Still Life with Rayfish
Институт искусств Чикаго, ЧикагоИнститут искусств Чикаго Чикаго 2 Dead Fowl, Landscape at Cagnes

Хаим Соломонович Сутин's most famous painting of each decade

  1. 1910s
    Suburban Landscape with Red Houses (1917) работы Хаим Соломонович Сутин
    Rank 3 / 100

    Suburban Landscape with Red Houses

    Возраст 17 – 26

    In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with…

  2. 1920s
    Chicken Hanging in Front of a Brick Wall (1924) работы Хаим Соломонович Сутин
    Rank 1 / 100

    Chicken Hanging in Front of a Brick Wall

    Возраст 27 – 36 · Кунстмузеум Берна

    The painting titled Chicken Hanging in Front of a Brick Wall emerged from the restless hand of Chaim Soutine. Created about 1924, the work captures a singular, heavy…

  3. 1930s
    Portrait of a Child (1937) работы Хаим Соломонович Сутин
    #5 of 100

    Portrait of a Child

    Возраст 37 – 46

    In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents…

Questions about Хаим Соломонович Сутин's paintings

What is Хаим Соломонович Сутин's most famous painting?Show the answer

Chicken Hanging in Front of a Brick Wall (1924), Кунстмузеум Берна, Берн. Next come Подвешенная гусь (1925) and Suburban Landscape with Red Houses (1917).

How old was Хаим Соломонович Сутин when Chicken Hanging in Front of a Brick Wall was painted?Show the answer

31 years old: Chicken Hanging in Front of a Brick Wall dates from 1924 and Хаим Соломонович Сутин was born in 1893.

What are the top 10 paintings by Хаим Соломонович Сутин?Show the answer

Chicken Hanging in Front of a Brick Wall, Подвешенная гусь, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm и Ceret Lanscape. The ranking above gives the year and the museum of each.

How many paintings did Хаим Соломонович Сутин make?Show the answer

Our catalogue lists 118 works by Хаим Соломонович Сутин, dated from 1916 to 1937.

Where are Хаим Соломонович Сутин's most famous paintings?Show the answer

Most of them are in Музей Оранжере (Париж), Метрополитен-музей (Нью-Йорк) и The Phillips Collection (Вашингтон, округ Колумбия). The table above lists the museums one by one.

When did Хаим Соломонович Сутин paint the most famous works?Show the answer

In 1920s: 38 of the 100 works on this page date from then, among them Chicken Hanging in Front of a Brick Wall.

What are Хаим Соломонович Сутин's earliest and latest famous paintings?Show the answer

The earliest on this page is Self-Portrait (1916), the latest Portrait of a Child (1937).

What did Хаим Соломонович Сутин paint most often?Show the answer

Portrait (5), Meat (4) и Woman (4), among the 100 works on this page.

What medium did Хаим Соломонович Сутин use most?Show the answer

Oil On Canvas: 15 of the 100 works on this page.

Which art movement does Хаим Соломонович Сутин belong to?Show the answer

Expressionism, as the paintings on this page show.

Which Хаим Соломонович Сутин paintings can I see at the Музей Оранжере?Show the answer

Beef and calf's head, The Table и The Turkey are among the 7 works on this page held by the Музей Оранжере, Париж.

Can I buy a reproduction of a Хаим Соломонович Сутин painting?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

About Хаим Соломонович Сутин

A Life Forged in Turmoil: The World of Chaim Soutine

Chaim Soutine, a name synonymous with raw emotion and turbulent landscapes, was born into a world of profound hardship that indelibly shaped his artistic vision. Born Chaïm-Iche Solomonovich Sutin on January 13, 1893, in Smilavichi (now part of Belarus), within a large, impoverished Jewish family, his early life was steeped in the realities of poverty and the constraints imposed by Orthodox religious observance. This formative experience—a childhood marked by scarcity and tradition—became the bedrock upon which he built his intensely personal and often unsettling artistic style. Despite the discouragement of figurative representation within his upbringing, a remarkable talent for drawing emerged, hinting at the passionate intensity that would later define his work. He received formal training at an art academy in Vilna (now Vilnius) from 1910 to 1913, but it was his emigration to Paris in 1913 that proved to be the catalyst for his artistic transformation. Enrolling at the École des Beaux-Arts under Fernand Cormon, Soutine found himself immersed in a vibrant and dynamic artistic community, yet he remained largely outside of prevailing trends, forging a unique path driven by an inner urgency. The initial years in Paris were characterized by extreme poverty—a struggle that mirrored the emotional turbulence simmering beneath the surface of his canvases.

An Expressionist Apart: Style and Influences

While often categorized as an Expressionist, to reduce Soutine solely to this label is a significant oversimplification. His style was profoundly individual, a complex synthesis of traditional European painting—particularly the works of Rembrandt and Chardin, masters known for their meticulous observation and profound psychological insight – and the Realism of Courbet, who captured the gritty realities of everyday life with unflinching honesty. Soutine didn’t merely imitate these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own intensely personal world. His paintings are immediately recognizable for their bold colors—often applied with thick impasto, a textured application of paint that gives his surfaces a palpable physicality – and agitated brushwork, creating a sense of movement and unrest. He wasn’t interested in precise representation; instead, he sought to capture the *essence* of his subjects, imbuing them with a sense of unease, vulnerability, or even outright torment. Landscapes became arenas for this exploration, rendered not as serene vistas but as swirling masses of color and form, reflecting both what he saw and how he *felt*. Portraits, too, were imbued with psychological depth, challenging conventional notions of beauty and revealing the hidden complexities of his subjects. The influence of figures like Amedeo Modigliani, who explored the interplay between form and emotion, further shaped Soutine’s artistic trajectory.

Development and Defining Works

Soutine's artistic development unfolded through distinct periods, each marked by a shift in style and subject matter. The early Parisian years (1913-1917) were characterized by experimentation and struggle, as he navigated the challenges of poverty and sought to establish his own voice within the bustling art scene. It was during this time that he began to develop his signature technique—the layering of paint, the use of contrasting colors, and the creation of a sense of depth and movement through brushwork. A pivotal period arrived with his sojourn in Céret (1919-1922), a small town in southern France renowned for its dramatic landscapes. Surrounded by the rugged beauty of the Pyrenees Mountains, Soutine produced some of his most celebrated works—paintings that capture the raw energy and emotional intensity of the region. These paintings are characterized by vibrant colors, distorted forms, and a sense of almost violent movement, reflecting not just the physical landscape but also the artist’s own inner turmoil. The series of still lifes featuring food – particularly carcasses of beef and hung poultry – became another defining element of his oeuvre, imbued with a strange beauty and unsettling energy. These works were not merely depictions of objects; they were explorations of life, death, and the human condition.

Recognition, Legacy, and Lasting Impact

Despite facing initial skepticism from critics, Soutine gradually gained recognition for his unique artistic vision. The art dealer Leopold Zborowski played a crucial role in promoting his work, recognizing its power and securing him financial stability. While he remained somewhat elusive during his lifetime, his paintings eventually found their way into the collections of prestigious museums worldwide, including the Art Institute of Chicago, the Hermitage Museum in St. Petersburg, and the Tate Gallery in London. Soutine’s influence extended far beyond the Expressionist movement, inspiring later artists such as Willem de Kooning and Francis Bacon, who recognized in his work a kindred spirit—an artist willing to challenge conventions and explore the depths of human emotion through unconventional means. Today, Chaim Soutine is rightfully considered one of the most important figures in 20th-century art, a testament to the power of individual vision and the enduring legacy of his emotionally charged paintings. His innovative style paved the way for future generations of artists seeking to express themselves authentically and powerfully on canvas.

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