Андерс Цорн, 1860 – 1920

100 самых известных картин художника Андерс Цорн

Картина, принесшая Андерс Цорн мировую славу, — это Self-portrait (1882); она находится в Национальный музей Швеции, Стокгольм. Isabella Stewart Gardner in Venice (1894) и Junikväll (Evening in June) следуют за ними в сердцах коллекционеров и посетителей музеев. Из 340 работ Андерс Цорн в нашем каталоге эти 100 являются самыми признанными; для каждой указаны дата создания, музей и уникальные особенности.

Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Октябрь 2026. Каждое произведение на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в любом выбранном вами размере.

Портрет Андерс Цорн
Андерс Цорн · 1860 – 1920
Дата рождения · дата смерти
1860 – 1920, Мура
Направление
Impressionism
Работы в нашем каталоге
340
Самые известные
Self-portrait (1882)
Больше всего работ в
Национальный музей Швеции

Андерс Цорн: десять шедевров

Self-portrait (1882) работы Андерс Цорн
1

Self-portrait

1882 · Acrylic On Canvas · Национальный музей Швеции, Стокгольм

Anders Leonard Zorn’s “Self-Portrait,” painted in 1882, isn't merely a likeness; it’s an intimate revelation, a carefully constructed glimpse into the mind and spirit of one of Sweden’s most celebrated artists. Executed in delicate watercolor on paper, this work transcends the typical self-portraiture of its time, offering not just a visual representation but a profound meditation on identity, observation, and the artist's own place within the world. The painting captures…

Isabella Stewart Gardner in Venice (1894) работы Андерс Цорн
2

Isabella Stewart Gardner in Venice

1894 · Acrylic On Canvas · Isabella Stewart Gardner Museum, Бостон

Anders Leonard Zorn's "Isabella Stewart Gardner in Venice," painted in 1894, isn’t merely a portrait; it’s an exquisitely rendered distillation of memory, movement, and the enduring allure of Venetian light. The painting captures not just a likeness of the American socialite Isabella Stewart Gardner – a woman renowned for her passionate collecting and transformative influence on Boston's Museum of Fine Arts – but also a feeling, a fleeting moment suspended…

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900) работы Андерс Цорн
4

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)

1900 · Oil On Canvas · Метрополитен-музей, Нью-Йорк

Anders Leonard Zorn’s “Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)” is more than just a portrait; it's a window into the life of a remarkable woman and a testament to her profound impact on the world of music. Painted in 1900, this oil-on-canvas masterpiece captures Mary Elizabeth Adams Brown – a philanthropist whose dedication resulted in one of the most significant collections of musical instruments housed at The Metropolitan…

Ida by the Window (1908) работы Андерс Цорн
5

Ida by the Window

1908 · Oil On Canvas

Anders Zorn painted Ida by the Window in 1908. The subject of this work is Ida, who held the position of housekeeper at the artist's home in Mora. She is depicted standing before a window, wearing a green dress and a white scarf around her neck. Her hands rest on her hips as she gazes outward. In the background, two other figures are visible, one positioned on the left side…

Halsey Cooley Ives (1894) работы Андерс Цорн
8

Halsey Cooley Ives

1894 · Oil On Canvas · Художественный музей Сент-Луиса, Сент-Луис

The room feels quiet, heavy with the weight of a man’s presence. Halsey Cooley Ives sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward an unseen point beyond the frame. There is a profound sense of stillness here, as if the air itself has paused to respect his contemplation. He is a man of substance, draped in a dark suit that seems to absorb…

Portrait Study of a Man (1901) работы Андерс Цорн
9

Portrait Study of a Man

1901 · Oil On Canvas · Институт искусств Чикаго, Чикаго

The man sits in a quiet, heavy stillness, his gaze meeting the viewer with a steady and direct intensity. Light spills from the upper left, catching the ridge of his forehead and the edge of a hand, while the rest of his form retreats into deep, charcoal shadows. There is a profound sense of introspection here, as if he has just paused mid-thought to acknowledge an unexpected presence in the…

Charles Nagel (1901) работы Андерс Цорн
10

Charles Nagel

1901 · Oil On Canvas · Национальная портретная галерея, Вашингтон, округ Колумбия

In this 1901 oil on canvas, we encounter Charles Nagel not as a mere likeness, but as a study in quiet dignity. The subject is positioned in a bust-length composition, his gaze meeting ours with a serious, steady expression that suggests a life of intellect and weight. There is a certain gravity to his posture, an unhurried stillness that commands the space around him. The lighting is handled with a…

Больше шедевров художника Андерс Цорн, от 11 до 100

Castles in the Air (1885) работы Андерс Цорн
#15

Castles in the Air

1885 · Национальный музей Швеции

A young woman occupies the center of this 1885 watercolor, framed by the circular silhouette of a large parasol. The composition uses the parasol as a halo, casting…

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Mefisto Consul Dahlander (1884) работы Андерс Цорн
#16

Mefisto Consul Dahlander

1884 · Национальный музей Швеции

Anders Zorn created Mefisto Consul Dahlander in 1884. The work functions as a role portrait, capturing a specific characterization rather than a standard likeness. The subject is Harald…

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Mrs Henriette Lamm работы Андерс Цорн
#91

Mrs Henriette Lamm

Национальный музей Швеции

In this portrait, titled Mrs Henriette Lamm, Anders Leonard Zorn turns his attention to a woman who occupied a significant place in his personal circle. The subject, Henriette…

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Mrs. Morewood (1883) работы Андерс Цорн
#97

Mrs. Morewood

1883 · Suomen Kansallisgalleria

In the realm of Swedish Impressionism, few works capture the delicate intersection of social poise and inner reflection as profoundly as Anders Leonard Zorn’s Mrs. Morewood. Painted in…

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Сюжеты, которые чаще всего писал Андерс Цорн

Четыре темы, которые чаще всего встречаются в этих шедеврах, с лучшими примерами каждой из них.

Где можно увидеть картины Андерс Цорн

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Андерс Цорн Картины из этого списка
Национальный музей Швеции, СтокгольмНациональный музей Швеции Стокгольм 35 Self-portrait, The Artist's Wife, Girl from Dalecarlia knitting. Cabbage Margit
Isabella Stewart Gardner Museum, БостонIsabella Stewart Gardner Museum Бостон 8 Isabella Stewart Gardner in Venice, The Omnibus, Abram Piatt Andrew, Jr.
Thiel Gallery, StockholmThiel Gallery Stockholm 5 Model Study, On the Rock, In the Loft
Метрополитен-музей, Нью-ЙоркМетрополитен-музей Нью-Йорк 5 Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Wet, Edward R. Bacon (1846–1915)
Институт искусств Чикаго, ЧикагоИнститут искусств Чикаго Чикаго 5 Portrait Study of a Man, Nude Girl in Doorway, Maria Sheldon Scammon
Национальная портретная галерея, Вашингтон, округ КолумбияНациональная портретная галерея Вашингтон, округ Колумбия 4 Charles Nagel, Nelson Wilmarth Aldrich
New York Historical Society, Нью-ЙоркNew York Historical Society Нью-Йорк 2 Charles Tracy Barney (1850–1907), Samuel Untermyer (1858–1940)
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 2 Untitled (AQQLRE), Agnes Branting (1862-1930), textile artist, textile researcher

Андерс Цорн, десятилетие за десятилетием: главная картина каждого периода

  1. 1870s
    Model Study (1879) работы Андерс Цорн
    Место 31 из 100

    Model Study

    Возраст 10 – 19 · Thiel Gallery
  2. 1880s
    Self-portrait (1882) работы Андерс Цорн
    Место 1 из 100

    Self-portrait

    Возраст 20 – 29 · Национальный музей Швеции

    Anders Leonard Zorn’s “Self-Portrait,” painted in 1882, isn't merely a likeness; it’s an intimate revelation, a carefully constructed glimpse into the mind and spirit of one of Sweden’s…

  3. 1890s
    Isabella Stewart Gardner in Venice (1894) работы Андерс Цорн
    Место 2 из 100

    Isabella Stewart Gardner in Venice

    Возраст 30 – 39 · Isabella Stewart Gardner Museum

    Anders Leonard Zorn's "Isabella Stewart Gardner in Venice," painted in 1894, isn’t merely a portrait; it’s an exquisitely rendered distillation of memory, movement, and the enduring allure of…

  4. 1900s
    Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900) работы Андерс Цорн
    Место 4 из 100

    Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)

    Возраст 40 – 49 · Метрополитен-музей

    Anders Leonard Zorn’s “Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)” is more than just a portrait; it's a window into the life of a remarkable woman and…

  5. 1910s
  6. 1920s

Шедевры Андерс Цорн: вопросы и ответы

Какая картина наиболее известна авторства Андерс Цорн?Показать ответ

Self-portrait (1882), Национальный музей Швеции, Стокгольм. Далее следуют Isabella Stewart Gardner in Venice (1894) и Junikväll (Evening in June).

Сколько лет было Андерс Цорн, когда он(а) писал(а) Self-portrait?Показать ответ

22 лет: Self-portrait датируется 1882 годом, а Андерс Цорн родился в 1860.

Какие десять величайших картин принадлежат Андерс Цорн?Показать ответ

Self-portrait, Isabella Stewart Gardner in Venice, Junikväll (Evening in June), Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Ida by the Window, Valsen, Vallkulla, Halsey Cooley Ives, Portrait Study of a Man и Charles Nagel. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько работ написал Андерс Цорн?Показать ответ

В нашем каталоге представлено 340 работ Андерс Цорн, созданных в период с 1879 по 1920.

В каких музеях можно увидеть шедевры Андерс Цорн?Показать ответ

Большинство из них находятся в Национальный музей Швеции (Стокгольм), Isabella Stewart Gardner Museum (Бостон) и Thiel Gallery (Stockholm). В таблице выше музеи перечислены по порядку.

Когда Андерс Цорн написал свои шедевры?Показать ответ

За 1900s: 26 из 100 работ на этой странице относятся к этому периоду, в том числе Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918).

Каковы первые и последние известные картины Андерс Цорн?Показать ответ

Самая ранняя работа на этой странице датирована Model Study (1879), самая поздняя — red stocking (1920).

Каковы были любимые сюжеты Андерс Цорн?Показать ответ

Woman (15), Portrait (14) и Man (8) из 100 работ на этой странице.

Какую технику предпочитал Андерс Цорн?Показать ответ

Oil On Canvas: 19 из 100 работ на этой странице.

К какому художественному направлению относится Андерс Цорн?Показать ответ

Impressionism, как показывают картины на этой странице.

Какие шедевры Андерс Цорн находятся в Национальный музей Швеции?Показать ответ

Self-portrait, The Artist's Wife и Girl from Dalecarlia knitting. Cabbage Margit — одни из 17 работ на этой странице, хранящихся в Национальный музей Швеции, Стокгольм.

Могу ли я приобрести репродукцию шедевра Андерс Цорн?Показать ответ

Да. Каждую картину на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в выбранном вами размере на странице самой картины.

Жизнь Андерс Цорн

Anders Leonard Zorn: A Swedish Master of Light and Life

Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

Early Years and Artistic Beginnings

Zorn’s artistic journey began not within the hallowed halls of a prestigious academy, but on the very soil of his family’s farm in Mora, Sweden. His parents, though separated at birth, instilled in him a deep appreciation for craftsmanship and the rhythms of rural life. He spent his formative years learning wood carving from his grandparents, developing an early fascination with capturing form and detail – skills that would later inform his meticulous approach to portraiture. At the age of twelve, he was sent to Enköping, a nearby town, where he received a more structured education, attending a grammar school and discovering his exceptional talent for drawing. This initial recognition led to his acceptance into the Royal Swedish Academy of Arts in Stockholm at just fifteen years old – an extraordinary achievement for someone from such humble origins. Initially intending to pursue sculpture, Zorn quickly found himself drawn to watercolor painting, captivated by its ability to capture fleeting moments and atmospheric effects. He was particularly influenced by the work of Egron Lundgren, a prominent Swedish watercolorist whose vibrant landscapes demonstrated a mastery of light and color that deeply resonated with young Zorn.

The Rise to International Recognition

Zorn’s early success in watercolor propelled him onto the art scene, attracting commissions from Stockholm's elite and setting the stage for an international career. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work, depicting a young girl grieving her deceased mother, captured the profound sadness of loss with breathtaking realism and emotional depth. The painting was exhibited at the Academy’s annual exhibition and immediately garnered widespread acclaim, establishing Zorn as a rising star in the Swedish art world. He quickly realized that his talent demanded more than the constraints of academic training; he sought to break free from traditional artistic conventions and forge his own unique style. This desire led him to embark on extensive travels throughout Europe – London, Paris, Spain, and Tangier – immersing himself in diverse cultures and artistic traditions. These journeys broadened his perspective and influenced his approach to subject matter, particularly his fascination with capturing the essence of everyday life.

A Synthesis of Influences and Artistic Development

Zorn’s style was not a simple imitation of any single movement or artist; rather, it was a carefully crafted synthesis of various influences. He absorbed elements from Spanish masters like Velázquez – particularly his masterful use of light and shadow – while simultaneously drawing inspiration from the directness and realism of Scandinavian naturalism. His time spent in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts, developing a distinctive style characterized by its luminous color palette, meticulous detail, and emotional intensity. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium.

Portraits of Royalty and Presidents

Zorn’s international success was largely fueled by his remarkable talent for portraiture. He possessed an uncanny ability to capture not just physical likenesses but also the character, intellect, and even the soul of his subjects. He painted portraits of royalty – including King Oscar II of Sweden – as well as prominent figures from American society, including Grover Cleveland, William H. Taft, and Theodore Roosevelt. His portraits were highly sought after by wealthy patrons and influential politicians alike, solidifying his reputation as one of the most accomplished portraitists of his era. His ability to distill the essence of his sitters into compelling visual narratives was a testament to his keen observational skills and profound understanding of human psychology.

Legacy and Enduring Impact

Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.

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