Exhumation (1917) — самая известная картина Jos Postmes, которая находится в Bonnefanten Museum в городе Маастрихт. Из 2 работ Jos Postmes в нашем каталоге мы выбрали 2 самых популярных среди коллекционеров и посетителей музеев — с указанием года, музея и истории каждого произведения.
Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Ноябрь 2026. Каждое произведение на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в любом выбранном вами размере.
1 музеев, в которых находится больше всего картин со страницы.
| Музей | Город | Работы Jos Postmes | Картины из этого списка |
|---|---|---|---|
 Bonnefanten Museum |
Маастрихт | 2 | Exhumation, Boy's Head |
1917 — это год создания каждого шедевра Jos Postmes на этой странице: перед вами они, в порядке популярности.
Exhumation (1917)
21 лет: Exhumation датируется 1917 годом, а Jos Postmes родился в 1896.
В нашем каталоге представлено 2 работ Jos Postmes.
Большинство из них находятся в Bonnefanten Museum (Маастрихт). В таблице выше музеи перечислены по порядку.
За 1917: 2 из 2 работ на этой странице относятся к этому периоду, в том числе Exhumation.
Exhumation и Boy's Head — одни из 2 работ на этой странице, хранящихся в Bonnefanten Museum, Маастрихт.
Да. Каждую картину на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в выбранном вами размере на странице самой картины.
Jos Postmes lived a life closely tied to the streets and classrooms of Maastricht. Born in 1896, his hands were rarely still, moving between the precision of a draftsperson and the fluid touch of a painter. He spent his early years learning under Rob Graafland at the Stadsteekeninstituut, a time when the weight of a pencil and the texture of paper were becoming his primary language. His path led him from the local Sunday School for Decorative Arts to the Rijksacademie voor Beeldende Kunsten in Amsterdam, where he studied alongside Han Jelinger, Henri Jonas, and Jos Narinx. Under the guidance of Antoon Derkinderen, his technical foundations were laid, shaping a way of seeing that would define his later years.
His work was not confined to a single medium. He moved through the world as a painter, textile artist, draftsperson, graphic artist, lithographer, and etcher. This versatility allowed him to touch many different parts of the visual landscape in the Netherlands.
By 1925, Postmes had earned his qualification for industrial education, a step that allowed him to teach drawing to students in both lower and middle-level vocational schools. He was not merely a creator of images but a builder of skills. In 1927, he took on the role of director at the Middelbare Kunstnijverheidsschool in Maastricht. His presence in the city was felt through his commitment to making Maastricht a center for art and science, a goal that drove his professional life until his death in 1934.
His output left behind specific traces in the local landscape and collections:
The years between 1911 and 1934 saw a steady accumulation of technical mastery and institutional influence. He worked in Maastricht and spent time in Amsterdam between 1916 and 1918, always maintaining a connection to the Dutch landscape. His life was cut short in Maastricht, leaving behind a legacy that was documented in later years by researchers looking into his role as a promoter of art education. He remains a figure of the Maastricht art scene, a man who saw the importance of both the finished work and the hands that learn to make it.