John Simpson, 1782 – 1847

Картины художника John Simpson: 20 самых известных работ в рейтинге

Самая известная картина John Simpson — это The Duke of Wellington (1769–1852), которая находится в Королевская военная больница Челси, Лондон. Вместе с Clarkson Frederick Stanfield (1829) и D. Maria II, Queen of Portugal (1819-1853) (1837) они образуют триптих из произведений, узнаваемых каждым. В нашем каталоге представлено 22 работ John Simpson; ниже перечислены 20 самых известных произведений с указанием года создания, музея, где они хранятся, и причин их значимости.

Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Ноябрь 2026. Каждое произведение на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в любом выбранном вами размере.

Портрет John Simpson
John Simpson · 1782 – 1847
Дата рождения · дата смерти
1782 – 1847, London
Работы в нашем каталоге
22
Самые известные
The Duke of Wellington (1769–1852)
Больше всего работ в
Национальная портретная галерея

10 самых известных картин John Simpson

The Duke of Wellington (1769–1852) работы John Simpson
1

The Duke of Wellington (1769–1852)

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

Репродукция маслом ручной работы от $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) работы John Simpson
2

Clarkson Frederick Stanfield

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

Репродукция маслом ручной работы от $181 29 × 35 cm Размер как у оригинала $299 64 × 77 cm Заказать в оригинальном размере →
D. Maria II, Queen of Portugal (1819-1853) (1837) работы John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

Репродукция маслом ручной работы от $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) работы John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

Репродукция маслом ручной работы от $181 28 × 36 cm Размер как у оригинала $551 102 × 130 cm Заказать в оригинальном размере →
Portrait of the Duke of Terceira (1832) работы John Simpson
5

Portrait of the Duke of Terceira

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

Репродукция маслом ручной работы от $181 29 × 35 cm Размер как у оригинала $301 64 × 77 cm Заказать в оригинальном размере →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) работы John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

Репродукция маслом ручной работы от $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) работы John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, Лондон

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

Репродукция маслом ручной работы от $181 29 × 35 cm Размер как у оригинала $299 64 × 76 cm Заказать в оригинальном размере →
William IV (1765–1837) (1830) работы John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

Репродукция маслом ручной работы от $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) работы John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

Репродукция маслом ручной работы от $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) работы John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

Репродукция маслом ручной работы от $181 24 × 42 cm

John Simpson, картины с 11 по 20

Сюжеты, которые чаще всего писал John Simpson

Четыре темы, которые чаще всего встречаются в этих шедеврах, с лучшими примерами каждой из них.

Где можно увидеть картины John Simpson

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы John Simpson Картины из этого списка
Национальная портретная галерея, ЛондонНациональная портретная галерея Лондон 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, ЛондонNational Maritime Museum Лондон 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
Королевская военная больница Челси, ЛондонКоролевская военная больница Челси Лондон 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Национальный музей Соареш-душ-Рейш, ПортуНациональный музей Соареш-душ-Рейш Порту 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
Шотландская национальная портретная галерея, ЭдинбургШотландская национальная портретная галерея Эдинбург 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, ЛондонEnglish Heritage Лондон 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

Самая известная картина John Simpson каждого десятилетия

  1. 1820s
    Clarkson Frederick Stanfield (1829) работы John Simpson
    Место 2 из 20

    Clarkson Frederick Stanfield

    Возраст 38 – 47 · Национальная портретная галерея

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) работы John Simpson
    #3 из 20

    D. Maria II, Queen of Portugal (1819-1853)

    Возраст 48 – 57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) работы John Simpson
    № 15 из 20

    Sir Charles Napier (1786–1860), Admiral

    Возраст 58 – 65 · Шотландская национальная портретная галерея

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

Вопросы о картинах John Simpson

Какая самая известная картина John Simpson?Показать ответ

The Duke of Wellington (1769–1852), Королевская военная больница Челси, Лондон. Далее следуют Clarkson Frederick Stanfield (1829) и D. Maria II, Queen of Portugal (1819-1853) (1837).

Какие 10 лучших картин John Simpson?Показать ответ

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) и Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. В рейтинге выше указаны год создания и музей для каждой работы.

Сколько картин написал(а) John Simpson?Показать ответ

В нашем каталоге представлено 22 работ John Simpson, созданных в период с 1822 по 1841.

Где находятся самые известные картины John Simpson?Показать ответ

Большинство из них находятся в Национальная портретная галерея (Лондон), National Maritime Museum (Лондон) и Королевская военная больница Челси (Лондон). В таблице выше музеи перечислены по порядку.

В какой период John Simpson создал свои самые известные работы?Показать ответ

За 1830s: 9 из 20 работ на этой странице относятся к этому периоду, в том числе D. Maria II, Queen of Portugal (1819-1853).

Какие самые ранние и поздние известные картины принадлежат John Simpson?Показать ответ

Самая ранняя работа на этой странице датирована Captain Peter Heywood (1773–1831) (1822), самая поздняя — Sir Charles Napier (1786–1860), Admiral (1841).

Что чаще всего писал John Simpson?Показать ответ

Man (13), Dark background (5) и Portrait (4) из 20 работ на этой странице.

Какая техника чаще всего использовалась у John Simpson?Показать ответ

Oil On Canvas: 10 из 20 работ на этой странице.

Какие картины John Simpson можно увидеть в Национальная портретная галерея?Показать ответ

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) и Sir Herbert Taylor — одни из 3 работ на этой странице, хранящихся в Национальная портретная галерея, Лондон.

Можно ли купить репродукцию картины John Simpson?Показать ответ

Да. Каждую картину на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в выбранном вами размере на странице самой картины.

Об John Simpson

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.