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Egrets, Peonies, and Willows

5 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely

Имя Класс Дата
yamamoto baiitsu, Egrets, Peonies, and Willows (801). Общественное достояние.

Основные сведения

Автор
yamamoto baiitsu wahooart.com/ru/artists/yamamoto-baiitsu/
Даты создания произведения
1783 – 1856
Техника: живопись
801
Оригинальный размер
146.1cm x 71.8cm

In context

Egrets, Peonies, and Willows — yamamoto baiitsu

How big is it?

The original measures 146 × 72 cm (height × width), drawn here beside an adult of average height.

Когда это было написано?

  1. 800
  2. 880
  3. 960
  4. 1040
  5. 1120
  6. 1200
  7. 1280
  8. 1360
  9. 1440
  10. 1520
  11. 1600
  12. 1680
  13. 1760
  14. 1840

Затененная область: годы жизни yamamoto baiitsu (1783–1856) ▲ эта работа, 801

Сравнить с

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: wahooart.com/ru/art/similar/yamamoto-baiitsu-egrets-peonies-and-willows-D32CG7-en/

Цвета

Измерено по изображению

    Основной цвет

    Putty #cdbd9f

    Каталогизированная палитра

    • #CDBD9F
    • #120E0D
    • #AA8C67
    • #786F5C
    Палитра
    Neutrals Преобладающая цветовая гамма на изображении.
    Название основного цвета
    Putty
    Насыщенность
    Balanced Насколько насыщенными и разнообразными являются цвета — от одного приглушенного оттенка до множества ярких.
    Контраст
    Gentle Насколько различаются цвета по светлоте и насыщенности в разных частях картины.
    Гармония
    Unified Palette Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Brilliant Насколько светлой или темной кажется картина в целом, от глубокой тени до яркого блика.
    Насыщенность
    Balanced Soft Насколько чисты и сильны эти цвета — от почти серых до максимально ярких.

    Об этом произведении

    Egrets, Peonies, and Willows — yamamoto baiitsu

    A pair of herons pause in shallow water beneath a drooping willow branch and tall stems of flowering plants, painted in the “boneless” manner, with limited ink outline and pale wash. Yamamoto Baiitsu mingled with Kyoto literati circles but also sought varied artistic influences in the work of Chinese painter Shen Nanpin (Shen Quan, 1682–1758), who worked in Japan from 1731 to 1733, and other Chinese artists known in Japan. He transformed what he learned into an idiosyncratic style characterized by a sensuous surface quality and serene clarity. Distinctive to his technique was an inclination to use ink in the same manner in which colors were customarily applied—not only for linear brushwork but also for soft washes. Skillfully combining ink wash with washes of color and well-defined, sinuous contours, he contributed a lyrical, intimate vision of nature to Literati (Nanga) painting.

    Художник и музей

    Egrets, Peonies, and Willows — yamamoto baiitsu

    Автор

    yamamoto baiitsu

    A Life Immersed in the Beauty of Nature: Yamamoto Baiitsu

    Yamamoto Baiitsu, born in Nagoya in 1783 during Japan’s Edo period, wasn't initially destined for a life wielding brush and ink. His father, Yamamoto Yumigiemon, was a respected sculptor serving the Tokugawa lords of the Owari domain – a lineage steeped in craftsmanship but not necessarily painting. However, Baiitsu’s path gracefully diverged, leading him to become one of the most celebrated artists of his time, renowned for his delicate depictions of flowers and landscapes imbued with a profound sense of tranquility. His journey reflects a fascinating intersection of artistic traditions and personal refinement within the vibrant cultural landscape of Edo Japan. While details of his early training remain somewhat scarce, it’s known that Baiitsu received instruction in various styles, laying the foundation for his unique aesthetic voice. A particularly significant relationship blossomed with Nakabayashi Chikuto (1776-1853), a fellow painter with whom he shared a close friendship and artistic exchange, undoubtedly influencing his development.

    The Blossoming of a Style: Influences and Artistic Development

    Baiitsu’s art is deeply rooted in the traditions of Nanga (literati painting) and Shijo-ha (Four Schools), styles that emphasized scholarly pursuits, poetic expression, and a reverence for nature.

    Где почитать подробнее

    Найти онлайн

    QR-код, ведущий на страницу загрузки Egrets, Peonies, and Willows

    wahooart.com/ru/art/download/yamamoto-baiitsu-egrets-peonies-and-willows-D32CG7-en/

    Как сослаться на это произведение

    MLA
    baiitsu, yamamoto. Egrets, Peonies, and Willows. 801, https://wahooart.com/ru/art/yamamoto-baiitsu-egrets-peonies-and-willows-D32CG7-en/
    APA
    baiitsu, yamamoto (801). Egrets, Peonies, and Willows [Painting]. https://wahooart.com/ru/art/yamamoto-baiitsu-egrets-peonies-and-willows-D32CG7-en/
    Chicago
    yamamoto baiitsu. Egrets, Peonies, and Willows. 801. https://wahooart.com/ru/art/yamamoto-baiitsu-egrets-peonies-and-willows-D32CG7-en/
    Harvard
    baiitsu, yamamoto (801) Egrets, Peonies, and Willows. Available at: https://wahooart.com/ru/art/yamamoto-baiitsu-egrets-peonies-and-willows-D32CG7-en/

    Look closely

    Egrets, Peonies, and Willows — yamamoto baiitsu

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Flowers and Grasses of Autumn (1843), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.