Картина, принесшая Robert Tournières мировую славу, — это Pomona (1739); она находится в Национальный музей Швеции, Стокгольм. Portrait of an Old Man (Guillaume de Lisle?) (1700) и Michel Corneille l'Aîné (1642-1708) (1702) следуют за ними в сердцах коллекционеров и посетителей музеев. Из 18 работ Robert Tournières в нашем каталоге эти 16 являются самыми признанными; для каждой указаны дата создания, музей и уникальные особенности.
Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Октябрь 2026. Каждое произведение на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в любом выбранном вами размере.
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
The gaze of the subject in Portrait of Unknown Woman as Hebe meets the viewer with a quiet, steady presence. This work, painted by Robert Le Vrac De…
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Четыре темы, которые чаще всего встречаются в этих шедеврах, с лучшими примерами каждой из них.
8 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Robert Tournières | Картины из этого списка |
|---|---|---|---|
 Национальный музей Швеции |
Стокгольм | 1 | Pomona |
 Opera House |
Versailles | 1 | Michel Corneille l'Aîné (1642-1708) |
 Бирмингемский музей и художественная галерея |
Бирмингем | 1 | Portrait of Richard (Dicky) Bateman |
 Musée des Beaux-Arts de Dijon |
Дижон | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) |
 Музей изящных искусств Будапешта |
Будапешт | 1 | Count Ferdinand Adolf von Plettenberg and his Family |
 Лувр |
Париж | 1 | Concert |
 Государственный Эрмитаж |
Санкт-Петербург | 1 | Portrait of Unknown Woman as Hebe |
 Musée d'Arts de Nantes |
Нант | 1 | Portrait of the Maupertuis family |
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque…
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece…
Pomona (1739), Национальный музей Швеции, Стокгольм. Далее следуют Portrait of an Old Man (Guillaume de Lisle?) (1700) и Michel Corneille l'Aîné (1642-1708) (1702).
72 лет: Pomona датируется 1739 годом, а Robert Tournières родился в 1667.
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert и Pierre Louis Moreau de Maupertuis. В рейтинге выше указаны год создания и музей для каждой работы.
В нашем каталоге представлено 18 работ Robert Tournières, созданных в период с 1690 по 1750.
Большинство из них находятся в Национальный музей Швеции (Стокгольм), Opera House (Versailles) и Бирмингемский музей и художественная галерея (Бирмингем). В таблице выше музеи перечислены по порядку.
За 1700s: 2 из 16 работ на этой странице относятся к этому периоду, в том числе Portrait of an Old Man (Guillaume de Lisle?).
Самая ранняя работа на этой странице датирована Concert (1690), самая поздняя — Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).
Portraits (3) и Portraiture (2) из 16 работ на этой странице.
Oil On Canvas: 3 из 16 работ на этой странице.
Rococo, как показывают картины на этой странице.
Да. Каждую картину на этой странице можно заказать как высококачественную масляную репродукцию ручной работы или художественную печать в выбранном вами размере на странице самой картины.
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.