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Copyright Această operă face parte din domeniul public. Samuel Wallin a decedat în 1917; drepturile de autor durează 70 ani după moartea artistului, astfel încât au expirat în 1987.
În context
Mrs. David Howe (Sarah Whitney) — Samuel Wallin
Originalul măsoară 7 × 6 cm (înălțime × lățime), prezentat aici alături de un adult de înălțime medie.
Shaded: întreaga viață a lui Samuel Wallin (1856–1917)
Pentru această înregistrare nu există un an exact în arhivă — având în vedere perioada de viață a artistului și stilul operei, ce deceniu ați ghici?
Alege o lucrare de mai sus: numește două elemente pe care le are în comun cu aceasta și unul care o diferențiază.
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Despre această operă
Mrs. David Howe (Sarah Whitney) — Samuel Wallin
The sitter (1776-1857) was the daughter of Samuel and Abigail Whitney.
Artist și muzeu
Născut în Easton, United States of America
Samuel Wallin’s life was a rich tapestry, woven from the threads of industrial craftsmanship and the high-stakes arena of American politics. Born in Easton, Pennsylvania, in 1856, his journey took him from the rugged landscapes of his birth to the burgeoning community of Amsterdam, New York. Before he ever held a brush to canvas, Wallin’s hands were intimately acquainted with the tactile world of textiles; his early engagement in the manufacture of carpets and rugs provided a foundation far more profound than mere labor. This period of craftsmanship instilled in him a meticulous attention to detail and an acute sensitivity to the weight, texture, and enduring beauty of material qualities—sensibilities that would later define his approach to the painted portrait.
As Wallin transitioned from the loom to the canvas, he simultaneously ascended the heights of public service. His life was not a choice between art and statecraft, but rather a seamless integration of the two. Serving as an alderman and later as the Mayor of Amsterdam, New York, Wallin navigated the complexities of local governance with the same precision he applied to his compositions. His political ascent reached its zenith when he was elected to the Sixty-third Congress, representing New York’s 30th District. This exposure to the corridors of power and the diverse spectrum of human ambition provided him with an unparalleled psychological toolkit. To Wallin, a portrait was not merely a likeness; it was an exploration of character, informed by his deep understanding of the societal dynamics and the individual spirits he encountered in his political life.
In his artistic output, Wallin leaned toward a profound realism, prioritizing the psychological depth of his subjects over mere ornamentation. His technique sought to mirror the solidity of the world around him, striving for an authenticity that resonated with the era's evolving national identity. Through his brush, sitters were rendered with a sense of permanence and dignity, capturing the very essence of their presence. Notable examples of his mastery include:
Mrs. David Howe (Sarah Whitney): A work that captures the legacy of her lineage through a lens of quiet strength.
David Howe: A portrait reflecting the industrious spirit of the Boston silver-smith.
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Mrs. David Howe (Sarah Whitney) — Samuel Wallin
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