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Set a boat afloat

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Park Jun Sik, Set a boat afloat, Gyeonggi Creation Center. Reproducere în scop de referință; toate drepturile aparțin titularului drepturilor de autor.

Detalii esențiale

Artist
Park Jun Sik wahooart.com/ro/artists/park-jun-sik_ro/
Date artistului
1991 – ?
Locul de desfășurare
Gyeonggi Creation Center wahooart.com/ro/museums/gyeonggi-creation-center-ansan/

În context

Set a boat afloat — Park Jun Sik

Când ar fi putut fi pictată această lucrare?

  1. 1990

Shaded: întreaga viață a lui Park Jun Sik (1991–?)

Pentru această înregistrare nu există un an exact în arhivă — având în vedere perioada de viață a artistului și stilul operei, ce deceniu ați ghici?

Paletă de culori

Extras din imagine

    Culoare principală

    White #eceff3

    Paletă salvată

    • #ECEFF3
    • #2C2B25
    • #5C5140
    • #C2CEDF
    Paletă
    Neutrals Gama dominantă de culori din imagine.
    Nume culoare principală
    White
    Saturare
    Monochromatic Nivelul de saturație și varietatea culorilor, de la o singură nuanță temperată la numeroase nuanțe vibrante.
    Contrast
    Statement Gradul de diferențiere a culorilor în ceea ce privește luminozitatea și saturația pe întreaga suprafață a imaginii.
    Armonie
    Discordant Palette Modul în care culorile interacționează între ele, de la contrast puternic la o unitate completă.
    Luminozitate
    Bright Nivelul de luminozitate sau întunecare al întregii imagini, de la umbrele profunde la luminile strălucitoare.
    Saturație
    Muted Cât de pure și intense sunt culorile, de la un gri aproape neutru până la nuanțe complet vibrante.

    Despre această operă

    Set a boat afloat — Park Jun Sik

    The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

    Artist și muzeu

    Artist

    Park Jun Sik

    Născut în Coreea de Sud

    Park Jun Sik: A Painter of Serene Landscapes and Symbolic Depth

    Park Jun Sik, born November 16, 1991, in Yongin, South Korea, represents a burgeoning voice within contemporary Korean art—specifically landscape painting imbued with profound symbolic resonance. While biographical details remain somewhat sparse, emerging evidence suggests a formative influence from the Zen Buddhist tradition, shaping his artistic vision and aesthetic sensibilities.

    Early Life and Artistic Beginnings

    Information regarding Park Jun Sik’s childhood is limited; however, he possesses a strong connection to Korean culture rooted in Buddhism, as evidenced by his name—Hyung Shik—chosen by a monk symbolizing harmony and enlightenment. From a young age, he demonstrated an aptitude for music, joining his school band and performing covers of popular Korean artists like Buzz and Flower. This passion fueled his participation in the Yongin Youth Music Contest, where he garnered recognition from several entertainment agencies, ultimately propelling him toward a career dedicated to artistic expression. Notably, he honed his skills in Gumdo, a Korean martial art emphasizing discipline and balance—a practice that undoubtedly contributed to his contemplative approach to visual art.

    Musical Career: ZE:A and Beyond

    Before establishing himself as a painter, Park Jun Sik gained prominence as a member of ZE:A (Children of Empire), debuting in 2010 under Star Empire Entertainment. The group’s success solidified his initial foray into the entertainment industry, fostering collaborations with fellow artists and broadening his artistic horizons. His performances showcased versatility and charisma, attracting considerable attention from audiences across Asia. Following ZE:A's disbandment, Park continued to cultivate his musical talent independently, exploring diverse genres and expanding his fanbase.

    Painting Style and Notable Works

    Park Jun Sik’s artistic style centers around landscape painting—a genre characterized by its focus on capturing the beauty of natural environments while incorporating subtle symbolic elements. His canvases often depict tranquil vistas bathed in soft light, inviting viewers to contemplate themes of serenity, introspection, and connection with nature. While his oeuvre remains relatively modest compared to established masters, “Set a Boat Afloat” stands out as a testament to his artistic prowess—a piece celebrated for its masterful use of color and texture, conveying a sense of quiet contemplation and spiritual depth.

    Influence and Legacy

    Although Park Jun Sik’s artistic journey is still unfolding, he embodies the spirit of Korean contemporary art—embracing minimalism while simultaneously enriching his work with symbolic imagery. His dedication to mastering Gumdo and fostering collaborative relationships within the music industry underscores his holistic approach to creativity. As a rising talent in the visual arts landscape, Park Jun Sik promises to contribute significantly to the ongoing dialogue about beauty, contemplation, and artistic expression within South Korea and beyond.

    Muzeu

    Gyeonggi Creation Center

    Expus în Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

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    Accesează online

    Cod QR care trimite la pagina de descărcare pentru Set a boat afloat

    wahooart.com/ro/art/download/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Citare lucrare

    MLA
    Sik, Park Jun. Set a boat afloat. n.d., Gyeonggi Creation Center. https://wahooart.com/ro/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    APA
    Sik, Park Jun (n.d.). Set a boat afloat [Painting]. Gyeonggi Creation Center. https://wahooart.com/ro/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Chicago
    Park Jun Sik. Set a boat afloat. n.d. Gyeonggi Creation Center. https://wahooart.com/ro/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Harvard
    Sik, Park Jun (n.d.) Set a boat afloat. Gyeonggi Creation Center. Available at: https://wahooart.com/ro/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

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    Set a boat afloat — Park Jun Sik

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