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Ie vine Coco

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Francisco Goya, Ie vine Coco (1799), Muzeul Artele din Los Angeles. Lipsit de drepturi de autor.

Detalii esențiale

Artist
Francisco Goya wahooart.com/ro/artists/francisco-goya_ro/
Date artistului
1746 – 1828
Pictură
1799
Material
Acrilic pe pânză
Dimensiune originală
21 x 15 cm
Mișcare
Romantic Era
Locul de desfășurare
Muzeul Artele din Los Angeles wahooart.com/ro/museums/muzeul-artele-din-los-angeles-los-angeles_ro/
Artistic style
Dark satire
Influences
Old Masters
Notable elements or techniques
Masked figure; Dramatic lighting
Subject or theme
Fear; Anxiety

În context

Ie vine Coco — Francisco Goya

Care sunt dimensiunile sale?

Originalul măsoară 21 × 15 cm (înălțime × lățime), prezentat aici alături de un adult de înălțime medie.

Anul realizării

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800
  8. 1810
  9. 1820

Shaded: întreaga viață a lui Francisco Goya (1746–1828) ▲ această operă, 1799

Artă similară

Alege o lucrare de mai sus: numește două elemente pe care le are în comun cu aceasta și unul care o diferențiază.

Alte lucrări care pot fi puse alături de aceasta: wahooart.com/ro/art/similar/francisco-goya-ie-vine-coco-D3X3RY-ro/

Paletă de culori

Extras din imagine

    Culoare principală

    Verde sap #645d4f

    Paletă salvată

    • #645D4F
    • #A19D8F
    • #3C372D
    • #DBDCD6
    Nume culoare principală
    Verde sap
    Saturare
    Monocromatic Nivelul de saturație și varietatea culorilor, de la o singură nuanță temperată la numeroase nuanțe vibrante.
    Contrast
    Descriere Gradul de diferențiere a culorilor în ceea ce privește luminozitatea și saturația pe întreaga suprafață a imaginii.
    Armonie
    Paletă unitară Modul în care culorile interacționează între ele, de la contrast puternic la o unitate completă.
    Luminozitate
    Echilibrat Nivelul de luminozitate sau întunecare al întregii imagini, de la umbrele profunde la luminile strălucitoare.
    Saturație
    Culori tenue Cât de pure și intense sunt culorile, de la un gri aproape neutru până la nuanțe complet vibrante.

    Despre această operă

    Ie vine Coco — Francisco Goya

    Here Comes The Bogey Man – A Descent Into Fearful Imagination

    Francisco José de Goya y Lucientes’ “Here Comes The Bogey Man,” completed in 1799, isn't merely a depiction of a domestic scene; it’s a chilling exploration of anxieties lurking beneath the veneer of bourgeois tranquility. Executed as an etching and aquatint print from his monumental series “Los Caprichos,” this artwork transcends simple storytelling to deliver a profound statement about human psychology and societal unease.

    Subject Matter: The painting portrays a woman seated on a bed alongside her two children, facing the ominous presence of a man dressed in a mask – an instantly recognizable symbol of terror and deception. This figure embodies the bogeyman archetype, representing primal fears associated with childhood nightmares and anxieties about authority figures.

    Style & Technique: Goya’s masterful use of etching and aquatint lends itself to dramatic tonal variations, capturing the unsettling atmosphere with remarkable precision. The artist skillfully employs hatching and cross-hatching to build up textures and contours, emphasizing the shadowy recesses of the room and intensifying the psychological tension.

    Historical Context: “Los Caprichos” emerged during a period of significant social upheaval in Spain – the Napoleonic Wars had disrupted established order, fueling discontent and questioning traditional values. Goya’s satirical intent reflects this broader cultural climate, challenging viewers to confront uncomfortable truths about human nature and societal hypocrisy.

    Symbolism: The mask itself is laden with symbolic significance. It obscures identity, representing hidden dangers and concealing the true intentions of those in power. Furthermore, the woman's posture – rigid yet vulnerable – speaks volumes about the anxieties inherent in motherhood and the struggle to protect one’s children from harm.

    Emotional Impact: “Here Comes The Bogey Man” succeeds in eliciting a visceral response from the viewer. The painting captures the palpable fear of impending doom, prompting contemplation on themes of vulnerability, deception, and the darker side of human experience. It remains a haunting reminder that even within seemingly idyllic settings, anxieties and terrors can persist unseen.

    Further research into Goya’s oeuvre reveals his unwavering commitment to portraying the realities of suffering – both physical and psychological – with unflinching honesty. As evidenced by works like “Saturn Devouring His Son” and “The Third of May 1808,” Goya consistently confronted uncomfortable truths about human cruelty and injustice, cementing his legacy as one of the most influential artists of the Romantic era.

    Artist și muzeu

    Artist

    Francisco Goya

    Născut în Fuendetodos, Spania

    The Spanish Soul: A Life Forged in Shadow and Light

    Francisco José de Goya y Lucientes, a name that echoes through the corridors of art history, embodies a profound paradox – he was both a product of his time, deeply rooted in the traditions of Old Masters, and a visionary who anticipated the anxieties and expressive freedom of modern art. Born in 1746 in the unassuming village of Fuendetodos, Spain, Goya’s journey from a provincial artist to court painter, and ultimately, to a chronicler of human suffering and societal decay, is a testament to his extraordinary talent and the turbulent era he navigated. His early training began at fourteen under José Luzán y Martinez, laying the groundwork for his artistic skills before he moved to Madrid and honed his craft with Anton Raphael Mengs, then the dominant force in the Spanish court. This initial period instilled within him a mastery of form and composition, evident in his early commissions – designs for tapestries that depicted lively scenes of everyday life, reflecting a Rococo sensibility tempered by a distinctly Spanish realism. His marriage to Josefa Bayeu, sister of another painter within the royal circle, further solidified his position within the artistic establishment. These early works, while charming and skillfully executed, offered little indication of the profound emotional depth and unsettling darkness that would characterize much of his later oeuvre.

    Ascension and Transformation: From Courtly Grace to Inner Turmoil

    Goya’s rise through the ranks of the Spanish court was steady. He secured a position as a painter to the Royal Chamber in 1786, receiving a constant stream of portrait commissions from the aristocracy and royalty. These portraits are remarkable not merely for their technical brilliance – Goya possessed an uncanny ability to capture likeness with unflinching honesty – but also for their psychological insight. He didn’t simply paint what his sitters looked like; he revealed something of their character, their vulnerabilities, and even their hidden anxieties. The Countess of Chinchón, for example, is not merely a beautiful woman adorned in elegant attire, but a figure radiating intelligence and perhaps a touch of melancholy. However, beneath the veneer of courtly success, a transformation was brewing within Goya. A pivotal event occurred in 1793: a severe illness left him profoundly deaf, an affliction that irrevocably altered his perception of the world and, consequently, his art. This isolation plunged him into a period of intense introspection and solitude, severing his connection to the social life he once enjoyed and forcing him inward towards a darker, more subjective reality. The shift in his artistic style was dramatic – bright colors gave way to somber tones, and cheerful scenes were replaced by brooding compositions charged with emotional intensity. He began to explore themes of madness, violence, and the irrational, foreshadowing the anxieties that would grip Europe in the coming decades.

    The Dark Visions: Caprichos, Disasters, and Black Paintings

    This period of artistic ferment culminated in some of Goya’s most iconic works. Los Caprichos, a series of eighty etchings published in 1799, served as a scathing satire of Spanish society – its follies, superstitions, and moral corruption laid bare with unflinching wit and biting irony. The images are grotesque yet captivating, populated by witches, monsters, and caricatures of the aristocracy, all rendered with a masterful command of etching techniques. Yet, it was The Disasters of War, created between 1810 and 1820, that truly cemented Goya’s reputation as a fearless chronicler of human suffering. These harrowing etchings depict the brutality of the Peninsular War – the atrocities committed by both sides, the starvation, the despair, and the utter devastation wrought upon the Spanish people. They are not heroic depictions of battle; they are unflinching portrayals of its horrors, devoid of any romanticism or glorification. Perhaps most unsettling of all are The Black Paintings, a series of fourteen murals Goya painted directly onto the walls of his house, “Quinta del Sordo” (the Deaf Man’s Villa), between 1819 and 1823. These works – including the terrifying Saturn Devouring His Son and the haunting Asmodea – are a descent into the darkest recesses of the human psyche, expressing themes of despair, madness, and existential dread with unparalleled intensity. They represent a radical departure from traditional artistic conventions, anticipating the expressive power of abstract art.

    Techniques and Influences

    Goya’s artistic development was shaped by a confluence of influences. Initially trained in the traditions of Old Masters, he gradually embraced innovation, experimenting with various mediums and techniques throughout his career. His mastery of etching allowed him to create intricate details and expressive lines, while aquatint enabled him to achieve a range of tones and textures, enhancing the emotional impact of his prints. He was particularly adept at capturing human emotion through loose and expressive brushwork, especially in his later paintings. His early works demonstrate a strong influence from the Rococo style, characterized by delicate colors and graceful figures, but as he matured, he increasingly incorporated elements of Romanticism – dramatic lighting, intense emotions, and a focus on individual experience. The work of Francisco Bayeu, his brother-in-law, also played a significant role in shaping Goya’s artistic development, while the Italian masters, particularly Caravaggio, undoubtedly influenced his use of chiaroscuro (the contrast between light and dark).

    Etching:

    Goya's skill with etching allowed him to create incredibly detailed and expressive lines.

    Aquatint:

    This technique enabled him to achieve a wide range of tones and textures, adding depth and emotion to his prints.

    Brushwork:

    His loose and expressive brushstrokes, particularly in his later paintings, conveyed a sense of immediacy and emotional intensity.

    A Legacy of Innovation and Influence

    In 1824, disillusioned by the political turmoil in Spain, Goya sought exile in Bordeaux, France, where he continued to work until his death in 1828. His final years were marked by a renewed focus on printmaking, culminating in the La Tauromaquia series, which explored the spectacle and brutality of bullfighting. Francisco Goya’s legacy is immense and far-reaching. He stands as a pivotal figure in art history, bridging the gap between the Old Masters and modern art. His influence can be seen in the works of countless artists who followed – from Édouard Manet and Pablo Picasso to Francis Bacon – all drawn to his expressive brushwork, psychological depth, and willingness to confront uncomfortable truths. He challenged artistic conventions, embraced innovation, and dared to explore the darker aspects of human experience, leaving behind a body of work that continues to resonate with audiences today. Goya wasn’t merely painting pictures; he was holding up a mirror to society, forcing us to confront our own flaws and vulnerabilities, and reminding us of the enduring power – and fragility – of the human spirit.

    Muzeu

    Muzeul Artele din Los Angeles

    Expus în Los Angeles, Statele Unite ale Americii

    A Journey Through Artistic Expression: The Los Angeles County Museum of Art

    Nestled within the verdant embrace of Hancock Park, a mere stone’s throw from both the boundless expanse of the Pacific Ocean and the vibrant pulse of downtown Los Angeles, lies the Los Angeles County Museum of Art (LACMA). More than simply a repository of artistic treasures, LACMA stands as a testament to the city's enduring spirit—a dynamic crossroads where history converges with imagination, and where the echoes of countless cultures resonate through its expansive halls. Founded in 1961 with a bold vision, born from the shared ambition of Edward W. Carter and Howard F. Ahmanson Sr., LACMA has evolved into one of America’s most significant art institutions, a place where visitors embark on an unforgettable journey through millennia of creative expression.

    The museum's genesis is inextricably linked to William Pereira’s visionary architecture—a modernist masterpiece characterized by soaring glass facades and geometric forms that immediately established LACMA as a landmark. This architectural statement wasn’t merely about aesthetics; it was a declaration of aspiration, reflecting the city’s burgeoning cultural landscape. However, the building’s initial design presented challenges – the reflective pools surrounding the structure were soon overwhelmed by tar from the adjacent La Brea Tar Pits, leading to ingenious modifications that ultimately enhanced the museum’s visual impact. The subsequent additions by Hardy Holzman Pfeiffer Associates and Bruce Goff—the Robert O. Anderson Building for 20th-century art and the Pavilion for Japanese Art respectively—further solidified LACMA's reputation as a champion of innovation and diverse artistic voices. Each building, in its own distinct style, contributes to the museum’s overall narrative – a story of continuous growth and engagement with the world of art.

    A Kaleidoscope of Collections

    LACMA’s strength resides not just in its impressive physical space but, crucially, within the breadth and depth of its collection. Spanning an astonishing range of eras and artistic traditions, LACMA boasts holdings that tell a compelling story of human creativity. From the haunting cave paintings of prehistoric times to the cutting-edge installations of today, the museum’s inventory is a veritable timeline of artistic development. A particular highlight lies in its European painting collection—a dazzling array of Renaissance portraits by masters like Titian and Raphael, offering intimate glimpses into the lives and aspirations of bygone eras. Equally captivating are the Californian art holdings, celebrating the unique identity of the region through works by artists such as Norman Charles Zammitt and Marianne Sadowski. The museum’s commitment to global representation is powerfully demonstrated in its Asian Art collection—a breathtaking assemblage of intricate sculptures from Japan and China, each piece a testament to centuries of artistic heritage. And, of course, LACMA's modern and contemporary art holdings are consistently pushing boundaries, showcasing works by influential figures like Bruce Goff and Chris Burden.

    Architectural Marvels & Engaging Exhibitions

    Beyond its collections, LACMA itself is an immersive work of art. The campus is a carefully orchestrated environment, featuring buildings designed by renowned architects—each contributing to the museum’s overall aesthetic harmony. Notably, Chris Burden's Urban Light, a mesmerizing assemblage of vintage street lamps, has become an iconic symbol of LACMA—a radiant beacon attracting visitors and photographers alike. Throughout its history, LACMA has consistently championed artistic experimentation and fostered critical conversations about social issues. Past exhibitions have honored artists like Robert Irwin, whose perceptual explorations redefined the boundaries of art, and Barbara Kruger, whose provocative text-based works challenged societal norms. More recently, presentations have delved into themes of family life through photography and celebrated the influence of Scandinavian design—demonstrating the museum’s ongoing commitment to engaging with contemporary audiences.

    Connections & Community

    LACMA's dedication extends beyond its walls, fostering a vibrant connection with other institutions within Exposition Park. The George C. Page Museum at La Brea Tar Pits and the California Science Center are integral partners, offering visitors a holistic understanding of scientific discovery alongside artistic contemplation. The museum’s location provides unparalleled access to the cultural heart of Los Angeles, further solidifying its role as a vital community resource. LACMA's commitment to inclusivity is evident in its educational programs, accessible facilities, and ongoing efforts to engage audiences from all backgrounds—inspiring creativity, fostering understanding, and reaffirming art’s transformative power for generations to come. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its mission to celebrate the enduring legacy of human artistic expression.

    Useful Links

    Los Angeles County Museum of Art

    Los Angeles County Museum of Art - Google Arts & Culture

    Additional Research:

    Los Angeles

    Comitatul Los Angeles, California

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    MLA
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    APA
    Goya, Francisco (1799). Ie vine Coco [Painting]. Muzeul Artele din Los Angeles. https://wahooart.com/ro/art/francisco-goya-ie-vine-coco-D3X3RY-ro/
    Chicago
    Francisco Goya. Ie vine Coco. 1799. Muzeul Artele din Los Angeles. https://wahooart.com/ro/art/francisco-goya-ie-vine-coco-D3X3RY-ro/
    Harvard
    Goya, Francisco (1799) Ie vine Coco. Muzeul Artele din Los Angeles. Available at: https://wahooart.com/ro/art/francisco-goya-ie-vine-coco-D3X3RY-ro/

    Priviți cu atenție

    Ie vine Coco — Francisco Goya

    Privire atentă

    Răspundecu propriile tale cuvinte. Nu există răspunsuri greșite aici — doar răspunsuri pe care le poți explica.

    1. Ce vă atrage atenția prima dată și de ce?
    2. Ce culori sau forme creează atmosfera — și care este acea atmosferă?
    3. Catalogul nostru clasifică această lucrare sub: fear, nightmare, family. Sunteți de acord? Ce ați adăuga sau ce ați elimina?
    4. Reveniți la 3 Mai 1808: Execuția Apărătorilor din Madrid, prezentat anterior în acest ghid. Identificați două elemente pe care le împarte cu această lucrare și unul care diferă.
    5. Francisco Goya avea aproximativ 53 ani când a fost creată această lucrare. Ce elemente din ea seamănă cu opera unui artist aflat în acea etapă?

    Răspunsul tău

    Scrie un scurt paragraf despre această operă de artă. Folosește faptele prezentate în părțile anterioare ale acestui ghid și răspunsurile oferite mai sus.

    Quiz de artă

    Ie vine Coco — Francisco Goya

    Cât de bine cunoști această operă de artă?

    Selectați câte un răspuns pentru fiecare dintre cele 5 întrebări de mai jos. Fiecare are exact un singur răspuns corect.

    1. 1. ¿De qué artista es esta obra?

      • A Pablo Picasso
      • B Francisco de Goya
      • C Vincent van Gogh
    2. 2. ¿En qué año fue creada esta pintura?

      • A 1808
      • B 1799
      • C 1812
    3. 3. ¿Cuál es el tema principal de la obra?

      • A Un paisaje urbano
      • B Una escena religiosa
      • C El miedo y la amenaza
    4. 4. ¿Qué técnica artística se utilizó para crear esta imagen?

      • A Óleo sobre lienzo
      • B Grabado aguafuerte con impresión en tonos negros
      • C Pintura al fresco
    5. 5. ¿Cuál es el significado simbólico del personaje vestido de máscara?

      • A Representación del artista mismo
      • B Una figura alegórica del miedo y la oscuridad
      • C Un retrato de un miembro importante de la familia real

    Scorul meu: ____ din 5

    Cheia răspunsurilor — pentru profesor

    Acesta începe o pagină nouă, astfel încât poate fi pur și simplu omis din copii.

    1B · 2B · 3C · 4B · 5B