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Self Portrait, Facing Right

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Egon Schiele, Self Portrait, Facing Right (1907). Domeniu public. Observați această pânză sub o lumină în mișcare: desenul, culoarea reală de sub vernis, pigmentul pur

Fapte relevante

Artist
Egon Schiele wahooart.com/ro/artists/egon-schiele_ro/
Date despre artist
1890 – 1918
Pictată
1907
Tehnică și material
Ulei pe pânză
Dimensiune originală
32 x 31 cm
Mișcare
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Epocă
Era modernă

În context

Self Portrait, Facing Right — Egon Schiele

Care sunt dimensiunile sale?

Originalul măsoară 32 × 31 cm (înălțime × lățime), prezentat aici alături de un adult de înălțime medie.

Când a fost pictată această operă?

  1. 1890
  2. 1900
  3. 1910

Rândul de sus: anii. Rândul de jos: vârsta artistului la începutul și la sfârșitul fiecărei perioade — 0 la naștere, 28 la moarte.

Pictată când artistul avea 17 de ani. Artistul a trăit până la vârsta de 28. 4 dintre cele 327 lucrări datate ale acestui artist din catalogul nostru au fost create anterior.

Shaded: întreaga viață a lui Egon Schiele (1890–1918) ▲ această operă, 1907 fiecare pictură datată, deceniu cu deceniu

Compară cu

Alege o lucrare de mai sus: numește două elemente pe care le are în comun cu aceasta și unul care o diferențiază.

Alte lucrări care pot fi puse alături de aceasta: wahooart.com/ro/art/similar/egon-schiele-self-portrait-facing-right-6WHKLZ-en/

Culori

Măsurată din imagine

    Culoare principală

    Verde ftalocianină #1e1514

    Paletă catalogată

    • #1E1514
    • #B78C79
    • #665358
    • #352A2D

    Aceste culori din întreaga paletă a artistului Caută alte picturi după culoare

    Nume culoare principală
    Verde ftalocianină
    Intensitate
    Monocromatic Rândul de saturație și varietatea culorilor, de la o singură nuanță temperată la numeroase nuanțe vibrante.
    Contrast
    Nuanțe blânde Gradul de diferențiere a culorilor în ceea ce privește luminozitatea și saturația pe întreaga suprafață a imaginii.
    Armonie
    Paletă de culori delicate mixate Modul în care culorile interacționează între ele, de la contrast puternic la o unitate completă.
    Luminozitate
    Umbre adânci Nivelul de luminozitate sau întunecare al întregii imagini, de la umbrele profunde la luminile strălucitoare.
    Saturație
    Sobru Cât de pure și intense sunt culorile, de la un gri aproape neutru până la nuanțe complet vibrante.

    Unde în lume este vizualizată această pictură?

    • sub 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% și mai mult
    Această lucrare în parte are prea puțini vizitatori înregistrați pentru a putea fi cartografiată, așa că fișa prezintă fiecare operă a lui Egon Schiele din ultimele doceze luni — 65 țări în total. Sursa acestor cifre

    Cele zece principale țări

    1. 1 China 44,6%78.800 visits
    2. 2 Statele Unite ale Americii 7,7%13.600 visits
    3. 3 Hong Kong 6,5%11.500 visits
    4. 4 Singapore 5,5%9.700 visits
    5. 5 Rusia 3,8%6.700 visits
    6. 6 Italia 2,7%4.700 visits
    7. 7 Spania 2,5%4.500 visits
    8. 8 Franţa 2,5%4.400 visits
    9. 9 Germania 2,3%4.100 visits
    10. 10 Lituania 2,3%4.100 visits
    11. · 55 alte țări 19,6%34.500 visits

    Identifică cele trei cele mai întunecate țări de pe hartă. Muzeul care găzduiește această pictură se află în oricare dintre acestea? Scrie un motiv pentru care oamenii de la distanță ar putea să o privească.

    Cele 20 de opere cele mai vizualizate ale lui Egon Schiele

    1. 1 Viziunea Hauntingă a Mortalității (Moartea și Omul), 1911 5,8%14.700 visits
    2. 2 Familia, 1917 3,8%9.500 visits
    3. 3 Mama cu doi copii, 1917 3,1%7.800 visits
    4. 4 Descoperiți „Portretul lui Wally” de Egon Schiele, o capodoperă expresionistă tulburătoare. Explorați tehnica sa îndrăzneață, frumusețea tulburătoare și istoria turbulentă - o piesă de colecție pentru colecționarii cu gust desăvârșit., 1912 2,5%6.200 visits
    5. 5 Casa pe Râu (cunoscută și ca Casa Veche I), 1915 1,8%4.400 visits
    6. 6 Moarte și Fetiță, 1915 1,5%3.800 visits
    7. 7 Black-Haired Girl with Lifted Skirt, 1911 1,4%3.400 visits
    8. 8 Patru arbori, 1917 1,3%3.300 visits
    9. 9 Gerti Schiele 1,3%3.300 visits
    10. 10 Moa, 1911 1,2%3.000 visits
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1,2%3.000 visits
    12. 12 Lovemaking, 1915 1,2%2.900 visits
    13. 13 Two Women Embracing, 1915 1,1%2.700 visits
    14. 14 Autoportret în Sfântul Sebastian (poster), 1914 1,1%2.700 visits
    15. 15 Autumn Trees, 1911 1,0%2.600 visits
    16. 16 Sunflower, 1909 1,0%2.400 visits
    17. 17 Autorportret, 1912 0,9%2.200 visits
    18. 18 Crouching Woman with Green Headscarf, 1914 0,9%2.200 visits
    19. 19 Kneeling Female in Orange-Red Dress, 1910 0,9%2.200 visits
    20. 258 Self Portrait, Facing Right, 1907 această pictură 0,1%200 visits

    Împreună, aceste lucrări reprezintă 33,1% din întreaga atenție primită de picturile acestui artist în ultimele doceze luni. Catalogul cuprinde 635 lucrări ale acestui artist, dintre care 447 au fost vizualizate cel puțin o dată. This painting ranks 258 of them, with 0,1% of that attention (200 visits). Aceleași cifre, lună de lună

    Barele măsoară atenția, nu calitatea. Alege lucrarea de la începutul listei și pe aceasta: numește un singur lucru care ar putea face o pictură celebră, dincolo de cât de bine este executată.

    Despre această operă

    Self Portrait, Facing Right — Egon Schiele

    Self Portrait, Facing Right: An Intimate Glimpse into Egon Schiele's Soul

    Egon Schiele’s Self Portrait, Facing Right, created in 1907, is a poignant and revealing work that encapsulates the artist’s burgeoning Expressionist style. Measuring 32 x 31 cm and rendered in oil on canvas, this self-portrait offers an intimate glimpse into the psyche of a young man grappling with complex emotions during a pivotal moment in his artistic development.

    The Portrait's Composition and Technique

    The portrait depicts Schiele himself, positioned facing right. His gaze is direct yet contemplative, drawing the viewer into a silent dialogue. The composition is strikingly simple; the subject fills most of the frame, eliminating extraneous details and focusing attention solely on his face and upper torso. This deliberate framing intensifies the sense of intimacy and vulnerability. Schiele’s technique in this piece demonstrates a move away from traditional academic realism towards the expressive distortions characteristic of Expressionism. The brushstrokes are visible and energetic, contributing to a raw and immediate feel. He employs a limited color palette dominated by dark blues, purples, and browns, punctuated by warmer tones in the skin. This restricted range enhances the somber mood and emphasizes the play of light and shadow.

    The Significance of Light and Shadow

    Light plays a crucial role in shaping the emotional impact of Self Portrait, Facing Right. The dark background serves to isolate and highlight Schiele’s face, creating a dramatic chiaroscuro effect – a technique utilizing strong contrasts between light and dark to model forms and create depth. This deliberate use of light not only emphasizes the subject's features but also contributes to an atmosphere of introspection and melancholy. It echoes the influence of earlier masters while simultaneously forging a distinctly modern aesthetic. The way Schiele manipulates light underscores his desire to convey psychological truth rather than mere visual representation.

    Historical Context and Expressionist Influences

    Created in 1907, this self-portrait emerged during a period of significant artistic upheaval. Vienna at the turn of the century was a hotbed of intellectual and cultural innovation, but also social unrest. Schiele’s work reflects this complex environment. He was deeply influenced by Gustav Klimt, his mentor at the Vienna School of Arts and Crafts, yet he quickly developed his own distinct style that pushed beyond Klimt's decorative aesthetic towards a more raw and psychologically probing exploration of human emotion. Self Portrait, Facing Right exemplifies this shift, foreshadowing the intense emotionality and psychological depth that would characterize Schiele’s later works. It stands as an early but powerful statement of his commitment to Expressionism – a movement dedicated to conveying subjective feelings and experiences through distorted forms and exaggerated colors.

    Beyond This Portrait: Exploring Schiele's Oeuvre

    Self Portrait, Facing Right is just one facet of Egon Schiele’s prolific output. His artistic legacy includes numerous other significant works that explore themes of sexuality, identity, and mortality with unflinching honesty. Notable examples include:

    Prophets (also known as Double Self Portrait): A powerful exploration of duality and spiritual searching housed at the Staatsgalerie Stuttgart in Germany.

    Portrait of Leopold Czihaczek: Another striking example of his Expressionist style, showcasing his ability to capture psychological complexity through portraiture.

    Boating: Demonstrates Schiele’s skill in depicting everyday scenes with emotional depth and a sense of underlying unease.

    Self Portrait, Facing Right remains a compelling testament to Egon Schiele's artistic genius – a window into the soul of an artist grappling with profound questions about life, identity, and the human condition.

    Artist și muzeu

    Artist

    Egon Schiele

    Născut în Tulln an der Donau, Austria

    A Life Forged in Expression

    Egon Schiele’s life, a whirlwind of artistic passion and profound personal hardship, unfolded from his birth in Tulln an der Donau, Austria, in 1890. His early years were steeped in sorrow; the loss of his father, a railway station master, due to syphilis when Egon was just fourteen cast a long shadow, fueling within him a haunting preoccupation with mortality and the fragility of human existence. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, yet it fostered an independent spirit—a crucial element in shaping his artistic vision. From a young age, he displayed an intense fascination with trains – a motif that would subtly reappear throughout his work – and a burgeoning talent for drawing, though this was often met with disapproval from his father who viewed it as a distraction from more practical pursuits. The untimely death of his sister Elvira further deepened the emotional landscape of his youth, imbuing his art with an undercurrent of melancholy and vulnerability. These formative experiences—loss, isolation, and a yearning for self-expression—became the bedrock upon which Schiele’s unique artistic voice was built, constantly grappling with themes of life, death, and the complexities of the human condition.

    The Crucible of Vienna: Artistic Development

    Schiele's formal artistic training began at the Kunstgewerbeschule (School of Arts and Crafts) in Vienna, but he quickly found himself stifled by its conservative approach—a rigid adherence to tradition that clashed with his burgeoning creative spirit. Seeking a more stimulating environment, he transferred to the Akademie der bildenden Künste (Academy of Fine Arts), only to discover further disillusionment with its academic constraints. This dissatisfaction led him to abandon formal training altogether, choosing instead to forge his own path – a bold decision reflecting his unwavering artistic conviction and determination to express himself on his own terms. A pivotal influence during these early years was Gustav Klimt, the celebrated Secessionist painter. Schiele deeply admired Klimt’s decorative style and his exploration of symbolism, even receiving mentorship from the established artist. However, Schiele soon diverged significantly from Klimt's aesthetic, developing a distinctly individual voice characterized by its stark honesty, psychological intensity, and unflinching portrayal of human vulnerability. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. This group provided a space for experimentation and innovation, allowing Schiele to refine his style and explore new avenues of expression. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures, elongated limbs, and a palpable sense of unease. These paintings were not merely representations of physical form but explorations of the inner landscape—the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele’s art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. His landscapes, while less central to his work than his figurative paintings, demonstrate his mastery of form and color, often reflecting the same emotional intensity as his portraits. The use of line is particularly striking in Schiele’s work; it's not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. The influence of Symbolism is also evident in his use of color and symbolism, adding layers of meaning to his compositions.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

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    Citează această lucrare

    MLA
    Schiele, Egon. Self Portrait, Facing Right. 1907, https://wahooart.com/ro/art/egon-schiele-self-portrait-facing-right-6WHKLZ-en/
    APA
    Schiele, Egon (1907). Self Portrait, Facing Right [Painting]. https://wahooart.com/ro/art/egon-schiele-self-portrait-facing-right-6WHKLZ-en/
    Chicago
    Egon Schiele. Self Portrait, Facing Right. 1907. https://wahooart.com/ro/art/egon-schiele-self-portrait-facing-right-6WHKLZ-en/
    Harvard
    Schiele, Egon (1907) Self Portrait, Facing Right. Available at: https://wahooart.com/ro/art/egon-schiele-self-portrait-facing-right-6WHKLZ-en/

    Priviți cu atenție

    Self Portrait, Facing Right — Egon Schiele

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    Răspunde cu propriile tale cuvinte. Nu există răspunsuri greșite aici — doar răspunsuri pe care le poți explica.

    1. Ce vă atrage atenția prima dată și de ce?
    2. Ce culori sau forme creează atmosfera — și care este acea atmosferă?
    3. Câte fețe poți găsi? ____ (catalogue nostru numără 1 — ești de acord?)
    4. Reveniți asupra lucrării Viziunea Hauntingă a Mortalității (Moartea și Omul) (1911), prezentată anterior în acest ghid. Identificați două elemente pe care le împarte cu această lucrare și unul care diferă.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Unde puteți observa acest lucru în această lucrare?

    Răspunsul tău

    Scrie un scurt paragraf despre această operă de artă. Folosește informațiile din secțiunile anterioare ale acestui ghid și răspunsurile oferite mai sus.

    Întrebări și răspunsuri

    Culorile din "Self Portrait, Facing Right" par intense sau delicate?

    Culorile din "Self Portrait, Facing Right" de Egon Schiele au o intensitate Monocromatic.

    Cum se îmbină suportul și mișcarea în "Self Portrait, Facing Right"?

    În "Self Portrait, Facing Right", tehnica Ulei pe pânză întâlnește mișcarea Expressionism.

    Cine a creat "Self Portrait, Facing Right" și în ce stil este realizată?

    Egon Schiele a creat "Self Portrait, Facing Right", parte a mișcării Expressionism.