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Pietà

Nume Clasă Date

Carlo Crivelli, Pietà (1470), Philadelphia Art Museum. Lipsit de drepturi de autor.

Detalii esențiale

Artist
Carlo Crivelli wahooart.com/ro/artists/carlo-crivelli_ro/
Date artistului
1435 – 1495
Pictură
1470
Material
Oil On Canvas
Dimensiune originală
71 x 47 cm
Mișcare
Late Gothic Style
Locul de desfășurare
Philadelphia Art Museum wahooart.com/ro/museums/philadelphia-art-museum-philadelphia_ro/
Artistic style
Linear, detailed
Influences
Vivarini, Mantegna
Notable elements
Cross, angels, book
Subject or theme
Virgin Mary, Jesus

In context

Pietà — Carlo Crivelli

How big is it?

The original measures 71 × 47 cm (height × width), drawn here beside an adult of average height.

Anul realizării

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Shaded: întreaga viață a lui Carlo Crivelli (1435–1495) ▲ această operă, 1470

Artă similară

  • Virgin and Child, 1482 wahooart.com/ro/art/carlo-crivelli-virgin-and-child-8XXR56-en/
  • St George, 1472 wahooart.com/ro/art/carlo-crivelli-st-george-8Y35V2-en/
  • Pietà wahooart.com/ro/art/carlo-crivelli-pieta-D3KAQF-en/

Alege o lucrare de mai sus: numește două elemente pe care le are în comun cu aceasta și unul care o diferențiază.

Alte lucrări care pot fi puse alături de aceasta: wahooart.com/ro/art/similar/carlo-crivelli-pieta-8XXR69-en/

Paletă de culori

Extras din imagine

    Culoare principală

    Quinacridone Magenta #8a5c3e

    Paletă salvată

    • #8A5C3E
    • #080405
    • #B5895B
    • #512B22
    Paletă
    Earthy Gama dominantă de culori din imagine.
    Nume culoare principală
    Quinacridone Magenta
    Saturare
    Balanced Nivelul de saturație și varietatea culorilor, de la o singură nuanță temperată la numeroase nuanțe vibrante.
    Contrast
    Bold Gradul de diferențiere a culorilor în ceea ce privește luminozitatea și saturația pe întreaga suprafață a imaginii.
    Armonie
    Strong Color Unity Modul în care culorile interacționează între ele, de la contrast puternic la o unitate completă.
    Luminozitate
    Shadow Nivelul de luminozitate sau întunecare al întregii imagini, de la umbrele profunde la luminile strălucitoare.
    Saturație
    Balanced Soft Cât de pure și intense sunt culorile, de la un gri aproape neutru până la nuanțe complet vibrante.

    Despre această operă

    Pietà — Carlo Crivelli

    A Timeless Lament: Carlo Crivelli’s Pietà – A Window into Venetian Gothic Devotion

    This exquisite hand-painted reproduction of Carlo Crivelli's Pietà, dating from 1470, offers a profound meditation on grief, faith, and the enduring power of maternal love. Measuring 71 x 47 cm, this artwork transcends mere representation; it’s a deeply felt expression of sorrow rendered with the meticulous detail characteristic of Crivelli's style. The scene depicts the Virgin Mary cradling her son Jesus in his tomb, an iconic image that has resonated through centuries of Christian devotion. Two angels flank the mourning mother, their presence not merely decorative but imbued with a palpable sense of comfort and support – a visual embodiment of divine solace.

    The Master’s Hand: Crivelli's Venetian Gothic Style

    Carlo Crivelli (1435-1495), born in Venice, was a pivotal figure in the transition from late Gothic to early Renaissance art. His training, initially under Jacobello del Fiore and the Vivarini school, shaped his distinctive approach – one characterized by a linear quality, an almost obsessive attention to detail, and a masterful use of “trompe l’oeil” techniques. This Pietà exemplifies these qualities perfectly. Notice the delicate rendering of Mary's drapery, cascading with folds that seem to shift and flow, creating a sense of volume and texture. The angels are similarly rendered with a graceful elegance, their features refined and expressive. Crivelli’s palette is rich and luminous, employing vibrant blues, reds, and golds – colors traditionally associated with piety and royalty – to heighten the emotional impact of the scene.

    Symbolism Woven into the Fabric

    Beyond its immediate depiction of grief, the Pietà is laden with symbolic meaning. The cross above Mary’s head serves as a constant reminder of Jesus' sacrifice, while the book likely represents sacred scripture – a testament to the events surrounding his death and resurrection. The inclusion of the small child standing beside Mary adds another layer of interpretation; perhaps representing an infant Jesus, or symbolizing hope for future salvation. Crivelli’s deliberate choices in composition and detail invite contemplation on themes of loss, redemption, and the unwavering faith that binds humanity to the divine.

    A Legacy of Devotion – Perfect for Interior Design

    This hand-painted reproduction offers a unique opportunity to bring a timeless masterpiece into your home or office. Its scale (71 x 47 cm) makes it suitable for a variety of spaces, from intimate studies to grand living rooms. The artwork’s serene and evocative imagery is guaranteed to create a focal point, inspiring reflection and adding an element of sophisticated beauty to any setting. Inspired by the works of masters like Mantegna and Squarcione, this Pietà is more than just a reproduction; it's a tangible connection to centuries of artistic tradition – a testament to Carlo Crivelli’s enduring legacy.

    Artist și muzeu

    Artist

    Carlo Crivelli

    Born in Veneția, Italia

    primii ani și formarea

    Carlo Crivelli, pictor al Renașterii italiene, s-a născut în Veneția în jurul anului 1430-35. Provenind dintr-o familie de pictori, el și-a urmat vocația primind o formare artistică riguroasă atât în Veneția, cât și în Padova. Se crede că primele sale lecții au fost sub îndrumarea lui Jacobello del Fiore, un maestru încă activ în anul 1arg436. De asemenea, studiile sale s-au desfășurat în cadrul celebrei școli Vivarini din Veneția.

    cariera și stilul

    Anii săi de început au fost petrecuți în regiunea Veneto, unde a absorbit influențe profunde de la maeștri precum Vivarini, Squarcione și Mantegna. Până în 1458, Crivelli a părăsit zona Veneto și și-a petrecut cea mai mare parte a carierei în Marchia de Ancona, unde a reușit să dezvolte un stil personal distinctiv, care contrastează puternic cu cel al contemporanului său venețian, Giovanni Bellini. Opera sa este definită de o sensibilitate decorativă conservatoare, specifică stilului tardogotic, fiind marcată de o calitate liniară remarcabilă, de o atenție meticuloasă la detalii și de utilizarea magistrală a tehnicilor de „trompe l'oeil

    lucrări notabile și colaborări

    * Tabloul lui Carlo Crivelli, „Madonna și Copilul pe Tron” (106 x 55 cm, Muzeul de Arte Frumoase, Budapesta, Ungaria), reprezintă un exemplu sublim al stilului său. Artistul a colaborat la diverse proiecte cu fratele său mai tânăr, Vittorio Crivelli. De asemenea, Pietro Alemanno, un pictor care a emigrat în Marchia de Ancona din Germania sau Austria, a fost ucenicul și colaboratorul său.

    muzee și colecții

    * Pinacoteca di Brera din Milano, Italia, găzduiește câteva dintre lucrările lui Crivelli, inclusiv „Pietà” (128 x 241 cm). * Muzeul San Giovanni in Bragora din Veneția, Italia, deține o colecție de opere de artă din diverse perioade și stiluri, inclusiv unele atribuite lui Crivelli.

    vizualizați operele lui Carlo Crivelli pe AllPaintingsStore.com

    explorați lucrările lui Jacopo Robusti pe AllPaintingsStore.com

    aflați mai multe despre Carlo Crivelli pe Wikipedia

    Moștenirea lui Crivelli continuă să îi inspire pe iubitorii de artă și pe cercetători deopotrivă, opera sa rămânând o mărturie a puterii durabile a sensibilității decorative tardogotice.

    Muzeu

    Philadelphia Art Museum

    On show in Philadelphia, Statele Unite ale Americii

    A Sanctuary of Artistic Echoes: The Philadelphia Museum of Art

    The Philadelphia Museum of Art isn’t merely a building housing masterpieces; it's an experience woven into the very fabric of the city, a cultural landmark that resonates with both historical grandeur and contemporary vitality. Ascending the iconic “Rocky Steps,” made famous by Sylvester Stallone’s cinematic triumph, is more than just a physical climb—it’s a symbolic journey towards artistic inspiration, a prelude to encountering centuries of human creativity within its walls. Completed in 1928 through the vision of Horace Trumbauer and Julian Abele, the museum's neoclassical facade, adorned with Corinthian columns and symmetrical design, commands attention, hinting at the treasures held within. The building itself is a testament to ambition, conceived as a beacon for art and culture in Philadelphia, and its scale reflects that unwavering commitment. Inside, grand staircases sweep visitors into soaring galleries, fostering an atmosphere of awe and contemplation. A more recent addition, the Perelman Building, seamlessly integrates modern functionality with the historic character of the complex, providing state-of-the-art spaces for prints, drawings, photographs, and design objects—a testament to the museum’s evolving embrace of diverse artistic mediums. The entire structure is a stunning example of Art Deco architecture, blending classical elements with streamlined modernity, creating a space that feels both timeless and forward-looking.

    From Industrial Roots to Artistic Flourishing

    The story of the Philadelphia Museum of Art began in 1876, not as a grand palace of fine art, but as the Pennsylvania Museum and School of Industrial Art. This pioneering institution aimed to bridge the gap between artistic expression and practical skills, fostering both creativity and craftsmanship. Initially conceived as a place to showcase American industrial design alongside traditional arts, it quickly evolved into something far more ambitious. Over time, its scope expanded dramatically, fueled by generous donations – including significant contributions from prominent Philadelphians – and strategic acquisitions that transformed it into the comprehensive collection we see today. The construction of the main building on Fairmount Hill marked a pivotal moment, solidifying the museum’s position as a vital cultural hub within Philadelphia and beyond. It wasn't just about displaying art; it was about educating the public and fostering a deeper appreciation for artistic creation. Today, the museum boasts over 240,000 works, a remarkably cohesive narrative spanning continents and artistic movements – from Renaissance grandeur to contemporary installations, offering something truly captivating for every visitor. A deep dive reveals a vibrant American collection charting the development of artistic styles across the nation's history, alongside an equally captivating dedication to Asian art, offering profound glimpses into the traditions of China, Japan, Korea, and beyond.

    Whispers from Canvas and Stone

    Exploring the museum’s galleries is akin to embarking on an artistic adventure, encountering works that speak volumes about their creators and the societies they inhabited. William Michael Harnett's Still Life: Writing Table (1877) exemplifies trompe-l'œil realism with breathtaking precision, meticulously depicting everyday objects in a way that blurs the line between representation and reality. The illusion is so convincing it feels as though the scene extends beyond the canvas itself – a testament to Harnett’s mastery of perspective and detail. William Merritt Chase’s Portrait of a Lady in Black (also known as Annie Traquair Lang) offers a captivating study of elegance and social grace, capturing not just a likeness but also a sense of personality and inner life; the subtle play of light on her dress and the carefully observed details of her expression reveal a portrait far more than simply a representation. The museum's collection isn’t limited to paintings; Henri Matisse’s Portrait d'Yvonne Landsberg, Winslow Homer’s evocative Redwing Blackbirds, Benjamin West’s dramatic The Death of Hyacinth, and Peter Paul Rubens’ powerful Chained Prometheus all contribute to the richly layered artistic panorama. And for those seeking a quieter, more intimate experience, Jean-Baptiste-Siméon Chardin's Hare with Game Bag and Powder Flask offers a serene glimpse into 18th-century still life painting, showcasing masterful chiaroscuro and textured realism – a delicate meditation on nature and domesticity. The museum’s collection truly embodies the breadth of human creativity across centuries and cultures.

    Celebrating Resilience: The Gee’s Bend Quilts

    Beyond the established canon of Western art, the Philadelphia Museum of Art has also championed voices often marginalized in traditional art history. The museum's collection of quilts from Gee’s Bend, Alabama, stands as a powerful testament to this commitment. Created by African-American women – many of whom were descendants of enslaved people – these vibrant and improvisational works are more than just functional objects; they are expressions of resilience, creativity, and cultural heritage. Artists like Annie Elizabeth Pettway and Nettie Pettway Young transformed humble materials into bold abstract compositions, imbued with unique symbolism and reflecting a distinct aesthetic tradition passed down through generations. Their quilts aren’t merely decorative; they tell stories of hardship, faith, and community – offering a profound glimpse into the lives and experiences of a community that has long been overlooked. The museum's presentation of these quilts is particularly poignant, highlighting their historical context and artistic significance.

    A Living Cultural Hub

    The Philadelphia Museum of Art is not simply a repository for the past; it’s a dynamic, living institution dedicated to engaging visitors with art in meaningful ways. The iconic “Rocky Steps” have become a symbol of perseverance and triumph, embraced by visitors from around the globe – a reminder that even the most challenging goals can be achieved through dedication and effort. Beyond the main building, the Rodin Museum offers an intimate encounter with the sculptures of Auguste Rodin, while historic colonial-era houses like Mount Pleasant and Cedar Grove provide glimpses into Philadelphia’s past. The museum consistently strives to offer diverse programming—lectures, workshops, family activities, and special events—fostering dialogue and celebrating the transformative power of art. It remains a vibrant cultural hub, inspiring creativity and inviting all who enter to embark on their own artistic journey. And with its ongoing commitment to accessibility and community engagement, the Philadelphia Museum of Art continues to evolve as a vital cornerstone of Philadelphia’s cultural landscape.

    Unde puteți afla mai multe

    Accesează online

    Cod QR care trimite la pagina de descărcare pentru Pietà

    wahooart.com/ro/art/download/carlo-crivelli-pieta-8XXR69-en/

    Citare lucrare

    MLA
    Crivelli, Carlo. Pietà. 1470, Philadelphia Art Museum. https://wahooart.com/ro/art/carlo-crivelli-pieta-8XXR69-en/
    APA
    Crivelli, Carlo (1470). Pietà [Painting]. Philadelphia Art Museum. https://wahooart.com/ro/art/carlo-crivelli-pieta-8XXR69-en/
    Chicago
    Carlo Crivelli. Pietà. 1470. Philadelphia Art Museum. https://wahooart.com/ro/art/carlo-crivelli-pieta-8XXR69-en/
    Harvard
    Crivelli, Carlo (1470) Pietà. Philadelphia Art Museum. Available at: https://wahooart.com/ro/art/carlo-crivelli-pieta-8XXR69-en/

    Look closely

    Pietà — Carlo Crivelli

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: virgin mary, jesus christ, tomb scene. Do you agree? What would you add, or take away?
    4. Look back at Virgin and Child (1482), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Carlo Crivelli was about 35 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.