Untitled (1956) é a pintura mais famosa de Zakhar Hatsyatryan, guardada pelo Galeria Nacional da Arménia em Erevan. Untitled (1954) e Untitled (1960) são as próximas duas obras que o mundo melhor conhece. Dos 80 trabalhos de Zakhar Hatsyatryan em nosso catálogo, aqui estão os 55 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Zakhar Hatsyatryan | Pinturas desta lista |
|---|---|---|---|
 Galeria Nacional da Arménia |
Erevan | 55 | Untitled, Untitled, Untitled |
Untitled (1956), Galeria Nacional da Arménia, Erevan. Seguem-se Untitled (1954) e Untitled (1960).
32 anos: Untitled data de 1956 e Zakhar Hatsyatryan nasceu em 1924.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled e Untitled. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo lista 80 obras de Zakhar Hatsyatryan, datadas de 1954 a 2004.
A maioria deles está em Galeria Nacional da Arménia (Erevan). A tabela acima lista os museus um a um.
Em 1970s: 24 das 55 obras nesta página datam dessa época, entre elas Untitled.
A obra mais antiga nesta página é de Untitled (1954), e a mais recente é de Untitled (2004).
Untitled, Untitled e Untitled estão entre as 55 obras nesta página pertencentes ao Galeria Nacional da Arménia, Erevan.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
