Twelve Views of Landscape (Shan-shui shih-erh-ching) é a pintura mais famosa de Xia Gui, guardada pelo Nelson-Atkins Museum of Art em Kansas City. Dos 2 trabalhos de Xia Gui em nosso catálogo, aqui estão os 2 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Xia Gui | Pinturas desta lista |
|---|---|---|---|
 Nelson-Atkins Museum of Art |
Kansas City | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) |
 National Palace Museum |
Taipé | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching)
O nosso catálogo apresenta 2 obras de Xia Gui.
A maioria deles está em Nelson-Atkins Museum of Art (Kansas City) e National Palace Museum (Taipé). A tabela acima lista os museus um a um.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.