Tom Roberts, 1856 – 1931

Tom Roberts: The 40 Most Famous Paintings

Slumbering sea, Mentone (1887) is the most famous painting by Tom Roberts, held by the National Gallery of Victoria in Melbourne. Self portrait (1924) and Portrait of Louis Abrahams (1886) are the next two works the world knows best. From the 40 works of Tom Roberts in our catalogue, here are the 40 that collectors and museum visitors look at most, with the year, the museum and the story of each.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated Outubro 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portrait of Tom Roberts
Tom Roberts · 1856 – 1931
Born · died
1856 – 1931, Dorchester
Movement
Impressionism
Works in our catalogue
40
Most famous
Slumbering sea, Mentone (1887)
Most works at
Galeria de Arte da Nova Gales do Sul

Top 10: Tom Roberts's best-known paintings

Slumbering sea, Mentone (1887) by Tom Roberts
1

Slumbering sea, Mentone

1887 · Acrylic On Canvas · National Gallery of Victoria, Melbourne

“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…

Self portrait (1924) by Tom Roberts
2

Self portrait

1924 · Oil On Canvas · Galeria de Arte da Nova Gales do Sul, Sydney

In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.

Retrato de Sra. Tom Roberts (1910) by Tom Roberts
6

Retrato de Sra. Tom Roberts

1910 · Óleo sobre tela · National Portrait Gallery, Canberra

Elizabeth Sarah (Lillie) Roberts (née Williamson), born in Dorchester, England, on March 8th, 1860, stands as a testament to the burgeoning artistic spirit of Australia during its formative years. Her life’s journey culminated in her passing in 1928, leaving behind an indelible mark on Australian art history – primarily through her collaboration with her husband, Tom Roberts.

Andante (1889) by Tom Roberts
7

Andante

1889 · Painting · Art Gallery of South Australia, Adelaide

To gaze upon Tom Roberts' "Andante" is to step into a moment suspended in time—a quiet chamber where the only sound seems to be the gentle, melancholic spill of music. This evocative scene captures a man absorbed in the act of playing the piano, his posture suggesting both deep concentration and profound contentment. The composition itself draws the viewer inward, inviting them to share in this private performance. It is…

Gray day in spring, Venice (1884) by Tom Roberts
8

Gray day in spring, Venice

1884 · Oil · National Gallery of Australia, Canberra

In the delicate interplay of shadow and soft illumination, Gray day in spring, Venice emerges as a breathtaking window into a bygone era. Painted by the Australian master Tom Roberts in 1884, this expansive work transports the viewer to the winding canals of Italy during that fleeting, magical hour when dusk begins to settle over the Adriatic. The scene is not merely a depiction of architecture, but an atmospheric study…

Turning the soil (Sketch for The charcoal burners) (1886) by Tom Roberts
9

Turning the soil (Sketch for The charcoal burners)

In the quiet, rhythmic labor of Turning the soil (Sketch for The charcoal burners), we find a profound meditation on the relationship between humanity and the land. Created in 1886 by the visionary Australian Impressionist Tom Roberts, this preparatory sketch serves as a soulful window into a moment of shared toil. The scene unfolds with three figures embedded within a rugged landscape, their bodies engaged in the heavy, essential task…

The rest of the Tom Roberts ranking, 11 to 40

James T. Donovan (1892) by Tom Roberts
#12

James T. Donovan

1892 · National Portrait Gallery

James T Donovan (1861–1922), journalist, Catholic historian and amateur singer, was born into an Irish Catholic family in Sydney. His father had a shop that was the first…

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Sir James Reading Fairfax (1898) by Tom Roberts
#16

Sir James Reading Fairfax

1898 · National Portrait Gallery

James Reading Fairfax (1834-1919), son of Sydney Morning Herald founder John Fairfax (1804-1877), was the second Fairfax boy to join his father

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Edward Trenchard by Tom Roberts
#20

Edward Trenchard

National Gallery of Victoria

In this 1890 oil on canvas, Tom Roberts captures the presence of Edward Trenchard. The man sits within a stately, traditional interior, surrounded by the quiet dignity of…

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Harbourscape (1890) by Tom Roberts
#26

Harbourscape

1890 · National Gallery of Australia

In the vast canon of Australian Impressionism, few works capture the ephemeral magic of a moment as poignantly as Tom Roberts’ Harbourscape. This remarkably small oil panel, a…

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Cloud study by Tom Roberts
#29

Cloud study

National Gallery of Victoria

The work titled Cloud study is a small, intimate piece by the artist Tom Roberts. Measuring 12.1 x 20.7cm, it exists as a quiet fragment of observation. The…

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Shearing the rams (1890) by Tom Roberts
#34

Shearing the rams

1890 · National Gallery of Victoria

In the golden light of the late nineteenth century, Tom Roberts captured more than just a moment in time; he immortalized the very soul of a burgeoning nation.…

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Coming South (1886) by Tom Roberts
#36

Coming South

1886 · National Gallery of Victoria

In the quiet, evocative depths of Tom Roberts’ Coming South (1886), we are invited to step aboard a vessel suspended between two worlds. This masterful oil on canvas…

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Bailed up (1927) by Tom Roberts
#37

Bailed up

1927 · Galeria de Arte da Nova Gales do Sul

Tom Roberts’ evocative canvas, Bailed up, transports the viewer deep into the heart of the Australian wilderness. This painting is not merely a depiction of travel; it is…

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The subjects Tom Roberts painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Tom Roberts's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Tom Roberts Paintings from this list
Galeria de Arte da Nova Gales do Sul, SydneyGaleria de Arte da Nova Gales do Sul Sydney 15 Self portrait, Adagio, Fog, Thames Embankment
National Portrait Gallery, CanberraNational Portrait Gallery Canberra 7 Practising the Minuet (Miss Hilda Spong), Retrato de Sra. Tom Roberts, Sir William Charles Windeyer
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 5 Slumbering sea, Mentone, Edward Trenchard, Cloud study
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 4 Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners), Harbourscape
Museum of New Zealand Te Papa Tongarewa, WellingtonMuseum of New Zealand Te Papa Tongarewa Wellington 2 Hutt Valley, In Quarantine, Wellington
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Andante
Royal Collection, LondresRoyal Collection Londres 1 The Big Picture
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Temple of Dendera, Upper Egypt

Tom Roberts through the decades: one masterpiece for each

  1. 1880s
    Slumbering sea, Mentone (1887) by Tom Roberts
    No. 1 of 40

    Slumbering sea, Mentone

    Age 24 – 33 · National Gallery of Victoria

    “Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and…

  2. 1890s
    Adagio (1893) by Tom Roberts
    No. 4 of 40

    Adagio

    Age 34 – 43 · Galeria de Arte da Nova Gales do Sul
  3. 1900s
    Hutt Valley (1900) by Tom Roberts
    No. 17 of 40

    Hutt Valley

    Age 44 – 53 · Museum of New Zealand Te Papa Tongarewa
  4. 1910s
    Retrato de Sra. Tom Roberts (1910) by Tom Roberts
    #6 of 40

    Retrato de Sra. Tom Roberts

    Age 54 – 63 · National Portrait Gallery

    Elizabeth Sarah (Lillie) Roberts (née Williamson), born in Dorchester, England, on March 8th, 1860, stands as a testament to the burgeoning artistic spirit of Australia during its formative…

  5. 1920s
    Self portrait (1924) by Tom Roberts
    Rank 2 / 40

    Self portrait

    Age 64 – 73 · Galeria de Arte da Nova Gales do Sul

    In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the…

Tom Roberts's paintings: frequently asked questions

What is the most famous Tom Roberts painting?Show the answer

Slumbering sea, Mentone (1887), National Gallery of Victoria, Melbourne. Next come Self portrait (1924) and Portrait of Louis Abrahams (1886).

At what age did Tom Roberts paint Slumbering sea, Mentone?Show the answer

31 years old: Slumbering sea, Mentone dates from 1887 and Tom Roberts was born in 1856.

Which are the 10 most famous Tom Roberts paintings?Show the answer

Slumbering sea, Mentone, Self portrait, Portrait of Louis Abrahams, Adagio, Practising the Minuet (Miss Hilda Spong), Retrato de Sra. Tom Roberts, Andante, Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners) and Fog, Thames Embankment. The ranking above gives the year and the museum of each.

How many paintings by Tom Roberts are there?Show the answer

Our catalogue lists 40 works by Tom Roberts, dated from 1883 to 1927.

Where can I see the most famous Tom Roberts paintings?Show the answer

Most of them are in Galeria de Arte da Nova Gales do Sul (Sydney), National Portrait Gallery (Canberra) and National Gallery of Victoria (Melbourne). The table above lists the museums one by one.

In which period did Tom Roberts paint the best-known works?Show the answer

In 1890s: 12 of the 40 works on this page date from then, among them Adagio.

What is the earliest famous Tom Roberts painting, and the latest?Show the answer

The earliest on this page is Rejected (1883), the latest Bailed up (1927).

What subjects did Tom Roberts paint?Show the answer

Landscape (6), Australia (4) and Boats (3), among the 40 works on this page.

What did Tom Roberts paint on, and with what?Show the answer

Oil On Canvas: 5 of the 40 works on this page.

Which movement does Tom Roberts's art belong to?Show the answer

Impressionism and Australian impressionism, as the paintings on this page show.

What Tom Roberts paintings does the Galeria de Arte da Nova Gales do Sul hold?Show the answer

Self portrait, Adagio and Fog, Thames Embankment are among the 15 works on this page held by the Galeria de Arte da Nova Gales do Sul, Sydney.

Where can I buy a Tom Roberts reproduction?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

Tom Roberts: biography

Um Pioneiro da Luz Australiana: A Vida e a Arte de Tom Roberts

Nascido em Dorchester, Inglaterra, em 8 de março de 1856, Thomas William Roberts se tornaria uma figura fundamental no desenvolvimento de uma identidade artística australiana distinta. Sua infância foi marcada pela migração familiar para Melbourne em 1869, uma jornada que moldou profundamente sua visão artística. As vastas paisagens e a luz única da Austrália despertaram nele uma paixão por capturar a essência de sua terra adotada. Inicialmente trabalhando como assistente de fotógrafo, Roberts aprimorou suas habilidades de observação e desenvolveu um olhar para a composição – qualidades que se tornariam marcas registradas de suas pinturas celebradas. Simultaneamente, dedicava-se ao estudo formal da arte, aprendendo com Louis Buvelot, cuja influência lhe inspirou o amor pela pintura de paisagens e forneceu uma base em técnicas tradicionais. No entanto, foi uma temporada na Europa em 1881 que realmente expandiu seus horizontes artísticos.

Forjando um Impressionismo Australiano

Sua passagem pela Europa, especialmente os estudos na Royal Academy em Londres, expôs Roberts às correntes artísticas mais recentes, incluindo o emergente movimento impressionista. Ele absorveu as técnicas da pintura “plein air” – trabalhando ao ar livre diretamente da natureza – e um foco em capturar momentos fugazes de luz e atmosfera. Ao retornar à Austrália em 1885, trouxe consigo não apenas habilidades técnicas, mas também um desejo fervoroso de criar uma arte autenticamente australiana. Essa ambição o levou a colaborar com outros artistas como Frederick McCubbin, Arthur Streeton e Charles Conder, formando o núcleo do que viria a ser conhecido como a Escola Heidelberg, ou Impressionismo Australiano. O grupo estabeleceu acampamentos artísticos em Box Hill e Eaglemont, abraçando um estilo de vida dedicado à observação e pintura da mata australiana. Essas não eram meras atividades artísticas; eram declarações de independência cultural, rejeitando as convenções europeias em favor da celebração do caráter único de sua nação. A Exposição Impressionista de 1889, com suas pequenas pinturas sobre tampas de caixas de charutos de cedro, foi uma declaração ousada dessa nova visão artística – um desafio à norma estabelecida e um momento crucial na história da arte australiana.

Narrativas Nacionais e Legado Duradouro

Embora profundamente comprometido com os princípios do Impressionismo, Roberts não se contentava em meramente replicar paisagens. Ele buscava criar “narrativas nacionais” – pinturas que retratassem cenas da vida cotidiana australiana e celebrassem seu povo. Shearing the Rams (1890), talvez sua obra mais famosa, exemplifica essa ambição. A pintura é uma poderosa representação do trabalho rural, capturando a energia e a camaradagem dos tosquiadores em ação. Não se trata apenas de um registro de uma atividade; é uma celebração da masculinidade australiana e da importância da indústria pastoril. A Break Away! (1891), com sua composição dinâmica e atmosfera banhada pelo sol, captura igualmente um momento quintessencial da vida australiana – um grupo de peões conduzindo gado pelas planícies. Bailed Up (1895), embora menos celebratória, oferece um vislumbre cativante das realidades da vida na fronteira, retratando uma carruagem sendo assaltada por bandidos. Essas obras não eram apenas esteticamente agradáveis; eram tentativas de definir o que significava ser australiano através da arte. Além dessas pinturas icônicas, Roberts também contribuiu significativamente como retratista e, em 1903, completou The Big Picture, uma obra monumental comissionada para comemorar a inauguração do primeiro Parlamento Australiano – um registro visual do nascimento de uma nação.

Um Defensor da Arte Australiana

A influência de Tom Roberts se estendeu muito além de suas próprias pinturas. Ele foi um defensor incansável do desenvolvimento de uma cena artística australiana, promovendo ativamente o trabalho de seus colegas artistas e defendendo o estabelecimento de instituições nacionais para apoiar e mostrar talento australiano. Acreditava apaixonadamente na importância de criar uma identidade artística australiana distinta – uma que refletisse as paisagens únicas, as pessoas e as experiências da nação. Ele foi o primeiro a defender publicamente a criação de uma Galeria Nacional de Retratos Australianos, reconhecendo o poder do retrato para capturar o espírito de uma nação. Sua dedicação ao fomento de uma cultura artística vibrante cimentou sua posição não apenas como um artista líder, mas também como um visionário que ajudou a moldar o curso da história da arte australiana. Seu legado continua a inspirar gerações de artistas e permanece um testemunho do poder duradouro da arte para definir e celebrar a identidade nacional.

Coleções & Exploração Adicional

All 40 works by Tom Roberts →