A pintura que tornou Philip de László famoso(a) é Andrew W. Mellon (1932). Lady Rachel Cavendish, later Viscountess Stuart of Findhorn e Professor Johann Nepomuk Oser (1904) seguem-lhes nos corações de colecionadores e visitantes de museus. Dos 216 trabalhos de Philip de László em nosso catálogo, estas 100 são as obras mais admiradas, cada uma apresentada com a sua data, o seu museu e o que a torna única.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the right. A quiet dignity settles over the figure, suggesting a man of significant status and intellect. The composition focuses on the head and shoulders, isolating the sitter against a muted, tan background that offers no distraction from the man himself.
Philip de László rendered this portrait of Lady Rachel Cavendish, later Viscountess Stuart of Findhorn. The sitter, who would eventually become the Viscountess, is presented here in a likeness captured by the Hungarian-born artist during a significant period of transition in her life. The work was executed just before her marriage to James Gray Stuart on 4th August 1923.
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers a glimpse into the dignified character of a man defined by his scholarly pursuits. The subject is dressed in formal attire, a choice that reflects his status and the professional gravity of his position. There is a certain stillness in his posture…
A heavy silence settles over the canvas. The Archbishop sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left of the frame. He is a man of shadows and stark light. The darkness of the background presses inward, forcing the viewer to focus on the pale, steady presence of his face and the pale grip of his hands. It is a study in…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two Sikh cavalry officers serving within the British Indian Army. The subjects are identified as Jagat Singh of the 12th Cavalry and Man Singh of the 21st Cavalry. The portrait captures the two men in a single sitting that lasted approximately two to…
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the scent of spilled spirits and unspoken words. Bottles rest on the scarred surface, catching the pale light like glass eyes watching the quiet drama unfold. A single chair sits empty nearby, a silent witness to a presence that has already departed. The…
In this 1911 oil on canvas, the artist Philip de László turns the gaze inward. Titled Self-Portrait, the work presents a direct encounter with the painter himself, Philip Alexius de László. It is a quiet moment of introspection captured during a period of established professional standing. The subject and the creator are one and the same, offering a rare glimpse into the man behind the formal portraits of the European…
Philip de László captured the likeness of Count Albert Mensdorff-Pouilly-Dietrichstein in this oil on cardboard portrait. The sitter, an Austro-Hungarian diplomat who lived from 1861 to 1945, is presented with the quiet dignity characteristic of the era's high society. Created before 1907, the work reflects the artist's early period of establishing his reputation among the European elite.
Philip de László’s Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky presents an oval-shaped bust-length study of the subject. The composition centers on the face and upper shoulders of Princess Olga Dolgouruky, establishing an intimate connection through a direct, eye-level view. She is rendered in regal attire, distinguished by a delicate jeweled tiara that catches the light. The arrangement focuses the viewer's attention on her calm expression and…
The portrait presents an elderly gentleman, captured in a bust-length composition that emphasizes psychological depth. Positioned slightly off-center, the subject gazes toward the viewer's left, creating an intimate, quiet connection. The lighting is dramatic, utilizing a chiaroscuro effect where a strong light source from the upper left defines the facial structure, the texture of the white beard, and the deep wrinkles of age. This illumination contrasts sharply against the dark,…
Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in…
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The subject turns her face toward the viewer, a soft profile emerging from a shadow of ochre and deep brown. She wears a gown of luminous teal and…
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Philip de László presents Julian Byng, 1st Viscount Byng of Vimy, in this formal oil portrait executed about 1933. The subject, a high-ranking British Army officer, is rendered…
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The portrait titled Marguerite Alexandrine, duchesse du Gramont, née de Rothschild features the subject Marguerite Alexandrine, duchesse du Gramont, née de Rothschild. This work was executed by the…
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This portrait, titled H.S.H. Prince Louis of Battenberg, was painted by Philip de László in 1910. The sitter is presented in a formal captain's uniform, a choice that…
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This oil portrait depicts Arthur James Balfour, 1st Earl of Balfour. The subject lived from 1848 to 1930. The painting was executed by the artist Philip de László.
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In this intimate work, titled 'Top o' the Morning: Stephen, the Artist's Second Son', we encounter a private moment captured by Philip de László. Painted in 1912, the…
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The room feels quiet, held in a stillness that only the weight of authority can command. Seated within the dark, structured embrace of an ornate throne, Pope Pius…
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Philip de László captures the presence of John Loader Maffey, 1st Baron Rugby, in this 1923 oil on canvas. The subject sits with a quiet, dignified weight, his…
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William Richard Morris, Viscount Nuffield, is the subject of this 1937 portrait by Philip de László. Created in England, the work captures the likeness of the English motor…
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This oil on canvas portrait, titled Sir Thomas Gardner Horridge, was executed by the artist Philip de László. The work depicts Sir Thomas Gardner Horridge, who held the…
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In this 1927 portrait, we find ourselves face-to-face with Victoria Eugenie of Battenberg, captured in a moment of quiet, somber dignity. The composition is intimate, a vertical bust-length…
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Step closer to observe the quiet authority held within this vertical portrait. Here, King Alfonso XIII is captured in 1927, presented in a three-quarter length pose that feels…
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In this 1922 oil on canvas, Philip de László captures the likeness of Edward Drummond Libbey. The subject sits with a quiet, settled presence, his form defined by…
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The oil on canvas work titled Edwin Charles Clark, Professor of Civil Law was executed by the artist Philip de László. This portrait depicts Edwin Charles Clark, a…
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The Portrait of John H. McFadden by Philip de László is a three-quarter length oil painting. The subject is positioned slightly off-center, facing the viewer directly with a…
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In this 1927 portrait, Philip de László presents King Alfonso XIII in a moment of quiet dignity. The subject is depicted in military attire, a choice that speaks…
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In this 1929 oil on canvas, Philip de László captures Clara Cook Kellogg, a woman defined by the quiet gravity of her social standing. She sits as a…
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Philip de László presents Richard Burdon Haldane, Viscount Haldane, a portrait executed in 1928. The subject, Richard Burdon Haldane, 1st Viscount Haldane, was a prominent figure in British…
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This oil on canvas portrait depicts Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne. Painted by Philip de László in 1920, the work captures the subject in formal…
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The brush captures Sir (Samuel) Luke Fildes in a moment of quiet dignity. Painted by Philip de László in 1914, this portrait brings the sitter into a direct,…
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The gaze of Sir William Pulteney Pulteney meets the viewer through this formal oil portrait, a work that captures the man in a moment of quiet, authoritative stillness.…
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In the year 1911, Philip de László painted Portrait of a Lady and her Daughter (Portrait of Anya and Lanya). The canvas captures two figures of high standing,…
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In this 1930 oil on canvas, Philip de László presents a formal portrait of Iphigenia Wise Ochs. Painted in London, Greater London, England, United Kingdom, the work captures…
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In this 1921 oil on canvas, Philip de László presents a formal study of Arthur Hamilton Lee, 1st Viscount Lee of Fareham. The sitter, born in 1868, is…
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This oil on canvas, titled Portrait of Marshal Lyautey, was executed by the artist Philip de László in 1929. It presents a formal study of Maréchal Louis Hubert…
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In this 1926 oil on canvas, Philip de László captures the likeness of Adolph Simon Ochs. Painted in New York City, United States, the work presents the subject…
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This oil on canvas portrait, titled Sir (William Matthew) Flinders Petrie, was executed by the artist Philip de László in 1934. The work depicts the archaeologist in his…
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In the quiet light of 1902, Philip Alexius De László captures a private moment in this Portrait of a Lady and her Daughter. The scene unfolds from a…
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A Glimpse into Aristocratic Life: Vita Sackville-West by Philip de László This captivating oil on canvas portrait, "Vita Sackville-West," painted in 1910 by the renowned Philip Alexius de…
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#2 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn
#4 Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942)
#5 Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh
#7 Self-Portrait
#9 Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky
Os quatro temas que mais se repetem entre estas obras-primas, com o melhor exemplo de cada um.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Philip de László | Pinturas desta lista |
|---|---|---|---|
 National Portrait Gallery |
Londres | 11 | Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel), Julian Byng, 1st Viscount Byng of Vimy |
 Galeria Nacional Húngara |
Budapeste | 9 | Self-Portrait, The Storyteller, At Vesper Bell |
 National Portrait Gallery |
Washington, D.C. | 7 | Frank Billings Kellogg, Clara Cook Kellogg, Iphigenia Wise Ochs |
 Museu do Prado |
Madrid | 4 | Victoria Eugenie of Battenberg with mantilla, Alfonso XIII in Hussar Uniform, Alfonso XIII |
 Courtauld Gallery |
Londres | 4 | Viscount Lee of Fareham, Sketch for Portrait of the Viscountess Lee of Fareham |
 Museu Hermitage |
São Petersburgo | 2 | Portrait of a Lady and her Daughter (Portrait of Anya and Lanya), Portrait of a Lady and her Daughter |
 Musée d'Orsay |
Paris | 2 | Portrait of Marshal Lyautey, Countess Anna de Noailles |
 Museu Nacional de Varsóvia |
Varsóvia | 2 | Lady with a pearl earring, Portrait of a lady in a large hat |
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the…
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two…
Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in…
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the…
Andrew W. Mellon (1932). Seguem-se Lady Rachel Cavendish, later Viscountess Stuart of Findhorn e Professor Johann Nepomuk Oser (1904).
63 anos: Andrew W. Mellon data de 1932 e Philip de László nasceu em 1869.
Andrew W. Mellon, Lady Rachel Cavendish, later Viscountess Stuart of Findhorn, Professor Johann Nepomuk Oser, Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942), Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh, Regret (also known as Love Spurned), Self-Portrait, Count Albert Mensdorff-Pouilly-Dietrichstein, Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky e Sir George Henschel (Isidor Georg Henschel). O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo lista 216 obras de Philip de László, datadas de 1891 a 1937.
A maioria deles está em National Portrait Gallery (Londres), Galeria Nacional Húngara (Budapeste) e National Portrait Gallery (Washington, D.C.). A tabela acima lista os museus um a um.
Em 1910s: 42 das 100 obras nesta página datam dessa época, entre elas Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh.
A obra mais antiga nesta página é de The Storyteller (1891), e a mais recente é de William Richard Morris, Viscount Nuffield (1937).
Man (26), Portrait (15) e Woman (10), entre as 100 obras nesta página.
Oil On Canvas: 25 de um total de 100 obras nesta página.
Academic realism e Realism, como mostram as pinturas nesta página.
Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel) e Julian Byng, 1st Viscount Byng of Vimy estão entre as 11 obras nesta página pertencentes ao National Portrait Gallery, Londres.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.
Philip Alexius de László, nascido Fülöp Laub em 30 de abril de 1869, em Budapeste, Hungria, ascendeu de origens humildes para se tornar um célebre pintor de retratos da realeza e da aristocracia europeia. Seus pais, Adolf e Johanna Laub, eram alfaiate e costureira, respectivamente, de origem judaica. Inicialmente, ele atuou como aprendiz de fotógrafo enquanto perseguia seus estudos artísticos. Conseguiu admissão na Academia Nacional de Belas Artes em Budapeste, estudando sob a tutela de Bertalan Székely e Károly Lotz. Estudos posteriores em Munique e Paris ampliaram seus horizontes artísticos.
O trabalho inicial de De László demonstrava um olhar aguçado para os detalhes e um domínio crescente do realismo. Suas influências incluíam as tradições acadêmicas aprendidas na Academia, bem como as tendências predominantes no retrato durante o final do século XIX e início do século XX. Ele rapidamente se distinguiu por sua habilidade de capturar não apenas a semelhança física, mas também a personalidade e o status social de seus modelos. Um momento crucial ocorreu em 1900, quando seu retrato do Papa Leão XIII lhe rendeu uma Grande Medalha de Ouro na Exposição Internacional de Paris, estabelecendo sua reputação internacional.
Após o sucesso em Paris, de László mudou-se para Viena em 1903 e depois estabeleceu-se em Londres em 1907, onde permaneceu pelo resto de sua vida. Ele tornou-se um retratista altamente requisitado entre a elite europeia. Sua clientela incluía monarcas, nobres, industriais, cientistas e figuras proeminentes de diversos campos.
Em 1900, de László casou-se com Lucy Madeleine Guinness, membro da proeminente família bancária. Eles tiveram seis filhos e dezessete netos. Ele converteu-se ao anglicanismo após o casamento, depois de um interesse anterior pelo catolicismo. Apesar de sua cidadania britânica e de sua vida estabelecida na Inglaterra, ele enfrentou o internamento durante a Primeira Guerra Mundial (1917-1918) devido a suspeitas em torno de suas conexões austríacas, um período de grande dificuldade.
O estilo de De László é caracterizado por seu realismo, detalhe meticuloso e uma paleta de cores vibrante. Ele era mestre em capturar as texturas de tecidos, joias e tons de pele. Seus retratos frequentemente transmitem uma sensação de elegância, sofisticação e status social. Embora seja primariamente conhecido pelo retrato, ele também criou paisagens e cenas de gênero.
A obra de Philip de László oferece visões valiosas sobre as vidas e aparências da alta sociedade europeia durante o final do século XIX e início do século XX. Seus retratos servem como documentos históricos, capturando uma era específica e suas dinâmicas sociais. Embora por vezes criticado por ser primordialmente um retratista da sociedade, sua habilidade técnica e capacidade de capturar o caráter são inegáveis. Sua obra compreende quase 4.000 trabalhos, incluindo desenhos, e um catálogo raisonné está atualmente em andamento. Ele faleceu em 22 de novembro de 1937, em Londres, deixando um legado duradouro como um dos mais importantes pintores de retratos de seu tempo.
