Late Medieval artistas, ranked

99 Famous Late Medieval Artistas: The Definitive Ranking

The most famous Late Medieval artista is Simone Martini (1284–1344), known for Maestà (Madonna with Angels and Saints) e Cristo Encontrado no Templo. Next come Andrei Rublev, Ambrogio Lorenzetti, Pietro Lorenzetti e Hubert Van Eyck. This ranking of the 99 most famous Late Medieval artistas runs from Yuan Dynasty (born 1271) to Hubert Van Eyck (born 1366), across 20 countries.

How this list is ranked. Artists whose works our catalogue files under Late Medieval, in the order of our fame ranking of artists. Artists without a Wikidata identifier born after 1955 are left out until verified. The Wikipedia figure next to each name is the number of our 32 languages in which Wikipedia has an article on the artist.

  1. Maestà (Madonna with Angels and Saints) de Simone Martini1Simone Martini
  2. Holy Trinity de Andrei Rublev2Andrei Rublev
  3. O efeito bom do governo na cidade de Ambrogio Lorenzetti3Ambrogio Lorenzetti

The essentials

Late Medieval at a glance

  • 99Artistas
  • 1271–1366Anos de nascimento
  • 20Países de origem
  • 1Mulheres
  • 5Artistas vivos
  • 1.514Obras em nosso catálogo
Cidades com mais nascimentos
Siena (13), Florence (9), Florença (7), Modena (3)
Museus que detêm as principais obras
Metropolitan Museum of Art (16), Gemäldegalerie (5), Galleria degli Uffizi (4), National Gallery (4)
As mulheres desta lista
Mother Julian

Ranked, with their masterpieces

The ranking: 99 Late Medieval Artistas and their key works

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Simone Martini

Italiano Born in Siena Gótico Internacional Wikipedia in 28/32 languages

Simone Martini

Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317. Em 1333, ele pintou a Anunciação com Santa Margarida e Santo Ansanus, uma obra que reside atualmente na Galleria degli Uffizi, em Florença. Em 1342, ele concluiu o Cristo Encontrado no Templo, uma pintura que pode ser encontrada na Walker Art Gallery, em Liverpool.

Teacher of Lippo Memmi #10

Key works · The 100 most famous works

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Andrei Rublev

Russo Born in Grão-Principado de Moscou Pintura de Ícones Russos Wikipedia in 31/32 languages

Andrei Rublev

Em 1405, ele uniu forças com Teófanes e Prokhor de Gorodets para decorar a Catedral da Anunciação, um momento crucial na pintura de ícones russa. O Ícone da Trindade: Possivelmente a obra mais celebrada de Rublev, o ícone da “Trindade” (c. 1420-1428) é um testemunho de seu gênio artístico.

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Ambrogio Lorenzetti

Born in Siena Wikipedia in 29/32 languages

Ambrogio Lorenzetti

Embora por vezes ofuscado por contemporâneos como Duccio e Simone Martini, e frequentemente discutido em conjunto com seu irmão, o pintor Pietro Lorenzetti, Ambrogio trilhou um caminho único, marcado por um espírito inovador e um profundo engajamento com o mundo ao seu redor.

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Pietro Lorenzetti

Italiano Born in Siena Início do Renascimento Wikipedia in 27/32 languages

Pietro Lorenzetti

Pietro Lorenzetti (c. 1280 – 1348) posiciona-se como uma figura fundamental na arte sienense, marcando a profunda transição do formalismo gótico para os ideais humanistas emergentes do início do Renascimento. Nascido na vibrante paisagem cultural de Siena por volta de 1280, a jornada artística de Lorenzetti desenrolou-se durante um período de significativa transformação intelectual e artística na Toscana.

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Hubert Van Eyck

Holandês Born in Maaseik Primitivos Flamengos Wikipedia in 20/32 languages

Hubert Van Eyck

No coração desta transformação encontrava-se Hubert van Eyck, uma figura cujo próprio nome está gravado nos alicerces da arte do Renascimento Nórdico. Nascido em Maasik por volta de 1385 ou 1390, ele fazia parte de uma formidável dinastia artística; as suas ligações familiares, incluindo o seu renomado irmão Jan e os irmãos Lambert e Margaret, criaram um cadinho de criatividade que alteraria para sempre a trajetória da pintura europeia.

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Taddeo Gaddi

Italiano Born in Florença Início do Renascimento Wikipedia in 23/32 languages

Taddeo Gaddi

Como um dos discípulos mais distintos do lendário Giotto di Bondone, Gaddi não apenas herdou um estilo; ele expandiu o vocabulário visual de sua época. Enquanto Giotto focava na essência bruta e escultural da humanidade, Gaddi introduziu uma elegância delicada e um uso sofisticado da luz que poderia transformar uma superfície plana em uma janela de radiância divina.

Teacher of Agnolo Gaddi #7, Jacopo Del Casentino (Jacopo Landino) #51

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Agnolo Gaddi

Italian Born in Florença Gothic, Early Renaissance Wikipedia in 20/32 languages

Agnolo Gaddi

Agnolo’s formative years were steeped in the legacy of Giotto, whose monumental frescoes at Assisi and Padua had irrevocably altered the course of Florentine art. Taddeo Gaddi—Agnolo's father—was himself a devoted disciple of Giotto, absorbing his stylistic innovations and transmitting them to his son.

Pupil of Taddeo Gaddi #6

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Teófanes, O Grego

Grego Born in Constantinopla Iconografia Bizantina Wikipedia in 22/32 languages

Teófanes, O Grego

Nascido em Constantinopla por volta de 1340, embora frequentemente associado à Grécia devido às suas atividades posteriores, Teófanes foi uma figura fundamental que uniu o florescimento final da arte bizantina às tradições emergentes da Rússia. Por volta de 1395, ele chegou a Novgorod, um poderoso estado dentro da Rússia, junto com Andrei Rublev, outra figura icônica da arte ortodoxa russa.

Teacher of Andrei Rublev #2

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Paolo Veneziano

Italiano Born in Veneza Influência bizantina e arte gótica Wikipedia in 15/32 languages

Paolo Veneziano

Paolo Veneziano (c. 1333 – 1358) ergue-se como uma figura monumental na história da arte veneziana, reconhecido universalmente como o pintor veneziano mais importante do século XIV. Nascido em uma linhagem artística no coração de Veneza — sendo seu pai um artista renomado — a breve, porém brilhante carreira de Veneziano coincidiu com um período transformador na pintura europeia.

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Lippo Memmi

Born in Siena Wikipedia in 17/32 languages

Lippo Memmi

Lippo Memmi, nascido por volta de 1291 no coração de Siena, Itália, destaca-se como uma figura crucial na transição das tradições bizantinas da pintura medieval para a elegância florescente do estilo Gótico Internacional. Talvez a mais celebrada delas seja a Anunciação com Santa Margarida e Santo Ansanus (1333), criada em colaboração com Simone Martini para a Galeria Uffizi.

Pupil of Simone Martini #1

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Altichiero

Italiano Born in Zevio Arte Gótica Wikipedia in 20/32 languages

Altichiero

Altichiero da Zevio, nascido perto da pacata cidade de Zevio, em Verona, por volta de 1330, não foi apenas um cronista de eventos sagrados, mas um pioneiro do estilo gótico veneziano.

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Spinello Aretino

Italiano Born in Arezzo Elo entre a Escola de Giotto e a Escola de Siena Wikipedia in 16/32 languages

Spinello Aretino

Nascido no seio de uma família de ourives florentinos, o seu verdadeiro nome era Spinello Di Luca Spinelli, mas tornou-se conhecido pela história pelo apelido "Aretino", significando a sua ligação a Arezzo. Nos seus primeiros anos, trabalhou nas movimentadas oficinas de Florença, contribuindo para obras monumentais, como os frescos na igreja de Carmine e Santa Maria Novella.

Pupil of Jacopo Del Casentino (Jacopo Landino) #51 · Teacher of Lorenzo di Bicci #32

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Bernardo Daddi

Born in Florença Wikipedia in 17/32 languages

Bernardo Daddi

Bernardo Daddi, nascido em Florença por volta de 1290 e falecido em 1348, ergue-se como uma figura fundamental na transição do final do período Gótico para o florescente Renascimento Italiano. Suas obras primordiais demonstram uma conexão clara com os seguidores de Giotto — mestres como o “Mestre de Santa Cecília” e outros pintores florentinos do primeiro quarto do século XIV — refletindo uma linhagem direta de influência artística.

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Niccolò Di Tommaso

Italiano Born in Florença Renascimento Inicial

Niccolò Di Tommaso

Niccolò Di Tommaso, um nome que ressoa suavemente nos anais da pintura italiana do século XIV, emergiu em Florença por volta de 1346. Os esforços conjuntos na Capela Strozzi, dentro da Basílica de Santa Maria Novella, representam um ponto de inflexão fundamental na trajetória artística de Niccolò Di Tommaso.

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Ni Zan

Chinês Born in Wuxi Quatro Mestres da Dinastia Yuan Wikipedia in 15/32 languages

Ni Zan

Seu nome de cortesia era Yuan Zhen (元鎮), e ele adotou nomes artísticos como Yun Lin Zi (雲林子), Huan Xia Sheng (幻霞生) e Jing Man Min (荊蠻民). Ni Zan é amplamente reconhecido como um dos quatro mestres da Dinastia Yuan, ao lado de Huang Gongwang, Wu Zhen e Wang Meng.

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Andrea Di Cione (Orcagna)

Italiano Born in Florença Gótico-Gótico Tardio

Andrea Di Cione (Orcagna)

Andrea Di Cione (Orcagna), conhecido pela história pelo evocativo apelido de Orcagna, destaca-se como uma das figuras mais influentes da arte florentina durante meados do século XIV — um período marcado por uma fascinante confluência de tradições artísticas Góticas e do Gótico Tardio. Uma de suas contribuições mais celebradas para a tradição florentina é o Retábulo Strozzi, uma deslumbrante obra-prima Gótica de 1354.

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Orcagna

Italian Born in Florence Gothic-Late Gothic Wikipedia in 20/32 languages

Orcagna

The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists.

Pupil of Andrea Pisano #14

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Giovanni Di Milano

Born in Lombardia

Giovanni Di Milano

Nascido Giovanni di Jacopo di Guido da Caversaccio na Lombardia por volta de 1346, sua jornada artística se desenrolou principalmente no vibrante cenário cultural de Florença durante um tempo de imensa mudança e inovação.

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Wang Meng

Chinese Born in Huzhou Yuan Dynasty Landscape Painting Wikipedia in 14/32 languages

Wang Meng

Unlike the more restrained approaches of his contemporaries, Wang Meng’s paintings are characterized by an extraordinary density and dynamism. His brushstrokes—often described as “ropy” or “layered”—were meticulously applied in thick, overlapping patterns, creating a palpable sense of texture and movement. Wang Meng’s style was profoundly influenced by the landscape painters who preceded him – Wang Wei, Dong Yuan, and Juran – but he developed his own distinctive voice through his innovative use of brushwork and composition.

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Nicolas Bataille

French Medieval Art, Religious Paintings

Nicolas Bataille

Yet, within this tradition flourished an artist of startling intensity and dramatic vision – Nicolas Bataille (c. 1330-1405). He was born around 1330 in Paris, likely as the son of an architect, a profession that may have instilled within him an appreciation for structure and design. The depiction of Babylon’s destruction reflects the prevailing fears about political instability and social decay in 14th-century France.

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Lorenzo Veneziano

Italiano Born in Veneza Arte bizantina Wikipedia in 11/32 languages

Lorenzo Veneziano

O ano de 1336 ressoa profundamente na paisagem artística da Itália, intrinsecamente ligado a uma figura envolta em um mistério fascinante – o Mestre de 1336. Mais precisamente conhecido como Giovanni Lipini, o nome deste artista, derivado de um afresco milagroso que retrata a Virgem Maria em Santa Maria delle Grazie, em Pistoia, oferece um vislumbre instigante de suas origens e de sua influência duradoura.

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Segna Di Buonaventure

Italian Trecento

Segna Di Buonaventure

However, unlike Duccio’s often exuberant and emotionally charged compositions, Segna’s paintings possess a more restrained elegance, characterized by a sense of solemnity and a focus on formal clarity. It’s believed that Segna spent time in Florence during this period, absorbing influences from the burgeoning Florentine school, which was beginning to experiment with linear perspective and naturalistic representation. Segna's artistic journey is believed to have begun under the tutelage of his uncle, Duccio di Buoninsegna, a towering figure in Sienese painting.

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Ugolino Di Nerio

Italiano Born in Siena Pintura sienense Wikipedia in 13/32 languages

Ugolino Di Nerio

Ugolino di Nerio, um nome amplamente ausente das narrativas históricas da arte convencional, ergue-se como uma figura fundamental no florescente cenário artístico de Siena e Florença durante a década de 1320.

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Taddeo di Bartolo

Italian Born in Siena Early Renaissance Wikipedia in 13/32 languages

Taddeo di Bartolo

Architectural Precision: The use of structured backgrounds to ground holy figures within a tangible, albeit idealized, reality. In works such as his Virgin and Child with Saints, one can witness the evolution of his hand—moving from the more rigid, ornamental patterns of the late Gothic style toward a more robust and naturalistic approach. The historical significance of Taddeo di Bartolo lies in his role as a custodian of Sienese identity during a period of immense change.

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Lippo Di Benivieni

Italian Born in Florence Early Quattrocento

Lippo Di Benivieni

Despite the paucity of surviving paintings attributed to Lippo di Benivieni, his influence is palpable in several significant frescoes adorning churches throughout Siena and San Gimignano. Madonna and Child Panel Painting: A monochrome panel depicting Mary holding the infant Jesus exemplifies Lippo’s mastery of technique—particularly his ability to achieve remarkable tonal gradation using tempera on wood. Furthermore, his work serves as an exemplar of early Quattrocento painting—a transitional phase between Gothic formalism and Renaissance naturalism —demonstrating Lippo’s willingness to embrace new stylistic approaches while retaining core aesthetic principles.

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Zhao Yuan

Chinese Landscape painting

Zhao Yuan

Like Wang Meng, Zhao Yuan embraced a dense, complex compositional structure characterized by layered mountains, gnarled trees, and meticulously rendered details. Beyond Wang Meng, echoes of earlier masters like Fan Kuan (c. 937-1020), renowned for his monumental landscapes and powerful brushwork, can also be detected in Zhao Yuan’s treatment of rock formations and atmospheric effects. His most significant debt is undoubtedly to Wang Meng (1308-1383), one of the last great masters of the Yuan dynasty.

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Andrea Di Bartolo

Italian Born in Siena Sienese School Wikipedia in 12/32 languages

Andrea Di Bartolo

Working alongside luminaries such as Luca di Tommè, he contributed to significant communal works, including an altarpiece for the shoemaker's guild in the cathedral of Siena, marking his first documented presence in the annals of art history.

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Lorenzo di Bicci

Italian Florentine School

Lorenzo di Bicci

This preference for light is not merely aesthetic; it reflects a deeper philosophical shift – a move towards celebrating the beauty and dignity of human life. He skillfully employed perspective, though not with the mathematically precise rigor of later Renaissance artists, creating a sense of depth and spatial awareness through subtle variations in scale and detail. He is considered a crucial link between the late Gothic style of his predecessors and the groundbreaking innovations of artists like Masaccio and Botticelli.

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Melchior Broederlam

Belgian Born in Ypres Early Netherlandish Painting Wikipedia in 15/32 languages

Melchior Broederlam

By integrating the sculptural solidity learned from masters like Claus Sluter with the fluid grace of the International Gothic style, Broederlam helped forge a new visual vocabulary. As the favored painter to powerful patrons such as Louis de Mâle, Count of Flanders, and later the formidable Philip the Bold, Duke of Burgundy, his work became a visual manifestation of ducal prestige.

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Lorenzo Di Bicci

Italiano Born in Florença Escola Florentina Wikipedia in 8/32 languages

Lorenzo Di Bicci

Lorenzo di Bicci, nascido por volta de 1373 em Florença, ergue-se como uma figura fundamental na florescente Escola Florentina de pintura durante a segunda metade do século quatorze e o início do quinhentos. Vida Inicial e Treinamento: Os anos formativos de Lorenzo foram passados imerso na oficina de seu pai, Jacopo di Bicci—um artesão cujos próprios esforços artísticos prenunciavam a abordagem distinta de Lorenzo.

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Gherardo Starnina

Italian Born in Florence Venetian Renaissance Wikipedia in 12/32 languages

Gherardo Starnina

The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions: Stylistic Synthesis: The seamless blending of Florentine emotional realism with Venetian decorative splendor.

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Jean Pucelle

French Early Gothic painting

Jean Pucelle

Emerging during the turbulent and transformative reign of Philip IV, Pucelle rose from the workshops of Paris to become the preeminent manuscript illuminator of his generation.

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Andrea de Bonaiuto

Italiano Born in Florença Pintura toscana Wikipedia in 12/32 languages

Andrea de Bonaiuto

O meado do século XIV em Florença testemunhou um florescimento de talento artístico e, entre as suas figuras mais significativas, destacava-se Andrea Orcagna – um pintor, escultor, arquiteto e administrador cuja carreira multifacetada deixou uma marca indelével na paisagem visual da cidade.

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Guariento di Arpo

Italian Born in Piove di Sacco Early Renaissance; Venetian painting; Gothic art Wikipedia in 12/32 languages

Guariento di Arpo

Guariento di Arpo (c. 1310–1370) stands as a monumental figure of the Trecento, acting as the essential bridge between the grounded, volumetric realism of Florence and the ethereal, ornamental splendor of the Venetian Gothic tradition.

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Giovanni Del Biondo

Italian Born in Pratovecchio Gothic & Early Renaissance Wikipedia in 10/32 languages

Giovanni Del Biondo

The true significance of Giovanni del Biondo lies in his ability to maintain a distinctive, recognizable style amidst a sea of changing influences.

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Claus Sluter

Holandês Born in Haarlem Realismo Norte

Claus Sluter

Claus Sluter (c. 1350-1406) posiciona-se como um dos escultores mais influentes de sua era, marcando uma conjuntura crucial entre as tradições artísticas góticas e renascentistas no norte da Europa. Primeiros Anos e Formação: Detalhes biográficos precisos permanecem esquivos, mas as evidências sugerem que Sluter recebeu treinamento nas oficinas das guildas de Haarlem, absorvendo as convenções estilísticas da escultura gótica prevalecente na época.

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Jacopo di Cione

Italian Born in Florence Gothic Wikipedia in 7/32 languages

Jacopo di Cione

His commitment to procuring marble for the cathedral underscored his understanding of artistic grandeur and civic responsibility. Furthermore, he continued to secure patronage from influential families like the Albizzi, ensuring that Florentine art would endure as a symbol of prestige and cultural achievement. The dispersed predella depicting scenes from Saint Peter’s life – a collaborative effort with Niccolò di Pietro Gerini – remains a poignant reminder of Jacopo's artistic legacy and the enduring power of Florentine Gothic art.

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Bartolo Di Fredi

Italian Born in Siena Sienese School Wikipedia in 13/32 languages

Bartolo Di Fredi

No coração da Toscana do século XIV, um período definido pela transição entre a graça etérea da era Gótica e o humanismo emergente do Renascimento, Bartolo di Fredi surgiu como um mestre da luz e da narrativa. Em 1355, ele ingressou oficialmente na Arte dei Maestá di Tavola e Dipinto, um marco que lhe garantiu acesso às redes de patronato mais significativas da Itália.

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Conrad von Soest

German Born in Dortmund International Gothic soft style Wikipedia in 13/32 languages

Conrad von Soest

In the twilight of the fourteenth century, a transformative artistic energy began to pulse through the prosperous Hanseatic city of Dortmund, finding its most profound expression in the hands of Conrad von Soest. Completed around 1420, this monumental triptych stands as a pinnacle of the International Gothic style.

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Tuthmosis

Egyptian Born in Amarna Amarna art style

Tuthmosis

Tuthmosis’s mastery lay not only in capturing likeness but also in skillfully manipulating stone. He primarily worked with fine-grained limestone, a material readily available in the quarries surrounding Amarna. The Amarna period, largely due to the work of artists like Tuthmosis, marked a significant departure from traditional artistic conventions, paving the way for subsequent developments in sculpture and portraiture.

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Giovanni da Milano

Italian Born in Valmorea Italian Gothic Wikipedia in 13/32 languages

Giovanni da Milano

In the bustling streets of Florence, where the air was thick with the scent of fresh pigment and the echoes of a changing era, a painter named Giovanni di Jacopo di Guido da Caversaccio began to make his mark. Hailing from Lombardy, he arrived in Tuscany as a man seeking his fortune, appearing in the city's records as Johannes Jacobi de Commo.

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Master Bertram

German Born in Minden International Gothic Wikipedia in 13/32 languages

Master Bertram

It is believed that Bertram was influenced by both French and Netherlandish artistic trends prevalent during his time. Despite these influences, Bertram maintained a uniquely Northern German sensibility, imbuing his work with a sense of regional identity. While sharing similarities with other artists of the period, such as Master Francke (another prominent Hamburg painter), Bertram's work possesses a distinct character—a subtle restraint in emotional expression compared to Francke’s more overtly dramatic approach.

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Agostino Di Giovanni

Italian Born in Siena Gothic architecture/sculpture

Agostino Di Giovanni

Giorgio Vasari, the celebrated Renaissance art historian, initially placed Agostino within the orbit of Giovanni Pisano’s workshop, suggesting a formative apprenticeship under this master sculptor. However, modern scholarship proposes a more nuanced lineage, positing that his early training likely occurred with Camaino di Crescentino, father to Tino di Camaino, another influential figure in Sienese sculpture. His exact date of death remains unknown, though records indicate he was no longer living as of June 27, 1347—a period marked by the devastating impact of the Black Death.

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Ashikaga Yoshimitsu

Born in Kyoto

Ashikaga Yoshimitsu

He employed elaborate rituals, symbolic imagery, and monumental architecture – like Kitayama-dono – to portray himself as a universal monarch or dharma king, mirroring rulers in Southeast Asia. His posthumous name was Rokuon'in (鹿苑院), further cementing his place in Japanese history. Late in his career, Yoshimitsu increasingly sought to legitimize his power through the lens of Buddhist kingship.

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André Beauneveu

Netherlandish Born in Valenciennes Pucellian revival

André Beauneveu

In 1386, Beaunever accepted the prestigious role of superintendent of all painting and sculpture for the Duke, a position that placed him at the heart of one of Europe's most vibrant cultural epicenters. His technical achievements are best observed in the following areas: Illuminated Manuscripts: In works such as the Psalter of Jean de Berry and his depictions of figures like King David, Beauneveu demonstrated an extraordinary ability to use light and shadow to create a sense of three-dimensional volume on parchment.

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Jacopo Del Casentino (Jacopo Landino)

Italian Born in Florence Renaissance

Jacopo Del Casentino (Jacopo Landino)

Technical Innovation: Early mastery of light, shadow, and the illusion of volume. In the annals of Italian art, Jacopo remains a luminous figure, a painter who captured the very essence of Florentine devotion. The origins of his artistry are deeply rooted in the Florentine milieu, likely shaped by the influential circle surrounding the Master of St.

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Francesco Traini

Italian Born in Pisa Gothic Art Wikipedia in 11/32 languages

Francesco Traini

Orcagna's Legacy: Andrea Orcagna’s influence is undeniable in Traini’s compositional strategies and expressive dynamism. Orcagna championed the concept of “naturalis dispositio,” prioritizing spatial realism to communicate theological ideas effectively—a principle that Traini wholeheartedly embraced.

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Vitale Da Bologna

Italian Born in Bologna International Gothic Wikipedia in 12/32 languages

Vitale Da Bologna

His legacy is found in: The Synthesis of Styles: The seamless integration of Riminese color palettes with Giottesque structural depth. As we look back upon his prolific career, Vitale remains a cornerstone of Italian art, a painter who captured the transition from the medieval soul to the Renaissance mind with unparalleled grace and spiritual power. His works, scattered across prestigious locations such as Pomposa Abbey and Udine Cathedral, serve as windows into a world where the divine and the earthly were intimately entwined.

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Sheikh Zain Al-Din

Kurdish Born in Erbil Company Style

Sheikh Zain Al-Din

Zain al-Din’s prominence grew during a period of significant change in India, as the power of the Mughal Empire waned and British influence expanded. This era saw the emergence of what is now known as the “Company style” of painting—a hybrid aesthetic favored by British officials and collectors who sought realistic depictions of Indian life, flora, and fauna. The Ashmolean Museum in Oxford holds several examples of his work, including exquisite depictions of mountain-rats, hanging bats, parrots, and storks—each painting a miniature world unto itself.

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Pere Serra

Spanish Gothic-Italian

Pere Serra

Born around 1357 and passing away in 1406, his life coincided with a period of significant artistic and cultural change across Europe, yet he maintained a distinctly Catalan sensibility throughout his career. The city was a vibrant hub for trade and artistic exchange, exposed to influences from Italy, France, and Flanders.

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Império Asteca

Mexicano Born in Tenochtitlán Arte mesoamericana

Império Asteca

Nascidas no início do século XIV em Tenochtitlán, o coração do Império Asteca, as tradições artísticas dos astecas estavam profundamente enraizadas nos legados de civilizações mesoamericanas anteriores. A massiva Pedra do Sol (Calendário Asteca), descoberta em 1946, permanece como um testemunho de sua maestria neste meio — um relevo de pedra complexo e em camadas que combinava informações calendáرicas com simbolismo cosmológico.

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Marco Di Paolo Veneziano

Italian Byzantine-influenced art; Gothic art

Marco Di Paolo Veneziano

Born into a lineage of painters, likely the son of Martino and brother to Marco, Paolo’s very existence was woven into the fabric of Venetian artistic tradition. His formative years were steeped in the luminous, spiritual grandeur of Byzantine art, a tradition brought to the Venetian lagoons through trade and deep ecclesiastical ties to Constantinople. His ability to blend the following elements created a style that was uniquely "Venetian": Luminous Color Palettes: Drawing from the Byzantine tradition to create depth and spiritual radiance.

Key works · The 100 most famous works

62of 99

Ferrer Bassa

Catalan Born in Avinyonet del Penedès Gothic painting

Ferrer Bassa

Born around 1285 in the small town of Avinyonet del Penedès, his early life remains shrouded in some mystery, yet the documented evidence reveals a trajectory marked by both diligent craftsmanship and royal favor. His ability to synthesize diverse stylistic elements—French elegance, Sienese refinement, and Giottesque drama—resulted in a visual language that was both innovative and deeply rooted in its cultural context.

Key works · The 100 most famous works

63of 99

Tommaso Da Modena

Italian Born in Modena Late Gothic Wikipedia in 15/32 languages

Tommaso Da Modena

Tommaso Barisini, commonly known as Tommaso da Modena and sometimes referred to as Tomaso Baffini (c. 1325 – 1379), stands as one of the most prominent figures in Northern Italian painting during the mid-14th century—a period marked by burgeoning artistic innovation and profound spiritual reflection. His unwavering commitment to naturalistic representation—coupled with his masterful command of perspective—established a precedent for Renaissance artists seeking to emulate the grandeur and clarity of classical art forms.

Key works · The 100 most famous works

64of 99

Jacopo Avanzi

Italian Born in Bologna Renaissance, Proto-Renaissance

Jacopo Avanzi

D'Avanzi’s style occupies a fascinating position within the transition from Gothic art to the early Renaissance. He wasn’t alone in this pursuit; Altichiero da Zevio, with whom he frequently collaborated, shared similar artistic concerns.

Key works · The 100 most famous works

65of 99

Paolo Di Giovanni Fei

Italiano Born in San Quirico d'Orcia Naturalismo, Proto-Renascimento Wikipedia in 10/32 languages

Paolo Di Giovanni Fei

Pietro Lorenzetti, nascido por volta de 1280 e tragicamente falecido em 1348 durante a devastadora pandemia da Peste Negra, permanece uma figura fundamental na evolução da pintura italiana.

Key works · The 100 most famous works

66of 99

Giottino

Italian Born in Florence Early Italian painter Wikipedia in 14/32 languages

Giottino

His output includes a variety of formats, from devotional panels to architectural elements: Frescoes: The narrative cycles in the San Silvestro chapel, Santa Croce, Florence. Sculpture and Architecture: A marble statue located on the Florentine campanile and various works attributed to his hand in the Florentine school.

Key works · The 100 most famous works

67of 99

Wu Zhen

Yuan dynasty Born in Jiashan County Wikipedia in 12/32 languages

Wu Zhen

The brush of Wu Zhen moved with a particular intent, seeking to capture the essence of the natural world through landscape paintings and the delicate forms of bamboo. He achieved a rare unity known as the Three Perfections, where the boundaries between different disciplines began to dissolve. His influence reached far beyond his own lifetime, as he was recognized as one of the Four Yuan Masters, alongside Huang Gongwang, Ni Zan, and Wang Meng.

Key works · The 100 most famous works

68of 99

Jacopo del Casentino

Florentine Born in Florence Later Gothic Wikipedia in 10/32 languages

Jacopo del Casentino

His later Gothic style reflects this integration of Sienese elements. The tension between these traditions defines his artistic output: The foundational weight of Giotto’s legacy.

Pupil of Taddeo Gaddi #6 · Teacher of Spinello Aretino #12

Key works · The 100 most famous works

69of 99

Giusto De' Menabuoi

Italian Born in Florence Early Renaissance Wikipedia in 12/32 languages

Giusto De' Menabuoi

Menabuoi’s distinctive style transcends simple categorization, reflecting a complex interplay between Byzantine iconography and Florentine Proto-Renaissance aesthetics. Unlike many of his contemporaries who embraced the burgeoning realism championed by artists like Altichiero and Jacopo d'Avanzi, Menabuoi prioritized conveying spiritual emotion over meticulous anatomical accuracy—a hallmark of Giotto’s artistic vision. Giotto's Legacy: As a student of Giotto, Menabuoi absorbed Giotto’s expressive technique—characterized by elongated figures and emotionally charged gestures—establishing a crucial link between Florentine artistic tradition and Byzantine influences.

Key works · The 100 most famous works

70of 99

Jacquemart de Hesdin

French Born in Hesdin International Gothic Wikipedia in 13/32 languages

Jacquemart de Hesdin

Grandes Heures: Another important illuminated manuscript commissioned by the Duke of Berry. Petites Heures: A smaller-scale book of hours, also demonstrating Jacquemart’s skill in illumination. Historical Significance: Jacquemart de Hesdin played a vital role in the artistic renewal during the late 14th and early 15th centuries.

Key works · The 100 most famous works

71of 99

Matteo Giovanetti

Italian Born in Viterbo Early Italian Renaissance

Matteo Giovanetti

In the heart of fourteenth-century Italy, amidst the spiritual awakening of the early Renaissance, the name Matteo Giovanetti emerged as a beacon of devotional mastery. His life’s work serves as a vital bridge between the rigid, symbolic traditions of the Gothic period and the burgeoning naturalism that would soon define the Italian Renaissance.

Key works · The 100 most famous works

72of 99

Reisai Gukyoku

Japanese Born in Yamashiro Zen buddhism art

Reisai Gukyoku

Unlike the flamboyant styles prevalent during Nanbokuchō, Gukyoku's approach prioritized conveying spiritual essence over visual spectacle. He favored ink wash techniques (sumi-e), utilizing varying shades of black to create textured surfaces that mirrored the natural world—particularly landscapes reminiscent of Mount Yoshino, a sacred site venerated by Zen monks. His meticulous technique and contemplative aesthetic established precedents for subsequent generations of Zen painters, emphasizing simplicity, directness, and an unwavering focus on capturing the essence of Buddhist thought.

Key works · The 100 most famous works

74of 99

Bartolommeo Bulgarini

Italian Born in Siena Sienese school

Bartolommeo Bulgarini

He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. This stylistic evolution is perhaps most evident in his ability to balance: The Byzantine influence, which provided the sacred, unmoving grandeur of the divine. Whether through the intimate grace of his Madonna and Child compositions or the solemnity of his depictions of saints, Bulgarini’s work captures the spiritual heartbeat of an era.

Key works · The 100 most famous works

75of 99

Gikō Tettō

Japanese Born in Hara Zen painting

Gikō Tettō

Hsieh Ho’s approach to capturing atmospheric effects through subtle shifts in hue and tone resonated deeply with Tettō's own desire to convey emotion and spiritual depth within his works. His compositions frequently featured sweeping vistas and dynamic brushstrokes, reflecting both the natural world and the internal landscapes of Zen meditation. His bold use of color and expressive brushwork served as an inspiration for subsequent generations of artists, including those who followed in the footsteps of the Ōtōkan school.

Key works · The 100 most famous works

76of 99

Barnaba Da Modena

Italian Born in Modena Byzantine-influenced Lombard Painting Wikipedia in 12/32 languages

Barnaba Da Modena

Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage. His activity spanned Lombardy, Piedmont, and Pisa in Tuscany, establishing him as a pivotal artist within the burgeoning cultural dynamism of the era.

Key works · The 100 most famous works

77of 99

Peter Parler

German-Bohemian Born in Schwaebisch Guemund Late Gothic

Peter Parler

In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe.

Key works · The 100 most famous works

78of 99

Bonanat Descoll I De Santcliment

Italiano Born in Barcelona Renascimento Inicial

Bonanat Descoll I De Santcliment

Bonanat Descoll I De Santcliment foi um almirante catalão da Coroa de Aragão no século XIV. Nascido em Barcelona, Espanha, em 1310, e falecido em 1390, ele se consolidou como uma figura proeminente na arte catalã e na história, desempenhando um papel fundamental no desenvolvimento do patrimônio cultural e artístico da região. Bonanat Descoll I De Santcliment foi não apenas um habilidoso líder militar, mas também um artista consumado.

Key works · The 100 most famous works

79of 99

Yuan Dynasty

Chinese Born in Beijing Landscape Art

Yuan Dynasty

Understanding Yuan art requires delving into its complex context: the ambition of Kublai Khan to unite Eurasia under Mongol rule, coupled with a burgeoning intellectual elite eager to embrace new ideas and traditions. He actively supported artists like Wang Meng and Zhao Yuan, commissioning monumental landscapes and intricate calligraphy scrolls that celebrated imperial grandeur and Confucian ideals. The Yuan Dynasty (1271–1368), established by Kublai Khan, represents a singular moment in Chinese history – the first time a foreign power successfully ruled over all of China.

Key works · The 100 most famous works

81of 99

Domenico Di Agostino

Italian Born in Siena Gothic Art

Domenico Di Agostino

The Virgin of the Annunciation, found in various iterations across several museums, exemplifies his mature style. The composition typically depicts the Angel Gabriel kneeling before Mary, delivering the news of Christ’s birth. Yet, unlike Simone’s increasingly internationalized aesthetic, Domenico remained firmly rooted in the Sienese tradition.

Key works · The 100 most famous works

82of 99

Agnolo Di Ventura

Italian Gothic Art Italy

Agnolo Di Ventura

Siena’s artistic climate was characterized by a distinctive emphasis on grace, refined detail, and narrative clarity – qualities that would become hallmarks of Agnolo’s own work. The influence of Nicola Pisano and his son Giovanni, prominent sculptors active in Pisa and Florence, cannot be discounted, as their innovations in depicting classical forms and emotional expression were widely admired throughout Tuscany. He frequently collaborated with painters, as seen in the Monument to Tarlati, highlighting the interconnectedness of artistic disciplines during the 14th century.

Key works · The 100 most famous works

84of 99

Francesco Di Petracco

Italian Born in Arezzo Humanist poetry

Francesco Di Petracco

Born in Arezzo, Italy, in 1304 as Francesco Patriarca – later adopting the name Francesco Petrarca – this artist was more than just a painter; he was a pivotal figure in the burgeoning Italian Renaissance. His family, prominent Florentine notaries, faced exile due to the turbulent power struggles between the White and Black Guelphs. Furthermore, Petracco's connection to the exiled poet Dante Alighieri – both sharing political exile from Florence – undoubtedly shaped his artistic outlook.

Key works · The 100 most famous works

85of 99

Giovanni d'Agostino

Born in Siena

Giovanni d'Agostino

A significant partnership was formed with Agnolo di Ventura, culminating in their joint execution of the cenotaph of Guido Tarlati in the Cathedral of Arezzo (signed and dated 1330). Vasari also mentions collaborations on commissions from the commune of Siena, including the Porta Romana and the iconic Torre del Mangia.

Key works · The 100 most famous works

88of 99

Giovanni Di Chellino Boccaccio

Italian Born in Certaldo Humanism precursor

Giovanni Di Chellino Boccaccio

Born amidst the rolling landscapes of Certaldo in 1313, Giovanni Boccaccio emerged as a vital force in the cultural landscape of the fourteenth century. As one of the legendary "Three Crowns" of Italian literature—standing alongside the giants Dante Alighieri and Petrarch—his life served as a bridge between the medieval world and the dawning light of the Renaissance.

Key works · The 100 most famous works

89of 99

Emperor Kōgon

Japanese Buddhist Art

Emperor Kōgon

While the Nanboku-chō period was defined by conflict between rival courts, Kōgon’s focus on Buddhist art provided a sense of cultural continuity and spiritual stability. He successfully utilized the medium of painting to assert a form of authority that was not dependent on military might, but on moral and religious prestige. Emperor Kōgon (1313–1364) was not merely a sovereign navigating a period of profound instability; he was a visionary patron whose devotion to Buddhist iconography helped reshape the aesthetic soul of Northern Japan.

Key works · The 100 most famous works

90of 99

Jakushitsu Genkō

Japanese Born in Tokyo Rinzai Zen

Jakushitsu Genkō

Early Life & Artistic Formation: Little biographical detail survives concerning Genkō’s formative years; he emerged from obscurity as a student of Zen at Nara Temple, establishing a foundation for his lifelong devotion to the Dharma.

Key works · The 100 most famous works

93of 99

Nardo di Cione

Italian Born in Florence Renaissance Painting Wikipedia in 10/32 languages

Nardo di Cione

The significance of Nardo di Cione lies in his ability to bridge the gap between the rigid traditions of the medieval period and the burgeoning humanism of the Renaissance. To study Nardo is to witness the evolution of the Florentine spirit: Technical Versatility: The seamless integration of sculptural depth with painterly fluidity. His early training under Maestro Piero Bargellini, a distinguished sculptor and painter, provided him with a unique dual perspective.

Key works · The 100 most famous works

95of 99

Serafino Serafini

Italian Born in Modena Giottesque & Bolognese

Serafino Serafini

One of his most celebrated achievements, the Coronation of the Virgin, bears a proud inscription dating the work to March 1385, serving as a permanent testament to his hand. Beyond the cathedral walls, Serafini’s influence extended into other significant religious sites, such as the Church of San Francesco in Mantua. In the twilight of the fourteenth century, amidst the architectural grandeur of Northern Italy, the name Serafino Serafini emerged as a vital, if enigmatic, force in the evolution of late medieval painting.

Key works · The 100 most famous works

97of 99

Antonio Baboccio Da Piperno

Italian Born in Pietrantonella Late Medieval Art

Antonio Baboccio Da Piperno

Beyond the physical permanence of his marble reliefs, Antonio Baboccio da Piperno’s true significance lies in the lineage of talent he helped cultivate. In the twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the burgeoning light of the Renaissance, there emerged a master whose hands shaped the very identity of Neapolitan grandeur.

Key works · The 100 most famous works

98of 99

Zekkai Chūshin

Italian Born in Tosa Byzantine art

Zekkai Chūshin

He was deeply influenced by Giotto di Bondone, whose revolutionary approach to depicting human emotion and space began to permeate the region. Giotto's innovations—a move away from the stylized, flattened forms of Byzantine art towards greater naturalism and psychological depth —were skillfully absorbed and adapted by his Pistoian disciple. While his name—a label bestowed upon him due to a fresco depicting the miracle of the Virgin Mary in Santa Maria delle Grazie, Pistoia—offers little insight into his personal identity, his paintings speak volumes about the artistic currents shaping Tuscany at the time.

Key works · The 100 most famous works

The paintings behind the names

Famous Late Medieval works and the artists who made them

  1. Maestà (Madonna with Angels and Saints) de Simone Martini

    Maestà (Madonna with Angels and Saints)

    Simone Martini

    1315 · Palazzo Pubblico, Siena

  2. Holy Trinity de Andrei Rublev

    Holy Trinity

    Andrei Rublev

    1411 · Galeria Tretyakov, Moscovo

  3. O efeito bom do governo na cidade de Ambrogio Lorenzetti

    O efeito bom do governo na cidade

    Ambrogio Lorenzetti

    1338 · Palazzo Pubblico, Siena

  4. Madonna Enthroned with Angels de Pietro Lorenzetti

    Madonna Enthroned with Angels

    Pietro Lorenzetti

    1340 · Galleria degli Uffizi, Florença

  5. O Retrato de Ghent de Hubert Van Eyck

    O Retrato de Ghent

    Hubert Van Eyck

    1432

  6. Nativity de Taddeo Gaddi

    Nativity

    Taddeo Gaddi

    1325 · Fundación Colección Thyssen-Bornemisza, Barcelona

  7. The Last Supper de Agnolo Gaddi

    The Last Supper

    Agnolo Gaddi

    1395 · Lindenau-Museum, Altengau

  8. Our Lady of the Don de Teófanes, O Grego

    Our Lady of the Don

    Teófanes, O Grego

    1382 · Galeria Tretyakov, Moscovo

Through time

A Late Medieval timeline in masterpieces

  1. 1315
  2. 1324
  3. 1324
  4. 1325
  5. 1334
  6. 1338
  7. 1339
  8. 1340
  9. 1340
  10. 1345
  11. 1350
  12. 1354
  13. 1359
  14. 1370

In figures

By the numbers

País de nascimento
Italy35
Itália20
Japan8
China5
Spain3
France3
Egypt3
People's Republic of China2
Década de nascimento
1270s4
1280s9
1290s11
1300s9
1310s8
1320s12
1330s13
1340s9
1350s15
1360s9
Museus que detêm suas obras principais
Metropolitan Museum of Art16
Gemäldegalerie5
Galleria degli Uffizi4
National Gallery4
Harvard Art Museums4
Yale University Art Gallery4
National Gallery of Art3
Philadelphia Museum of Art3

All of them, in order

List of the 99 famous Late Medieval artistas

  1. 1Simone MartiniSimone MartiniItaliano · 1284–1344
  2. 2Andrei RublevAndrei RublevRusso · 1360–1430
  3. 3Ambrogio LorenzettiAmbrogio Lorenzetti1290–1348
  4. 4Pietro LorenzettiPietro LorenzettiItaliano · 1280–1348
  5. 5Hubert Van EyckHubert Van EyckHolandês · 1366–1426
  6. 6Taddeo GaddiTaddeo GaddiItaliano · 1300–1366
  7. 7Agnolo GaddiAgnolo GaddiItalian · 1350–1396
  8. 8Teófanes, O GregoTeófanes, O GregoGrego · 1335–1410
  9. 9Paolo VenezianoPaolo VenezianoItaliano · 1333–1358
  10. 10Lippo MemmiLippo Memmi1291–1356
  11. 11AltichieroAltichieroItaliano · 1330–1390
  12. 12Spinello AretinoSpinello AretinoItaliano · 1350–1410
  13. 13Bernardo DaddiBernardo Daddi1290–1348
  14. 14Andrea PisanoAndrea PisanoItaliano · 1290–1348
  15. 15Niccolò Di TommasoNiccolò Di TommasoItaliano · 1346–1376
  16. 16Ni ZanNi ZanChinês · 1301–1374
  17. 17Andrea Di Cione (Orcagna)Andrea Di Cione (Orcagna)Italiano · 1308–1368
  18. 18OrcagnaOrcagnaItalian · 1315–1368
  19. 19Giovanni Di MilanoGiovanni Di Milano1346–1369
  20. 20Barna Da SienaBarna Da SienaItalian · 1330–1380
  21. 21Wang MengWang MengChinese · 1308–1385
  22. 22Cresques AbrahamCresques AbrahamSpanish · 1325–1387
  23. 23Nicolas BatailleNicolas BatailleFrench · 1330–1405
  24. 24Lorenzo VenezianoLorenzo VenezianoItaliano · 1336–1379
  25. 25Segna Di BuonaventureSegna Di BuonaventureItalian · 1298–1326
  26. 26Cennino CenniniCennino CenniniItalian · 1360–1440
  27. 27Ugolino Di NerioUgolino Di NerioItaliano · 1280–1330
  28. 28Taddeo di BartoloTaddeo di BartoloItalian · 1362–1422
  29. 29Lippo Di BenivieniLippo Di BenivieniItalian · 1296–1327
  30. 30Zhao YuanZhao YuanChinese · nascido(a) em 1350
  31. 31Andrea Di BartoloAndrea Di BartoloItalian · 1360–1428
  32. 32Lorenzo di BicciLorenzo di BicciItalian · 1350–1427
  33. 33Melchior BroederlamMelchior BroederlamBelgian · 1355–1410
  34. 34Lorenzo Di BicciLorenzo Di BicciItaliano · 1350–1427
  35. 35Gherardo StarninaGherardo StarninaItalian · 1354–1413
  36. 36Jean PucelleJean PucelleFrench · 1300–1334
  37. 37Andrea de BonaiutoAndrea de BonaiutoItaliano · 1343–1379
  38. 38Guariento di ArpoGuariento di ArpoItalian · 1310–1370
  39. 39Giovanni Del BiondoGiovanni Del BiondoItalian · 1356–1399
  40. 40Claus SluterClaus SluterHolandês · 1355–1406
  41. 41Kokan ShirenKokan ShirenJapanese · 1278–1346
  42. 42Jacopo di CioneJacopo di CioneItalian · 1325–1399
  43. 43Bartolo Di FrediBartolo Di FrediItalian · 1330–1410
  44. 44Conrad von SoestConrad von SoestGerman · 1360–1423
  45. 45TuthmosisTuthmosisEgyptian · 1340–1300
  46. 46Giovanni da MilanoGiovanni da MilanoItalian · 1325–1370
  47. 47Master BertramMaster BertramGerman · 1345–1415
  48. 48Agostino Di GiovanniAgostino Di GiovanniItalian · 1285–1347
  49. 49Ashikaga YoshimitsuAshikaga Yoshimitsu1358–1408
  50. 50André BeauneveuAndré BeauneveuNetherlandish · 1335–1403
  51. 51Jacopo Del Casentino (Jacopo Landino)Jacopo Del Casentino (Jacopo Landino)Italian · 1330–1380
  52. 52Musō SosekiMusō SosekiJaponês · 1275–1351
  53. 53Francesco TrainiFrancesco TrainiItalian · 1321–1365
  54. 54Vitale Da BolognaVitale Da BolognaItalian · 1289–1359
  55. 55Sheikh Zain Al-DinSheikh Zain Al-DinKurdish · nascido(a) em 1325
  56. 56Pere SerraPere SerraSpanish · 1357–1406
  57. 57Império AstecaImpério AstecaMexicano · 1300–1521
  58. 58Liaoan QingyuLiaoan QingyuChinese · 1288–1363
  59. 59Marco Di Paolo VenezianoMarco Di Paolo VenezianoItalian · nascido(a) em 1362
  60. 60Matteo Di Ser CambioMatteo Di Ser CambioItalian · 1351–1424
  61. 61Zhu DiZhu Di1360–1424
  62. 62Ferrer BassaFerrer BassaCatalan · 1285–1348
  63. 63Tommaso Da ModenaTommaso Da ModenaItalian · 1326–1379
  64. 64Jacopo AvanziJacopo AvanziItalian · 1350–1416
  65. 65Paolo Di Giovanni FeiPaolo Di Giovanni FeiItaliano · 1345–1411
  66. 66GiottinoGiottinoItalian · 1324–1372
  67. 67Wu ZhenWu ZhenYuan dynasty · 1280–1354
  68. 68Jacopo del CasentinoJacopo del CasentinoFlorentine · 1297–1358
  69. 69Giusto De' MenabuoiGiusto De' MenabuoiItalian · 1330–1393
  70. 70Jacquemart de HesdinJacquemart de HesdinFrench · 1350–1410
  71. 71Matteo GiovanettiMatteo GiovanettiItalian · 1322–1368
  72. 72Reisai GukyokuReisai GukyokuJapanese · 1363–1452
  73. 73Qingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'EngQingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'EngChinese · 1274–1339
  74. 74Bartolommeo BulgariniBartolommeo BulgariniItalian · 1305–1378
  75. 75Gikō TettōGikō TettōJapanese · 1295–1369
  76. 76Barnaba Da ModenaBarnaba Da ModenaItalian · 1328–1386
  77. 77Peter ParlerPeter ParlerGerman-Bohemian · 1330–1399
  78. 78Bonanat Descoll I De SantclimentBonanat Descoll I De SantclimentItaliano · 1310–1390
  79. 79Yuan DynastyYuan DynastyChinese · 1271–1368
  80. 80Giovanni Di RiginoGiovanni Di RiginoItalian · nascido(a) em 1315
  81. 81Domenico Di AgostinoDomenico Di AgostinoItalian · 1317–1366
  82. 82Agnolo Di VenturaAgnolo Di VenturaItalian · 1290–1349
  83. 83Giovanni Da CampioneGiovanni Da CampioneItalian · 1320–1375
  84. 84Francesco Di PetraccoFrancesco Di PetraccoItalian · 1304–1374
  85. 85Giovanni d'AgostinoGiovanni d'Agostino1285–1347
  86. 86Sesson YūbaiSesson YūbaiJapanese · 1290–1347
  87. 87Sultan Al-Malik Al-Zahir Abu Sa’Id BarquqSultan Al-Malik Al-Zahir Abu Sa’Id BarquqEgyptian · 1339–1399
  88. 88Giovanni Di Chellino BoccaccioGiovanni Di Chellino BoccaccioItalian · 1313–1375
  89. 89Emperor KōgonEmperor KōgonJapanese · 1313–1364
  90. 90Jakushitsu GenkōJakushitsu GenkōJapanese · 1290–1367
  91. 91Bernat Saulet I El Taller De Sant Joan De Les AbadessesBernat Saulet I El Taller De Sant Joan De Les AbadessesItalian · 1341–1342
  92. 92Mother JulianMother JulianEnglish · nascido(a) em 1343
  93. 93Nardo di CioneNardo di CioneItalian · 1320–1366
  94. 94TutankhamenTutankhamenEgyptian · 1345–1327
  95. 95Serafino SerafiniSerafino SerafiniItalian · 1324–1393
  96. 96Filippo CalendarioFilippo CalendarioItalian · 1315–1355
  97. 97Antonio Baboccio Da PipernoAntonio Baboccio Da PipernoItalian · 1351–1435
  98. 98Zekkai ChūshinZekkai ChūshinItalian · 1336–1405
  99. 99Ryūshū ShūtakuRyūshū ShūtakuJapanese · 1307–1388

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