Hiroshige, 1797 – 1858

Pinturas de Hiroshige: As 100 Obras Mais Famosas, Classificadas

A pintura mais famosa de Hiroshige é Early Department from a Daimyo, no Nakagawa-machi Bato Hiroshige Museum of Art, em Nagasaki. Com The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) e Hakone (1834), completam-se as três obras que todos reconhecem. O nosso catálogo lista 353 obras de Hiroshige; as 100 abaixo são as mais admiradas no mundo, cada uma com o seu ano, o museu que a detém e a sua importância.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.

Retrato de Hiroshige
Hiroshige · 1797 – 1858
Nascimento · falecimento
1797 – 1858, Edo
Movimento
Japanese landscape painting
Obras em nosso catálogo
353
Mais famosas
Early Department from a Daimyo
Mais obras em
Nakagawa-machi Bato Hiroshige Museum of Art

As 10 pinturas mais famosas de Hiroshige

Early Department from a Daimyo de Hiroshige
1

Early Department from a Daimyo

Woodblock Print · Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki

In the delicate dance of lines and muted pigments, Utagawa Hiroshige’s Early Department from a Daimyo invites us to step through a portal into the heart of Edo-period Japan. This exquisite woodblock print captures a moment of vibrant communal life along a bustling riverside, where the rigid structures of social hierarchy melt into the shared leisure of a sunny afternoon. As we gaze upon the scene, we are not merely…

The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) de Hiroshige
2

The maple leaves of Mama, Tekona shrine and Tsugi bridge

1857 · Woodblock Print · Van Gogh Museum, Amsterdã

Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…

Hakone (1834) de Hiroshige
3

Hakone

1834 · Woodblock Print · Indianapolis Museum of Art, Indianapolis

Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…

Station 36, Goyu; Kyoka Tokaido Series (1855) de Hiroshige
4

Station 36, Goyu; Kyoka Tokaido Series

1855 · Woodblock Print · Indianapolis Museum of Art, Indianapolis

In the delicate interplay of ink and paper, Utagawa Hiroshige’s "Station 36, Goyu; Kyoka Tokaido Series" offers much more than a mere topographical record of a journey. Completed in 1855, this exquisite woodblock print serves as a profound distillation of Edo-period sensibilities, capturing a yearning for tranquility amidst the burgeoning dynamism of a Japan in transition. As the nation stood at a pivotal crossroads between ancient feudal traditions and the…

Estação nº 51, Fushimi (1842) de Hiroshige
5

Estação nº 51, Fushimi

1842 · Acrílico sobre tela · Indianapolis Museum of Art, Indianapolis

Uma Jornada Poética pelas Estações do Tokaido: Hiroshige e a Beleza Efêmera da Paisagem Japonesa Utagawa Hiroshige, um nome que ressoa com força no universo da arte japonesa, permanece como uma figura emblemática da estética tokugawa e uma influência duradoura na cultura ocidental. Sua obra transcende a mera representação visual; ela captura a essência de uma época marcada pela tranquilidade relativa do shogunato Tokugawa e pela crescente abertura ao mundo…

Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi) (1858) de Hiroshige
6

Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi)

1858 · Woodblock Print · Indianapolis Museum of Art, Indianapolis

The Ichikoku Bridge spans a quiet stretch of water in the Eastern Capital. Beneath its wooden arch, two boats drift through the current. People move across the structure, some carrying backpacks and others clutching small handbags. A mountain rises in the distance, watching over the scene. Trees frame the edges of the view, their leaves casting shadows near the water's edge.

Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road (1834) de Hiroshige
7

Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road

1834 · Woodblock Print · Hill-Stead Museum, Farmington

In the soft, burgeoning light of a nineteenth-century morning, Utagawa Hiroshige invites us to witness a moment of profound stillness along the Tōkaidō road. Shinagawa Sunrise is not merely a depiction of a coastal village; it is a masterclass in the art of atmosphere. As the sun begins its ascent, the boundary between the heavens and the earth dissolves into a luminous haze. The water of the bay reflects a…

The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ) de Hiroshige
8

The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition )

Woodblock Print · Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki

In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of Japanese life as profoundly as Utagawa Hiroshige. His masterpiece, The Rokugo River Ferry, Kawasaki, serves as a breathtaking window into the Edo period, inviting the viewer to step onto the bustling banks of one of the most vital crossings on the Tokaido road. This evocative scene from his legendary series, The Fifty-three Stations of the Tokaido,…

Itsukushima in Aki Province (1858) de Hiroshige
9

Itsukushima in Aki Province

1858 · Woodblock Print · Brooklyn Museum, Brooklyn

In the delicate interplay of mist and water, Itsukushima in Aki Province offers more than a mere glimpse of a Japanese landmark; it provides a profound meditation on the ephemeral nature of existence. Created by the legendary ukiyo-e master Ando Hiroshige in 1858, this woodcut print captures the spiritual essence of the Itsukushima shrine area with a poetic sensitivity that remains unparalleled. As one gazes upon the composition, the eye…

Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) de Hiroshige
10

Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition)

Woodblock Print · Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki

The woodblock print depicts a section of the Tenryu River near the station of Mitsuke. In the center of the composition, a large sandbank divides the water into two distinct currents. Several small wooden boats occupy the river, with figures positioned within them to manage the crossing. Some vessels are moored directly against the central sandbank, while others navigate the moving water. The far shore is visible in the distance,…

Hiroshige, pinturas de 11 a 100

Pardal e Videiras de Uva (1800) de Hiroshige
#11

Pardal e Videiras de Uva

1800 · Indianapolis Museum of Art

Uma Visão Poética do Edo Japonês: O Ciclo Tokaido de Hiroshige e o Espírito da Paisagem Utagawa Hiroshige (1797-1858) permanece como uma figura fundamental na história da arte…

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Evening Snow at Kanbara (1834) de Hiroshige
#14

Evening Snow at Kanbara

1834 · Museu de Arte do Condado de Los Angeles

“Evening Snow at Kanbara,” a captivating woodblock print by the legendary Utagawa Hiroshige, isn't merely a depiction of a winter landscape; it’s an invitation to step into a…

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Dawn in the licensed quarters (1857) de Hiroshige
#15

Dawn in the licensed quarters

1857 · Art Gallery of New South Wales

To gaze upon Utagawa Hiroshige's "Dawn in the licensed quarters" is to step directly into the vibrant, ephemeral heart of Edo during the mid-nineteenth century. This painting captures…

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Kawachi (1853) de Hiroshige
#28

Kawachi

1853 · Indianapolis Museum of Art

Utagawa Hiroshige’s “Kawachi,” painted in 1853, isn’t merely a landscape; it’s a distilled moment of profound serenity captured with the meticulous precision and poetic sensibility that defined his…

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Kanbara, Noite Nevasca (1834) de Hiroshige
#37

Kanbara, Noite Nevasca

1834 · Indianapolis Museum of Art

“Kanbara, Night Snow” é uma obra magistral do renomado artista Utagawa Hiroshige (1797-1858), um dos últimos grandes mestres da arte japonesa *ukiyo-e*, ou “imagens do mundo flutuante”. Esta…

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Gaio Correndo ao Katata (1834) de Hiroshige
#42

Gaio Correndo ao Katata

1834 · Indianapolis Museum of Art

Uma Sinfonia de Paisagens Edoanas: Geese Homing at Katata de Utagawa Hiroshige A obra "Geese Homing at Katata" (ガエセホミングアットカタダ), atribuída ao renomado artista Utagawa Hiroshige, é uma verdadeira…

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Wakasa (1853) de Hiroshige
#51

Wakasa

1853 · Indianapolis Museum of Art

A Poetic Vision of Edo Japan: The Life and Art of Utagawa Hiroshige Utagawa Hiroshige (1797-1858) stands as an unparalleled luminary in the realm of *ukiyo-e*, or “pictures…

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Sakanoshita de Hiroshige
#62

Sakanoshita

Indianapolis Museum of Art

Utagawa Hiroshige’s “Sakanoshita,” part of his renowned series The Fifty-three Stations of the Tōkaidō, offers more than just a scenic view; it provides a window into the heart…

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Estação 23, Fujieda de Hiroshige
#63

Estação 23, Fujieda

Indianapolis Museum of Art

Utagawa Hiroshige (1797-1858), a titan amongst *ukiyo-e* artists, didn't merely depict landscapes; he crafted visions imbued with the spirit of his era—a time of burgeoning commerce alongside profound…

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Dog (1858) de Hiroshige
#91

Dog

1858 · Indianapolis Museum of Art

This woodblock print, titled Dog, presents a landscape featuring a mountain topped with snow in the background. A river flows through the valley below the mountain. Several trees…

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Akasaka, No. 37 de Hiroshige
#95

Akasaka, No. 37

Indianapolis Museum of Art

Uma Visão Poética do Edo Japonês: Hiroshige e Akasaka, No. 37 Hiroshige é uma figura essencial na história da arte japonesa, um artista que transcendeu a mera reprodução…

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Yoshiwara de Hiroshige
#97

Yoshiwara

Indianapolis Museum of Art

A landscape unfolds through a series of layered compositions, leading the eye toward distant, hazy mountains. In the foreground, figures on horseback traverse a narrow path cutting through…

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82. Moon Viewing (1857) de Hiroshige
#100

82. Moon Viewing

1857

A Serene Escape: Ando Hiroshige’s “82. Moon Viewing” Subject & Composition: This exquisite ukiyo-e woodblock print transports viewers to a tranquil scene of Edo-era Japan, capturing the intimate…

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Pinturas de Hiroshige por período

Os temas que Hiroshige mais pintou

Os quatro temas que mais se repetem entre estas obras-primas, com o melhor exemplo de cada um.

Onde ver as pinturas de Hiroshige

Os 8 museus que detêm a maioria das pinturas desta página.

Museu Cidade Obras de Hiroshige Pinturas desta lista
Nakagawa-machi Bato Hiroshige Museum of Art, NagasakiNakagawa-machi Bato Hiroshige Museum of Art Nagasaki 30 Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition)
Indianapolis Museum of Art, IndianapolisIndianapolis Museum of Art Indianapolis 36 Hakone, Station 36, Goyu; Kyoka Tokaido Series, Estação nº 51, Fushimi
Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 8 Shibaura Bay of Musashi Province, Koyurugi Beach of Sagami Province, Honmoku Bay of Musashi Province
Brooklyn Museum, BrooklynBrooklyn Museum Brooklyn 4 Itsukushima in Aki Province, 62 (55) Komakata Hall and Azuma Bridge, Sakanoshita: the Throwing Away the Brush Peak
Hill-Stead Museum, FarmingtonHill-Stead Museum Farmington 3 Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo
Museu de Arte do Condado de Los Angeles, Los AngelesMuseu de Arte do Condado de Los Angeles Los Angeles 2 Evening Snow at Kanbara, Night View of Matsuchiyama and the San
Van Gogh Museum, AmsterdãVan Gogh Museum Amsterdã 1 The maple leaves of Mama, Tekona shrine and Tsugi bridge
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Dawn in the licensed quarters

A pintura mais famosa de cada década de Hiroshige

  1. 1830s
    Hakone (1834) de Hiroshige
    Nº 3 de 100

    Hakone

    Idade 33 – 42 · Indianapolis Museum of Art

    Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock…

  2. 1840s
    Estação nº 51, Fushimi (1842) de Hiroshige
    #5 de 100

    Estação nº 51, Fushimi

    Idade 43 – 52 · Indianapolis Museum of Art

    Uma Jornada Poética pelas Estações do Tokaido: Hiroshige e a Beleza Efêmera da Paisagem Japonesa Utagawa Hiroshige, um nome que ressoa com força no universo da arte japonesa,…

  3. 1850s
    The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) de Hiroshige
    Posição 2 de 100

    The maple leaves of Mama, Tekona shrine and Tsugi bridge

    Idade 53 – 61 · Van Gogh Museum

    Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona…

Dúvidas sobre as pinturas de Hiroshige

Qual é a pintura mais famosa de Hiroshige?Mostrar a resposta

Early Department from a Daimyo, Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki. Seguem-se The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) e Hakone (1834).

Quais são as 10 principais pinturas de Hiroshige?Mostrar a resposta

Early Department from a Daimyo, The maple leaves of Mama, Tekona shrine and Tsugi bridge, Hakone, Station 36, Goyu; Kyoka Tokaido Series, Estação nº 51, Fushimi, Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi), Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Itsukushima in Aki Province e Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition). O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Hiroshige fez?Mostrar a resposta

Nosso catálogo lista 353 obras de Hiroshige, datadas de 1833 a 1858.

Onde estão as pinturas mais famosas de Hiroshige?Mostrar a resposta

A maioria deles está em Nakagawa-machi Bato Hiroshige Museum of Art (Nagasaki), Indianapolis Museum of Art (Indianapolis) e Metropolitan Museum of Art (Nova York). A tabela acima lista os museus um a um.

Quando é que Hiroshige pintou as suas obras mais famosas?Mostrar a resposta

Em 1850s: 43 das 100 obras nesta página datam dessa época, entre elas The maple leaves of Mama, Tekona shrine and Tsugi bridge.

Quais são as pinturas mais antigas e mais recentes de Hiroshige?Mostrar a resposta

A obra mais antiga nesta página é de Shirasuga, Shiomi-zaka zu (Vista da Montanha Shiomi) (1833), e a mais recente é de Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi) (1858).

O que Hiroshige mais pintou?Mostrar a resposta

Edo period (32), Ukiyo-e (23) e Woodblock print (20), entre as 100 obras nesta página.

Qual técnica Hiroshige mais utilizou?Mostrar a resposta

Woodblock Print: 61 de um total de 100 obras nesta página.

A qual movimento artístico Hiroshige pertence?Mostrar a resposta

Japanese landscape painting, como mostram as pinturas nesta página.

Quais pinturas de Hiroshige posso ver no Nakagawa-machi Bato Hiroshige Museum of Art?Mostrar a resposta

Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ) e Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) estão entre as 29 obras nesta página pertencentes ao Nakagawa-machi Bato Hiroshige Museum of Art, Nagasaki.

Posso comprar uma reprodução de uma pintura de Hiroshige?Mostrar a resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.

Sobre Hiroshige

A Poetic Vision of Edo Japan: The Life and Art of Utagawa Hiroshige

Utagawa Hiroshige, born Andō Tokutarō in 1797 in the bustling city of Edo (modern Tokyo), stands as a pivotal figure in the world of *ukiyo-e*, or “pictures of the floating world.” Though deeply rooted in the traditions of Japanese woodblock printing, Hiroshige transcended mere replication, imbuing his landscapes with a poetic sensibility that resonated profoundly both within Japan and, later, across the Western art world. His life unfolded during a period of relative peace and prosperity under the Tokugawa shogunate, yet also one marked by increasing social change and eventual westernization – forces that would ultimately contribute to the decline of *ukiyo-e* even as they amplified Hiroshige’s enduring legacy. Initially destined for a more conventional path within a samurai family—his father served as a fire warden—Hiroshige's artistic inclinations led him to apprenticeship under Utagawa Toyohiro, a master of the Utagawa school. This proved a crucial turning point, steering him away from the popular depictions of courtesans and actors favored by many *ukiyo-e* artists toward a focus on landscape, a genre he would ultimately redefine.

From Genre Scenes to Evocative Landscapes

Hiroshige’s early work adhered to the conventions of his school, featuring portraits and scenes from daily life. However, it was his embrace of landscape that truly distinguished him. Influenced by earlier masters like Hokusai—whose *Thirty-six Views of Mount Fuji* had already captivated audiences—Hiroshige developed a unique style characterized by atmospheric perspective, subtle color palettes, and a profound sensitivity to the changing seasons. He didn’t merely depict places; he evoked their mood, capturing the essence of a particular moment in time. The series *The Fifty-three Stations of the Tōkaidō* (1833–1834), perhaps his most celebrated achievement, exemplifies this approach. This monumental work documented the journey along the Tōkaidō road, the main route connecting Edo and Kyoto, not as a straightforward travelogue but as a series of evocative vignettes—a sudden rain shower at Shono, a distant view of Mount Fuji from Kanaya, the bustling activity at Odawara. Each print is imbued with a sense of transience and quiet beauty, inviting viewers to experience the journey alongside the travelers. He masterfully employed *bokashi*, a technique involving multiple impressions to create subtle gradations of color, adding depth and atmosphere to his compositions. The use of layered blocks allowed him to build up complex textures and tonal variations, creating an illusion of three-dimensionality that was remarkably effective in capturing the nuances of light and shadow.

A Master of Atmosphere and Technique

Hiroshige’s technical skill was as remarkable as his artistic vision. He wasn't simply interested in accurate representation; he sought to capture the *feeling* of a place. His use of color, though often restrained compared to some of his contemporaries, was crucial in achieving this effect. He frequently employed multiple blocks for a single color, allowing him to create nuanced shades and atmospheric effects that were incredibly difficult to replicate. The delicate washes of blue in his depictions of rain or mist, the warm hues of autumn foliage—these weren’t accidental; they were carefully considered elements designed to evoke specific emotions and sensations. Beyond *bokashi*, Hiroshige was adept at utilizing blank space – *ma* – a concept central to Japanese aesthetics, allowing areas of the print to “breathe” and enhancing the overall sense of tranquility. His series *One Hundred Famous Views of Edo* (1856–1858) further showcased his mastery, offering intimate glimpses into the life and landscapes of his beloved city. These prints weren’t simply depictions of buildings and streets; they were carefully constructed compositions that captured the energy and dynamism of Edo’s urban sprawl.

Influence and Legacy

Hiroshige's work profoundly impacted both Japanese and Western art. His innovative use of color, atmospheric perspective, and his focus on capturing fleeting moments resonated with artists like Hokusai, whose *Thirty-Six Views of Mount Fuji* shared a similar aesthetic sensibility. The popularity of Hiroshige’s landscapes contributed to the rise of *Japonisme* in Europe during the late 19th century, inspiring Impressionist painters such as Monet and Degas to explore new ways of representing light, color, and atmosphere. Vincent van Gogh was particularly captivated by Hiroshige's prints, creating numerous copies that demonstrated his deep admiration for the Japanese master’s ability to convey emotion through landscape. Hiroshige’s legacy extends beyond individual artists; he helped establish landscape printmaking as a respected genre within *ukiyo-e*, paving the way for future generations of artists to explore this medium. His work continues to be celebrated today for its beauty, elegance, and profound sense of atmosphere.

Notable Works

  • The Fifty-three Stations of the Tōkaidō: Hiroshige’s most famous series, depicting the journey along the main road between Edo and Kyoto.
  • One Hundred Famous Views of Edo: A captivating portrayal of life and landscapes in his beloved city.
  • Influence on Vincent van Gogh's Japonaiserie Series: Including “Flowering Plum Tree after Hiroshige,” demonstrating Van Gogh’s deep admiration for the Japanese master.

Todas as 353 obras de Hiroshige →