Thomas Binks, 1799 – 1852

Pinturas de Thomas Binks: As 11 Obras Mais Famosas, Classificadas

A pintura mais famosa de Thomas Binks é The East Indiaman 'East Indian' (1819), no National Maritime Museum, em Londres. Com Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder') (1823) e PS 'Kingston' (1824), completam-se as três obras que todos reconhecem. O nosso catálogo lista 11 obras de Thomas Binks; as 11 abaixo são as mais admiradas no mundo, cada uma com o seu ano, o museu que a detém e a sua importância.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.

Retrato de Thomas Binks
Thomas Binks · 1799 – 1852
Nascimento · falecimento
1799 – 1852
Obras em nosso catálogo
11
As mais famosas
The East Indiaman 'East Indian' (1819)
Mais obras em
Ferens Art Gallery

As 10 pinturas mais famosas de Thomas Binks

The East Indiaman 'East Indian' (1819) de Thomas Binks
1

The East Indiaman 'East Indian'

1819 · Oil · National Maritime Museum, Londres

In this 1819 oil painting, we find ourselves positioned upon the water, observing a quiet yet purposeful maritime encounter. The scene is dominated by the presence of an East Indiaman and an American vessel navigating the middle ground, their sails catching a fresh breeze. To the right, a small cutter moves through the foreground, providing a sense of scale and proximity to the viewer. The sky above is partly clouded,…

Reprodução em óleo pintada à mão de $181 37 × 27 cm Mesmo tamanho da original $330 89 × 66 cm Encomendar no tamanho original →
Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder') (1823) de Thomas Binks
2

Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder')

1823 · Oil · Ferens Art Gallery, Hull

The harbor at Kingston upon Hull serves as the stage for this 1823 study of industrial progress. Three paddle steamers—the Kingston, the Prince Frederick, and the Calder—are positioned in a line, their distinct silhouettes marking a departure from the traditional sailing vessels that once dominated the coast. The composition captures a specific moment in maritime history, where steam power began to reshape the rhythms of trade and transport. A single…

Reprodução em óleo pintada à mão de $181 46 × 22 cm Mesmo tamanho da original $303 102 × 49 cm Encomendar no tamanho original →
PS 'Kingston' (1824) de Thomas Binks
3

PS 'Kingston'

1824 · Oil

A large sailing ship with sails fully deployed dominates the maritime scene, navigating through turbulent, dark waters. Smaller vessels, including a fishing boat, surround the central craft, emphasizing the scale of the primary vessel against the elements. The composition captures a moment of high tension, where the churning surface of the ocean and the tilt of the masts suggest the onset of a storm. Two figures are visible amidst the…

Reprodução em óleo pintada à mão de $181 41 × 24 cm Mesmo tamanho da original $189 46 × 27 cm Encomendar no tamanho original →
The 'Jane', 'Viewforth' and 'Middleton' Fast in Ice (1836) de Thomas Binks
4

The 'Jane', 'Viewforth' and 'Middleton' Fast in Ice

1836 · Oil

The painting depicts a scene of three large sailing ships floating in the water with ice surrounding them. The first ship is on the left side of the image, while the second ship is located towards the center, and the third ship is situated on the right side. There are several people scattered around the scene, some standing near the ships and others closer to the edge of the painting.…

Reprodução em óleo pintada à mão de $181 38 × 26 cm Mesmo tamanho da original $379 100 × 75 cm Encomendar no tamanho original →
The 'Halcyon' (1832) de Thomas Binks
5

The 'Halcyon'

1832 · Oil On Canvas

The sea is a heavy, grey presence in this 1832 oil on canvas. A three-masted barque, the 'Halcyon', cuts through the water, its red sails catching a light that struggles through a thick, cloudy sky. The rigging is a fine web of lines against the atmosphere, detailed with the precision of a man who understands the mechanics of wind and wood. Smaller vessels drift in the background, mere ghosts in…

Reprodução em óleo pintada à mão de $181 38 × 26 cm Mesmo tamanho da original $315 90 × 60 cm Encomendar no tamanho original →
The Paddle Steamer 'Kingston' of Hull in the Humber Estuary (1843) de Thomas Binks
6

The Paddle Steamer 'Kingston' of Hull in the Humber Estuary

1843 · Oil · Ferens Art Gallery, Hull

The composition centers on the paddle steamer 'Kingston' navigating the waters of the Humber Estuary. This large vessel occupies a significant portion of the frame, its dark hull and mechanical structure positioned amidst several other boats of varying scales. Some smaller craft sit in the foreground, while others appear as distant silhouettes against the horizon. Figures are scattered throughout the scene, some positioned near the paddle steamer and others located…

Reprodução em óleo pintada à mão de $181 41 × 24 cm Mesmo tamanho da original $192 48 × 28 cm Encomendar no tamanho original →
Hull Whalers in the Arctic (1822) de Thomas Binks
8

Hull Whalers in the Arctic

1822 · Ferens Art Gallery, Hull

The world of art is replete with masterpieces that transport us to different eras and landscapes. One such piece is Hull Whalers in the Arctic by Thomas Binks, a painting that embodies the spirit of adventure and exploration. Created in 1822, this oil on panel work measures 48 x 64 cm and is housed at the Ferens Art Gallery in Kingston Upon Hull, United Kingdom. A Glimpse into the Past…

Reprodução em óleo pintada à mão de $181 37 × 27 cm Mesmo tamanho da original $244 64 × 48 cm Encomendar no tamanho original →
The Three Masted Barque 'Halcyon' of Hull (1832) de Thomas Binks
9

The Three Masted Barque 'Halcyon' of Hull

1832 · Ferens Art Gallery, Hull

The painting The Three Masted Barque 'Halcyon' of Hull is a stunning example of 19th-century art, created by the talented artist Thomas Binks in 1832. This oil on canvas piece measures 61 x 92 cm and is currently housed at the Ferens Art Gallery in Kingston Upon Hull, United Kingdom. Maritime Theme and Artistic Skill The painting depicts a scene of several sailboats on the water with one large three-masted…

Reprodução em óleo pintada à mão de $181 39 × 26 cm Mesmo tamanho da original $322 92 × 61 cm Encomendar no tamanho original →
Caught in the Ice (1830) de Thomas Binks
10

Caught in the Ice

1830 · Ferens Art Gallery, Hull

The painting Caught in the Ice by Thomas Binks is a stunning example of 19th-century art, showcasing the artist's skill in capturing the drama and beauty of a ship in distress. Created in 1830, this oil on canvas piece measures 22 x 30 cm and is currently housed at the Ferens Art Gallery in Kingston Upon Hull, United Kingdom. The Painting's Composition The scene depicts a large sailing ship surrounded…

Reprodução em óleo pintada à mão de $181 37 × 27 cm

Thomas Binks, pinturas de 11 a 11

Os temas que Thomas Binks mais pintou

Os quatro temas que mais se repetem entre estas obras-primas, com o melhor exemplo de cada um.

Onde ver as pinturas de Thomas Binks

Os 2 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Thomas Binks Pinturas desta lista
Ferens Art Gallery, HullFerens Art Gallery Hull 6 Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder'), The Paddle Steamer 'Kingston' of Hull in the Humber Estuary, Seascape with Boats
National Maritime Museum, LondresNational Maritime Museum Londres 1 The East Indiaman 'East Indian'

A pintura mais famosa de cada década de Thomas Binks

  1. 1810s
    The East Indiaman 'East Indian' (1819) de Thomas Binks
    Posição 1 de 11

    The East Indiaman 'East Indian'

    Idade 11 – 20 · National Maritime Museum

    In this 1819 oil painting, we find ourselves positioned upon the water, observing a quiet yet purposeful maritime encounter. The scene is dominated by the presence of an…

  2. 1820s
  3. 1830s
  4. 1840s
    The Paddle Steamer 'Kingston' of Hull in the Humber Estuary (1843) de Thomas Binks
    Posição 6 de 11

    The Paddle Steamer 'Kingston' of Hull in the Humber Estuary

    Idade 41 – 50 · Ferens Art Gallery

    The composition centers on the paddle steamer 'Kingston' navigating the waters of the Humber Estuary. This large vessel occupies a significant portion of the frame, its dark hull…

Dúvidas sobre as pinturas de Thomas Binks

Qual é a pintura mais famosa de Thomas Binks?Mostrar a resposta

The East Indiaman 'East Indian' (1819), National Maritime Museum, Londres. Seguem-se Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder') (1823) e PS 'Kingston' (1824).

Qual era a idade de Thomas Binks quando The East Indiaman 'East Indian' foi pintada?Mostrar a resposta

20 anos: The East Indiaman 'East Indian' data de 1819 e Thomas Binks nasceu em 1799.

Quais são as 10 principais pinturas de Thomas Binks?Mostrar a resposta

The East Indiaman 'East Indian', Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder'), PS 'Kingston', The 'Jane', 'Viewforth' and 'Middleton' Fast in Ice, The 'Halcyon', The Paddle Steamer 'Kingston' of Hull in the Humber Estuary, Seascape with Boats, Hull Whalers in the Arctic, The Three Masted Barque 'Halcyon' of Hull e Caught in the Ice. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Thomas Binks fez?Mostrar a resposta

Nosso catálogo lista 11 obras de Thomas Binks, datadas de 1819 a 1843.

Onde estão as pinturas mais famosas de Thomas Binks?Mostrar a resposta

A maioria deles está em Ferens Art Gallery (Hull) e National Maritime Museum (Londres). A tabela acima lista os museus um a um.

Quando é que Thomas Binks pintou as suas obras mais famosas?Mostrar a resposta

Em 1830s: 4 das 11 obras nesta página datam dessa época, entre elas The 'Jane', 'Viewforth' and 'Middleton' Fast in Ice.

Quais são as pinturas mais antigas e mais recentes de Thomas Binks?Mostrar a resposta

A obra mais antiga nesta página é de The East Indiaman 'East Indian' (1819), e a mais recente é de The Paddle Steamer 'Kingston' of Hull in the Humber Estuary (1843).

O que Thomas Binks mais pintou?Mostrar a resposta

Water (5), Sailing ships (4) e Ocean (3), entre as 11 obras nesta página.

Qual técnica Thomas Binks mais utilizou?Mostrar a resposta

Oil: 5 de um total de 11 obras nesta página.

Quais pinturas de Thomas Binks posso ver no Ferens Art Gallery?Mostrar a resposta

Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder'), The Paddle Steamer 'Kingston' of Hull in the Humber Estuary e Seascape with Boats estão entre as 6 obras nesta página pertencentes ao Ferens Art Gallery, Hull.

Posso comprar uma reprodução de uma pintura de Thomas Binks?Mostrar a resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.

Sobre Thomas Binks

Thomas Binks: A Victorian Master of Maritime Realism

The world of 19th-century British art was a complex one, often dominated by grand historical narratives and idealized landscapes. Yet, within this established framework, a remarkable artist quietly carved out a distinctive niche – Thomas Binks (1799-1852). Born in Maidstone, Kent, Binks’s career unfolded against the backdrop of burgeoning industrialization and maritime trade, shaping his artistic focus on the vibrant world of ships, harbors, and coastal life. While not always receiving the immediate recognition afforded to some of his contemporaries, a closer examination reveals a profoundly skilled painter who captured the essence of his era with remarkable realism and an astute understanding of light and atmosphere.

Binks’s early artistic training is somewhat shrouded in the mists of time, but it's known that he studied under Thomas Meggitt of Hull, a prominent local artist specializing in maritime scenes. This apprenticeship provided him with a solid foundation in depicting ships – a subject deeply intertwined with Hull’s prosperity as a major port for whaling and shipbuilding. The influence of Meggitt is evident in Binks's early works, characterized by detailed renderings of rigging, hull construction, and the subtle nuances of weather conditions at sea. However, Binks quickly developed his own unique style, moving beyond mere technical accuracy to imbue his paintings with a palpable sense of drama and emotion.

The Rise of a Maritime Visionary

Binks’s artistic output spanned several decades, encompassing a diverse range of subjects within the maritime realm. He wasn't simply interested in portraying ships; he sought to capture their relationship with the environment – the relentless power of the sea, the changing light of day, and the human element of seafaring life. His paintings frequently depict paddle steamers navigating the busy harbors of Hull and other coastal towns, offering intimate glimpses into the daily routines of sailors, merchants, and dockworkers. These scenes are rendered with a keen eye for detail, from the weathered faces of the men at work to the intricate patterns of the ship’s decks.

A particularly significant aspect of Binks's oeuvre is his fascination with whaling. His depictions of whaling vessels engaged in pursuit and capture are both dramatic and meticulously researched. He understood the brutal realities of this industry, yet he presented them with a certain stoicism, reflecting the pragmatic spirit of the era. His paintings of “The Kill,” often featuring a cutter intercepting a British merchant brig, exemplify this blend of realism and narrative power.

Influences and Artistic Style

Binks’s artistic style can be characterized as a refined form of Realism, influenced by the broader trends of the mid-19th century. He was deeply attuned to the natural world, meticulously observing light, color, and texture. His use of oil paint is masterful, creating a sense of depth and luminosity that brings his scenes to life. He skillfully employed atmospheric perspective – using lighter colors and softer edges to suggest distance – to create a convincing illusion of space. Furthermore, Binks’s work demonstrates an understanding of composition, arranging elements within the frame in a way that draws the viewer's eye and guides their gaze.

While he shared certain stylistic similarities with other British maritime artists like John Emms and Richard Andsell, Binks possessed a distinct sensibility. His paintings often convey a sense of quiet contemplation, inviting the viewer to reflect on the beauty and danger of the sea. His work also reveals an interest in portraying everyday life – not just grand historical events or heroic figures – but rather the ordinary people who shaped the maritime world.

Legacy and Historical Significance

Despite not achieving widespread fame during his lifetime, Thomas Binks’s legacy endures through his remarkable body of work. His paintings are now housed in prestigious collections such as the Ferens Art Gallery in Hull and the St Thomas Strasbourg Museum, testament to their enduring artistic merit. Binks's contribution lies in his ability to capture the spirit of a bygone era – an era defined by maritime trade, industrial expansion, and a deep connection to the sea. His paintings offer valuable insights into the social, economic, and cultural landscape of 19th-century Britain, providing a window into the lives of those who worked and lived alongside the waves.

His influence can also be seen in later artists who continued to explore themes of maritime life and coastal scenery. The enduring appeal of Binks’s work lies not only in its technical skill but also in its ability to evoke a sense of nostalgia for a time when ships ruled the seas and the rhythms of daily life were dictated by the tides.