Robert Mannix, 1841 – 1907

As 1 pinturas mais famosas de Robert Mannix

A pintura que tornou Robert Mannix famoso(a) é Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873); ela está exposta no National Gallery of Ireland, em Dublin. Dos 1 trabalhos de Robert Mannix em nosso catálogo, estas 1 são as obras mais admiradas, cada uma apresentada com a sua data, o seu museu e o que a torna única.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.

Retrato de Robert Mannix
Robert Mannix · 1841 – 1907
Nascimento · falecimento
1841 – 1907
Obras em nosso catálogo
1
As mais famosas
Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873)
Mais obras em
National Gallery of Ireland

Robert Mannix: as dez obras-primas

Onde ver as pinturas de Robert Mannix

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de Robert Mannix Pinturas desta lista
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal'

Robert Mannix, ano a ano: as pinturas que definem sua obra

Cada obra-prima datada de Robert Mannix nesta página pertence a 1873: aqui estão elas.

  1. 1873

As obras-primas de Robert Mannix: perguntas e respostas

Por qual pintura Robert Mannix é mais conhecido(a)?Mostrar a resposta

Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873)

Qual era a idade de Robert Mannix quando pintou Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal'?Mostrar a resposta

32 anos: Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' data de 1873 e Robert Mannix nasceu em 1841.

Quantas obras Robert Mannix pintou?Mostrar a resposta

O nosso catálogo apresenta 1 obras de Robert Mannix.

Em quais museus posso ver as obras-primas de Robert Mannix?Mostrar a resposta

A maioria deles está em National Gallery of Ireland (Dublin). A tabela acima lista os museus um a um.

Posso adquirir uma reprodução de uma obra-prima de Robert Mannix?Mostrar a resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.

A vida de Robert Mannix

The Portraitist of Character

Robert Mannix operated within the specific demands of late nineteenth-century portraiture, a period where the ability to capture a subject's social standing and theatrical presence was paramount. His work reflects the technical rigor required to translate human likeness into a permanent visual record. Looking at his output, one sees a focus on the intersection of identity and performance, particularly in how he handled the nuances of costume and facial expression.

His most significant contribution to the historical record is found in his ability to render specific personas. In 1873, he produced Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal', a work that resides in the National Gallery of Ireland, Dublin City. This piece demonstrates his capacity to navigate the complexities of theatrical characterization, moving beyond simple likeness to capture the essence of a dramatic role.

Technical Focus and Scope

Mannix's output is most concentrated between 1880 and 1898, though his documented work dates back to 1873. He did not attempt to reinvent the medium; he focused on mastering the established visual language of his era. His technical approach relied on several specific elements:

  • The precise rendering of period-specific attire and textures.
  • The use of light to define the contours of the human face.
  • The translation of theatrical energy into a static, painted form.

Historical Placement

The significance of Mannix lies in his role as a visual documentarian of his time. He captured the likenesses of individuals that would otherwise be lost to history, providing a tangible link to the social and theatrical landscapes of the late 1800s. His presence in the collections of the National Gallery of Ireland, Dublin City, confirms his standing as a professional of consequence during his active years. He was a visual artist who understood the weight of a sitter's gaze and the importance of accuracy in a changing world.