Robert Eigenberger, 1890 – 1979

Robert Eigenberger: As 4 Pinturas Mais Famosas

The Myth of Man Is Over (1950) é a pintura mais famosa de Robert Eigenberger. The Sensual One (1929) e Saint Sebastian (1934) são as próximas duas obras que o mundo melhor conhece. Dos 4 trabalhos de Robert Eigenberger em nosso catálogo, aqui estão os 4 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.

Retrato de Robert Eigenberger
Robert Eigenberger · 1890 – 1979
Nascimento · falecimento
1890 – 1979, Sedlec
Obras em nosso catálogo
4
As mais famosas
The Myth of Man Is Over (1950)

Top 10: as pinturas mais conhecidas de Robert Eigenberger

Robert Eigenberger através das décadas: uma obra-prima para cada uma

  1. 1920s
  2. 1930s
  3. 1940s
  4. 1950s

Pinturas de Robert Eigenberger: perguntas frequentes

Qual é a pintura mais famosa de Robert Eigenberger?Mostrar a resposta

The Myth of Man Is Over (1950). Seguem-se The Sensual One (1929) e Saint Sebastian (1934).

Com que idade Robert Eigenberger pintou The Myth of Man Is Over?Mostrar a resposta

60 anos: The Myth of Man Is Over data de 1950 e Robert Eigenberger nasceu em 1890.

Quantas pinturas de Robert Eigenberger existem?Mostrar a resposta

Nosso catálogo lista 4 obras de Robert Eigenberger, datadas de 1929 a 1950.

Qual é a pintura mais antiga e a mais recente de Robert Eigenberger?Mostrar a resposta

A obra mais antiga nesta página é de The Sensual One (1929), e a mais recente é de The Myth of Man Is Over (1950).

Robert Eigenberger: biografia

The Life and Academic Career of Robert Eigenberger

Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.

Artistic Practice and Pseudonym

In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:

His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.