John Simpson, 1782 – 1847

Pinturas de John Simpson: As 20 Obras Mais Famosas, Classificadas

A pintura mais famosa de John Simpson é The Duke of Wellington (1769–1852), no Royal Hospital Chelsea, em Londres. Com Clarkson Frederick Stanfield (1829) e D. Maria II, Queen of Portugal (1819-1853) (1837), completam-se as três obras que todos reconhecem. O nosso catálogo lista 22 obras de John Simpson; as 20 abaixo são as mais admiradas no mundo, cada uma com o seu ano, o museu que a detém e a sua importância.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.

Retrato de John Simpson
John Simpson · 1782 – 1847
Nascimento · falecimento
1782 – 1847, London
Obras em nosso catálogo
22
As mais famosas
The Duke of Wellington (1769–1852)
Mais obras em
National Portrait Gallery

As 10 pinturas mais famosas de John Simpson

The Duke of Wellington (1769–1852) de John Simpson
1

The Duke of Wellington (1769–1852)

Oil On Canvas · Royal Hospital Chelsea, Londres

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

Reprodução em óleo pintada à mão de $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) de John Simpson
2

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, Londres

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

Reprodução em óleo pintada à mão de $181 29 × 35 cm Mesmo tamanho da original $299 64 × 77 cm Encomendar no tamanho original →
D. Maria II, Queen of Portugal (1819-1853) (1837) de John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

Reprodução em óleo pintada à mão de $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) de John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

Reprodução em óleo pintada à mão de $181 28 × 36 cm Mesmo tamanho da original $551 102 × 130 cm Encomendar no tamanho original →
Portrait of the Duke of Terceira (1832) de John Simpson
5

Portrait of the Duke of Terceira

1832 · Oil · Museu Nacional Soares dos Reis, Porto

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

Reprodução em óleo pintada à mão de $181 29 × 35 cm Mesmo tamanho da original $301 64 × 77 cm Encomendar no tamanho original →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) de John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

Reprodução em óleo pintada à mão de $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) de John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, Londres

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

Reprodução em óleo pintada à mão de $181 29 × 35 cm Mesmo tamanho da original $299 64 × 76 cm Encomendar no tamanho original →
William IV (1765–1837) (1830) de John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

Reprodução em óleo pintada à mão de $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) de John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

Reprodução em óleo pintada à mão de $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) de John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

Reprodução em óleo pintada à mão de $181 24 × 42 cm

John Simpson, pinturas de 11 a 20

Os temas que John Simpson mais pintou

Os quatro temas que mais se repetem entre estas obras-primas, com o melhor exemplo de cada um.

Onde ver as pinturas de John Simpson

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de John Simpson Pinturas desta lista
National Portrait Gallery, LondresNational Portrait Gallery Londres 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, LondresNational Maritime Museum Londres 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
Royal Hospital Chelsea, LondresRoyal Hospital Chelsea Londres 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Museu Nacional Soares dos Reis, PortoMuseu Nacional Soares dos Reis Porto 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
Galeria Nacional de Retratos de Escócia, EdimburgoGaleria Nacional de Retratos de Escócia Edimburgo 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, LondresEnglish Heritage Londres 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

A pintura mais famosa de cada década de John Simpson

  1. 1820s
    Clarkson Frederick Stanfield (1829) de John Simpson
    Posição 2 de 20

    Clarkson Frederick Stanfield

    Idade 38 – 47 · National Portrait Gallery

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) de John Simpson
    #3 de 20

    D. Maria II, Queen of Portugal (1819-1853)

    Idade 48 – 57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) de John Simpson
    Nº 15 de 20

    Sir Charles Napier (1786–1860), Admiral

    Idade 58 – 65 · Galeria Nacional de Retratos de Escócia

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

Dúvidas sobre as pinturas de John Simpson

Qual é a pintura mais famosa de John Simpson?Mostrar a resposta

The Duke of Wellington (1769–1852), Royal Hospital Chelsea, Londres. Seguem-se Clarkson Frederick Stanfield (1829) e D. Maria II, Queen of Portugal (1819-1853) (1837).

Quais são as 10 principais pinturas de John Simpson?Mostrar a resposta

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) e Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas John Simpson fez?Mostrar a resposta

Nosso catálogo lista 22 obras de John Simpson, datadas de 1822 a 1841.

Onde estão as pinturas mais famosas de John Simpson?Mostrar a resposta

A maioria deles está em National Portrait Gallery (Londres), National Maritime Museum (Londres) e Royal Hospital Chelsea (Londres). A tabela acima lista os museus um a um.

Quando é que John Simpson pintou as suas obras mais famosas?Mostrar a resposta

Em 1830s: 9 das 20 obras nesta página datam dessa época, entre elas D. Maria II, Queen of Portugal (1819-1853).

Quais são as pinturas mais antigas e mais recentes de John Simpson?Mostrar a resposta

A obra mais antiga nesta página é de Captain Peter Heywood (1773–1831) (1822), e a mais recente é de Sir Charles Napier (1786–1860), Admiral (1841).

O que John Simpson mais pintou?Mostrar a resposta

Man (13), Dark background (5) e Portrait (4), entre as 20 obras nesta página.

Qual técnica John Simpson mais utilizou?Mostrar a resposta

Oil On Canvas: 10 de um total de 20 obras nesta página.

Quais pinturas de John Simpson posso ver no National Portrait Gallery?Mostrar a resposta

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) e Sir Herbert Taylor estão entre as 3 obras nesta página pertencentes ao National Portrait Gallery, Londres.

Posso comprar uma reprodução de uma pintura de John Simpson?Mostrar a resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.

Sobre John Simpson

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.