Still Life with Green Bowl (1935) é a pintura mais famosa de Hermann Euler, guardada pelo Bavarian State Painting Collections em Munique. Dos 2 trabalhos de Hermann Euler em nosso catálogo, aqui estão os 2 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Hermann Euler | Pinturas desta lista |
|---|---|---|---|
 Bavarian State Painting Collections |
Munique | 2 | Still Life with Green Bowl, Strauss |
1935 é o ano de cada obra-prima datada de Hermann Euler nesta página: aqui estão elas, por ordem de fama.
Still Life with Green Bowl (1935)
35 anos: Still Life with Green Bowl data de 1935 e Hermann Euler nasceu em 1900.
O nosso catálogo apresenta 2 obras de Hermann Euler.
A maioria deles está em Bavarian State Painting Collections (Munique). A tabela acima lista os museus um a um.
Em 1935: 2 das 2 obras nesta página datam dessa época, entre elas Still Life with Green Bowl.
Still Life with Green Bowl e Strauss estão entre as 2 obras nesta página pertencentes ao Bavarian State Painting Collections, Munique.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.