Harold Gresley, 1892 – 1967

Harold Gresley: As 5 Pinturas Mais Famosas

The Convex Mirror (1945) é a pintura mais famosa de Harold Gresley. Alfred Goodey (d.1945) e Frank Gresley (1855–1936) (the artist's father) são as próximas duas obras que o mundo melhor conhece. Dos 5 trabalhos de Harold Gresley em nosso catálogo, aqui estão os 5 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.

Retrato de Harold Gresley
Harold Gresley · 1892 – 1967
Nascimento · falecimento
1892 – 1967
Obras em nosso catálogo
5
As mais famosas
The Convex Mirror (1945)
Mais obras em
County Hall Matlock

Top 10: as pinturas mais conhecidas de Harold Gresley

Onde ver as pinturas de Harold Gresley

Os 2 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Harold Gresley Pinturas desta lista
County Hall Matlock, MatlockCounty Hall Matlock Matlock 1 Portrait of an Unknown Chairman of Derbyshire County Council
Portland College, MansfieldPortland College Mansfield 1 Dovedale, Derbyshire

Harold Gresley ao longo dos anos: as obras-primas de cada ano

1945 é o ano de cada obra-prima datada de Harold Gresley nesta página: aqui estão elas, por ordem de fama.

  1. 1945

Pinturas de Harold Gresley: perguntas frequentes

Qual é a pintura mais famosa de Harold Gresley?Mostrar a resposta

The Convex Mirror (1945). Seguem-se Alfred Goodey (d.1945) e Frank Gresley (1855–1936) (the artist's father).

Com que idade Harold Gresley pintou The Convex Mirror?Mostrar a resposta

53 anos: The Convex Mirror data de 1945 e Harold Gresley nasceu em 1892.

Quantas pinturas de Harold Gresley existem?Mostrar a resposta

O nosso catálogo apresenta 5 obras de Harold Gresley.

Onde posso ver as pinturas mais famosas de Harold Gresley?Mostrar a resposta

A maioria deles está em County Hall Matlock (Matlock) e Portland College (Mansfield). A tabela acima lista os museus um a um.

Harold Gresley: biografia

A Legacy of Light and Lineage

The story of Harold Gresley is one deeply woven into the very fabric of the English landscape and a profound familial heritage. Born in 1892, Gresley did not merely enter the world as an individual artist, but as the next chapter in a distinguished lineage of painters. He was the son of Frank Gresley and the grandson of James Stephen Gresley, both of whom were notable figures in the British art scene. This ancestral connection provided him with more than just a name; it offered a lifelong immersion in the nuances of light, shadow, and the delicate textures of the natural world. His early training at the Derby School of Art served as the crucible where his inherited passion met formal discipline, allowing him to master the versatile mediums of both watercolour and oil.

However, the trajectory of his life was irrevocably altered by the shadows of the Great War. Enlisting in the 1st Battalion of the Royal Fusiliers, Gresley transitioned from the quiet studios of Derbyshire to the harrowing landscapes of the Western Front and the Balkans. It was during this period of immense upheaval that he demonstrated a bravery that mirrored the strength found in his art. For his exceptional gallantry—specifically his ability to navigate through intense barrages to gather vital intelligence—he was awarded the Distinguished Conduct Medal (DCM). This profound experience of conflict and resilience would undoubtedly have informed the emotional depth and gravity present in his later, more somber portraiture.

The Romanticism of the Derbyshire Wilds

Upon returning to a changed world, Gresley continued his artistic evolution, seeking further refinement under the guidance of Arthur Spooner in Nottingham. This period of post-war study allowed him to refine a style that could be described as a bridge between classical precision and Romantic expressionism. He became particularly renowned for his ability to capture the atmospheric soul of the Derbyshire countryside. In works such as “Dovedale, Derbyshire,” one can witness his mastery of perspective; he utilized expressive brushwork and a sophisticated understanding of atmospheric haze to transform rugged terrain into something ethereal and awe-inspiring.

His landscapes were never merely topographical records; they were emotional evocations. Through the use of oil on canvas, he could layer colors to create a sense of depth that invited the viewer to step into the mist-covered valleys. His ability to manipulate light—capturing the way it breaks through heavy clouds or settles upon a tranquil stream—remains a hallmark of his contribution to British landscape painting. This dedication to the essence of place ensured that his work resonated with a sense of timelessness, celebrating the enduring beauty of the English Midlands.

Dignity in Detail: The Art of Portraiture

While the sweeping vistas of the Peak District defined much of his fame, Gresley possessed a secondary, equally formidable talent for portraiture. If his landscapes were about the vastness of nature, his portraits were about the intimacy of the human spirit. He approached the human face with a meticulous, academic rigor, seeking to convey not just likeness, but character and social standing. His "Portrait of an Unknown Chairman of Derbyshire County Council"* stands as a testament to this skill, utilizing realistic techniques and careful attention to detail—such as the rendering of medals and fabric textures—to project an aura of authority and quiet dignity.

This duality in his oeuvre—the ability to move from the expansive, atmospheric landscape to the concentrated, psychological depth of a portrait—marks him as a truly versatile master. His later years, including his time as a teacher at Repton School, allowed him to pass this technical wisdom to a new generation, ensuring that the traditions he inherited would continue to flourish. Today, much of his significant output is preserved in the Derby Museum and Art Gallery, serving as a permanent record of an artist who found profound beauty in both the wild expanses of the earth and the dignified faces of his fellow man.