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The Mill Valley, Karekare Bay
Reprodução em óleo pintada à mão de $181 40 × 25 cm
Mesmo tamanho da original $453 126 × 80 cm Encomendar no tamanho original →
The Mill Valley, Karekare Bay (1899) é a pintura mais famosa de Frank Wright, guardada pelo Auckland Art Gallery Toi o Tāmaki em Auckland. The Close of day (1909) e Morning after rain (1912) são as próximas duas obras que o mundo melhor conhece. Dos 5 trabalhos de Frank Wright em nosso catálogo, aqui estão os 5 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Frank Wright | Pinturas desta lista |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. Seguem-se The Close of day (1909) e Morning after rain (1912).
39 anos: The Mill Valley, Karekare Bay data de 1899 e Frank Wright nasceu em 1860.
Nosso catálogo lista 5 obras de Frank Wright, datadas de 1899 a 1912.
A maioria deles está em Auckland Art Gallery Toi o Tāmaki (Auckland) e Te Whare O Rehua Sarjeant Gallery. A tabela acima lista os museus um a um.
Em 1910s: 2 das 5 obras nesta página datam dessa época, entre elas Morning after rain.
A obra mais antiga nesta página é de The Mill Valley, Karekare Bay (1899), e a mais recente é de Morning after rain (1912).
The Mill Valley, Karekare Bay, The Close of day e Morning after rain estão entre as 4 obras nesta página pertencentes ao Auckland Art Gallery Toi o Tāmaki, Auckland.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.