David Groot, nascido em 1949

David Groot: As 1 Pinturas Mais Famosas

Untitled (1985) é a pintura mais famosa de David Groot, guardada pelo Centraal Museum em Utrecht. Dos 1 trabalhos de David Groot em nosso catálogo, aqui estão os 1 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.

Retrato de David Groot
David Groot · nascido em 1949
Nascimento · falecimento
nascido em 1949
Obras em nosso catálogo
1
As mais famosas
Untitled (1985)
Mais obras em
Centraal Museum

Top 10: as pinturas mais conhecidas de David Groot

Onde ver as pinturas de David Groot

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de David Groot Pinturas desta lista
Centraal Museum, UtrechtCentraal Museum Utrecht 1 Untitled

David Groot ao longo dos anos: as obras-primas de cada ano

1985 é o ano de cada obra-prima datada de David Groot nesta página: aqui estão elas, por ordem de fama.

  1. 1985
    Untitled (1985) de David Groot
    #1 de 1

    Untitled

    Idade: 36 · Centraal Museum

Pinturas de David Groot: perguntas frequentes

Qual é a pintura mais famosa de David Groot?Mostrar a resposta

Untitled (1985)

Com que idade David Groot pintou Untitled?Mostrar a resposta

36 anos: Untitled data de 1985 e David Groot nasceu em 1949.

Quantas pinturas de David Groot existem?Mostrar a resposta

O nosso catálogo apresenta 1 obras de David Groot.

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A maioria deles está em Centraal Museum (Utrecht). A tabela acima lista os museus um a um.

David Groot: biografia

The Texture of Form

The year 1985 marks a definitive moment in the career of David Groot. In a studio where the scent of oil and acrylic hangs heavy, a canvas begins to take shape, not merely through pigment, but through the physical addition of sand. This tactile approach transforms the surface from a flat plane into a landscape of grit and depth. The work, titled Europa, measures 100 cm in height and 180.5 cm in width, asserting its presence through a heavy, material reality.

Groot’s technique moves beyond the traditional application of paint. By mixing sand into his medium, he creates a surface that demands a physical response from the viewer. The interplay of light across these irregular textures defines the composition, grounding the subject in a tangible, almost geological space. It is a method that prioritizes the physical weight of the art over mere visual representation.

Materiality and Presence

The technical composition of his work reveals a specific interest in the layering of different substances. His process involves a deliberate combination of media to achieve a specific sensory effect:

  • Oil paint for depth and tonal shifts
  • Acrylic paint for structural stability
  • Sand for tactile, granular texture

This layering is central to his output. The 1985 piece Europa remains his most significant contribution to the permanent collections of the Centraal Museum in Utrecht. It exists as a loan from the Rijksdienst Cultureel Erfgoed, a piece of history held within the fine arts collection of the museum.

A Legacy in Utrecht

The presence of Groot’s work in the Centraal Museum signifies a lasting connection to the Dutch art landscape. His work is not merely a visual object but a physical artifact of the mid-1980s. The signature on the back of the stretcher, D. Groot, confirms the hand behind the canvas. His practice remains a study in how material can dictate the emotional weight of a painting, turning a simple canvas into a textured, three-dimensional experience.