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Forest Landscape with Bathing Children
Reprodução em óleo pintada à mão de $181 35 × 29 cm
Mesmo tamanho da original $202 45 × 37 cm Encomendar no tamanho original →
A pintura mais famosa de Carl Ebert é Forest Landscape with Bathing Children (1867), no Bavarian State Painting Collections, em Munique. Com Evening Landscape (1875) e Landscape society in a park, completam-se as três obras que todos reconhecem. O nosso catálogo lista 5 obras de Carl Ebert; as 5 abaixo são as mais admiradas no mundo, cada uma com o seu ano, o museu que a detém e a sua importância.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Carl Ebert | Pinturas desta lista |
|---|---|---|---|
 Bavarian State Painting Collections |
Munique | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Munique | 1 | Isar Landscape |
Carl Ebert pintou por apenas 9 anos, de 1867 a 1875: acompanhe essa década ano a ano, através das pinturas que o consagraram.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, Munique. Seguem-se Evening Landscape (1875) e Landscape society in a park.
46 anos: Forest Landscape with Bathing Children data de 1867 e Carl Ebert nasceu em 1821.
Nosso catálogo lista 5 obras de Carl Ebert, datadas de 1867 a 1875.
A maioria deles está em Bavarian State Painting Collections (Munique) e Lenbachhaus (Munique). A tabela acima lista os museus um a um.
A obra mais antiga nesta página é de Forest Landscape with Bathing Children (1867), e a mais recente é de Evening Landscape (1875).
Forest Landscape with Bathing Children e Evening Landscape estão entre as 2 obras nesta página pertencentes ao Bavarian State Painting Collections, Munique.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.