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Stags and Old Oak Near the Wallwitzburg near Dessau
Reprodução em óleo pintada à mão de $181 36 × 28 cm
Mesmo tamanho da original $224 56 × 43 cm Encomendar no tamanho original →
A pintura mais famosa de August Becker é Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Com The Jungfrau (1853) e A view of Schloss Waldleiningen (1863), completam-se as três obras que todos reconhecem. O nosso catálogo lista 24 obras de August Becker; as 24 abaixo são as mais admiradas no mundo, cada uma com o seu ano, o museu que a detém e a sua importância.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de August Becker | Pinturas desta lista |
|---|---|---|---|
 Royal Collection |
Londres | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Seguem-se The Jungfrau (1853) e A view of Schloss Waldleiningen (1863).
15 anos: Stags and Old Oak Near the Wallwitzburg near Dessau data de 1836 e August Becker nasceu em 1821.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral e Loch Callater. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo lista 24 obras de August Becker, datadas de 1836 a 1877.
A maioria deles está em Royal Collection (Londres). A tabela acima lista os museus um a um.
Em 1860s: 16 das 24 obras nesta página datam dessa época, entre elas A view of Schloss Waldleiningen.
A obra mais antiga nesta página é de Stags and Old Oak Near the Wallwitzburg near Dessau (1836), e a mais recente é de The Villa Hohenlohe (1877).
The Jungfrau, A view of Schloss Waldleiningen e The Valley of the Dee near Braemar estão entre as 23 obras nesta página pertencentes ao Royal Collection, Londres.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
