Anton Ebert, 1845 – 1896

Anton Ebert: As 2 Pinturas Mais Famosas

Self-Portrait (1889) é a pintura mais famosa de Anton Ebert. Dos 3 trabalhos de Anton Ebert em nosso catálogo, aqui estão os 2 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.

Retrato de Anton Ebert
Anton Ebert · 1845 – 1896
Nascimento · falecimento
1845 – 1896, Kladruby
Obras em nosso catálogo
3
As mais famosas
Self-Portrait (1889)
Mais obras em
Berlinische Galerie

Top 10: as pinturas mais conhecidas de Anton Ebert

Onde ver as pinturas de Anton Ebert

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de Anton Ebert Pinturas desta lista
Berlinische Galerie, BerlimBerlinische Galerie Berlim 1 Female Semi-Nude

Anton Ebert ao longo dos anos: as obras-primas de cada ano

1889 é o ano de cada obra-prima datada de Anton Ebert nesta página: aqui estão elas, por ordem de fama.

  1. 1889

Pinturas de Anton Ebert: perguntas frequentes

Qual é a pintura mais famosa de Anton Ebert?Mostrar a resposta

Self-Portrait (1889)

Com que idade Anton Ebert pintou Self-Portrait?Mostrar a resposta

44 anos: Self-Portrait data de 1889 e Anton Ebert nasceu em 1845.

Quantas pinturas de Anton Ebert existem?Mostrar a resposta

O nosso catálogo apresenta 3 obras de Anton Ebert.

Onde posso ver as pinturas mais famosas de Anton Ebert?Mostrar a resposta

A maioria deles está em Berlinische Galerie (Berlim). A tabela acima lista os museus um a um.

Onde posso comprar uma reprodução de Anton Ebert?Mostrar a resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.

Anton Ebert: biografia

A Life Between Borders

Anton Ebert entered the world in 1845 at Kladrau Castle near Mies, Bavaria. His early years were shaped by the structured surroundings of the Windisch-Graetz family estate, where his father served as the royal treasurer. This childhood setting provided a foundation for a life that would eventually span several European cultural centers.

His path as an artist led him from the Prague Academy to the studios of Vienna. It was there that he studied under Ferdinand Georg Waldmüller, an instructor whose approach to subject matter and palette left a lasting mark on his technique. While his roots were in Bohemia, Ebert’s movements took him through Berlin and eventually into the heart of Russia around 1870. This migration allowed him to observe a wide variety of lives, from the aristocratic circles of the Imperial family to the rural populations of the Russian countryside.

He spent his final years in Vienna, where he passed away on 16 June 1896. His life was defined by this movement between different landscapes and social strata.

The Art of Observation

Ebert’s work focused heavily on the human figure, particularly children and women. He possessed a particular skill for capturing the textures of daily existence, whether through the heavy fabrics of a peasant's clothing or the delicate details of a formal portrait. His paintings often documented specific cultural identities, such as the traditional folk attire found in his 1879 work, Girl in Folk Costume.

His approach to painting was grounded in realism and a meticulous attention to detail. He used oil on canvas and panel to render skin, fabric, and light with great precision. While some of his portraits leaned toward the classical, others captured more intimate, everyday scenes:

  • Portraits of the aristocracy and members of the Imperial family.
  • Genre scenes depicting merchants and peasants.
  • Landscapes focused on the surroundings of Vienna.
  • Miniature portraits executed on ivory.

In works like The Mellon Seller, he applied a realistic style to depict a young woman with watermelons, focusing on the physical reality of the scene. He also drew from his own memories of Kladrau Castle to create scenes involving children, often using the family members of the Windisch-Graetz house as models.

A Lasting Record

Ebert’s significance lies in his role as a documentarian of 19th-century life. Through his portraits and genre paintings, he recorded the customs, costumes, and faces of a period undergoing rapid change. His ability to move between the formal requirements of portraiture for royalty and the honest depiction of ordinary people allowed him to create a broad visual record of his era.

His pieces are held in various collections across Europe, including the Museum of Vienna, the Roumianzeff Museum in Moscow, and the Mainz Art Gallery. These works remain as physical links to the social structures and regional identities of the late 1800s.