A pintura que tornou Adam Pendleton famoso(a) é History (Lab 1964 Grey) (2005); ela está exposta no Carnegie Museum of Art, em Pittsburgh. Dos 1 trabalhos de Adam Pendleton em nosso catálogo, estas 1 são as obras mais admiradas, cada uma apresentada com a sua data, o seu museu e o que a torna única.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Adam Pendleton | Pinturas desta lista |
|---|---|---|---|
 Carnegie Museum of Art |
Pittsburgh | 1 | History (Lab 1964 Grey) |
Cada obra-prima datada de Adam Pendleton nesta página pertence a 2005: aqui estão elas.
History (Lab 1964 Grey) (2005)
21 anos: History (Lab 1964 Grey) data de 2005 e Adam Pendleton nasceu em 1984.
O nosso catálogo apresenta 1 obras de Adam Pendleton.
A maioria deles está em Carnegie Museum of Art (Pittsburgh). A tabela acima lista os museus um a um.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: