A pintura que tornou A. Patrick famoso(a) é Mrs. Benajah Johnson (1830); ela está exposta no Smithsonian American Art Museum, em Washington, D.C.. Dos 2 trabalhos de A. Patrick em nosso catálogo, estas 2 são as obras mais admiradas, cada uma apresentada com a sua data, o seu museu e o que a torna única.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de A. Patrick | Pinturas desta lista |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
Cada obra-prima datada de A. Patrick nesta página pertence a 1830: aqui estão elas.
Mrs. Benajah Johnson (1830)
O nosso catálogo apresenta 2 obras de A. Patrick.
A maioria deles está em Smithsonian American Art Museum (Washington, D.C.). A tabela acima lista os museus um a um.
Em 1830: 2 das 2 obras nesta página datam dessa época, entre elas Mrs. Benajah Johnson.
Mrs. Benajah Johnson e Benajah Johnson estão entre as 2 obras nesta página pertencentes ao Smithsonian American Art Museum, Washington, D.C..
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.