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Guia de Obras de Estudantes

Silver Screen (30 Dissolves)

Nome Turma Data

teresita fernández, Silver Screen (30 Dissolves) (2011), Northwest Museum of Arts and Culture. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
teresita fernández wahooart.com/pt/artists/teresita-fernandez/
Datas do artista
1968 – ?
Pintura
2011
Realizado em
Northwest Museum of Arts and Culture wahooart.com/pt/museums/northwest-museum-of-arts-and-culture-spokane/

No contexto

Silver Screen (30 Dissolves) — teresita fernández

Ano de criação

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Sombreado: a trajetória de teresita fernández (1968–?) ▲ esta obra, 2011

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Putty #c7cac8

    Paleta catalogada

    • #C7CAC8
    • #181B1E
    • #FAFBFC
    • #737068
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    teresita fernández

    Nascido em Miami, United States of America

    The Architecture of Perception: The Art of Teresita Fernández

    To encounter the work of Teresita Fernández is to enter a realm where the boundaries between the physical landscape and the psychological interior begin to dissolve. Born in Miami, Florida, in 1968 to Cuban parents who arrived in exile following the Cuban Revolution, Fernández carries within her a profound understanding of displacement and the layering of history. Her early years were steeped in the tactile traditions of her family; spending time in the ateliers of her great aunts and grandmother—highly skilled couture seamstresses from Havana—instilled in her an intimate respect for craftsmanship and the transformative power of material. This foundational connection to texture and meticulous construction would later evolve into a sophisticated sculptural language that reimagines the very essence of how we perceive the world around us.

    Fernández’s artistic practice is a masterful investigation into the psychology of looking. She does not merely represent landscapes; she reconstructs them as "stacked landscapes," using layers of meaning and medium to create psychological topographies. Her work often draws from the geological, the celestial, and the anthropological, yet it transcends mere scientific observation to reach a state of poetic reflection. By utilizing unconventional and often iridescent materials—such as opal dust, gold, graphite, glass, and charcoal—she creates immersive experiences that challenge the viewer's gaze. These materials are never purely decorative; they serve as agents of visibility and concealment, prompting us to contemplate how much of our environment is truly seen and how much remains hidden beneath the surface of perception.

    Materiality and the Fluidity of Space

    The brilliance of Fernández’s technique lies in her ability to manipulate light and substance to evoke natural phenomena. Her sculptures frequently present optical illusions that mimic land formations, water, and shifting atmospheres. In monumental installations like “Burnout,” she utilizes suspended opal dust to explore the interplay between light and the ephemeral nature of sight. This commitment to experimental media was further refined during her formative years at the Yale University School of Art and through her collaborative explorations at the MIT Media Lab, where she integrated computational design and interactive elements into her sculptural vision. This fusion of technology and organic inspiration allows her work to breathe, shifting as the viewer moves through the space.

    Beyond the visual spectacle, Fernández’s choice of materials carries deep historical and political weight. She often selects substances found subterraneously or those that serve as physical remnants of a specific place, treating them as testaments to a tangible past. Through this lens, her work delves into complex themes of self-perception, colonialism, and the historical violence associated with both the environment and the human body. Her art becomes a site where the geological history of the earth meets the lived history of people, creating a dialogue between the permanence of stone and the fluidity of memory.

    Legacy and Global Recognition

    The impact of Teresita Fernández on contemporary sculpture is profound and widely recognized by the international art community. Her career is marked by prestigious accolades that underscore her role as a leading voice in modern installation art, including:

    The MacArthur "Genius" Grant (2005), recognizing her exceptional creativity and impact.

    A Guggenheim Fellowship (2003), celebrating her significant contributions to the field of sculpture.

    Presidential Appointment to the U.S. Commission of Fine Arts under Barack Obama, making her the first Latina to serve in this distinguished role.

    Today, Fernández continues to reshape our understanding of public and private space. Her large-scale public works act as landmarks of contemplation, inviting diverse audiences to engage with the complexities of identity and landscape. By bridging the gap between the scientific and the spiritual, she ensures that her art remains not just a subject for observation, but a transformative experience that lingers in the mind long after the viewer has departed.

    Museu

    Northwest Museum of Arts and Culture

    Em exibição em Spokane, United States of America

    A Window into the Soul of the Inland Northwest

    Nestled within Spokane’s historic Browne’s Addition neighborhood, the Northwest Museum of Arts & Culture – affectionately known as The MAC – stands not merely as a repository of artifacts but as a vibrant and deeply resonant chronicle of the Pacific Northwest. Established originally as the Cheney Cowles Museum in 1916, its evolution reflects a deliberate broadening of scope, embracing not only fine art and regional history but also, crucially, the profound and often overlooked narratives of the Plateau tribes who first called this land home. Today, The MAC is a Smithsonian affiliate and an accredited museum by the American Alliance of Museums, a testament to its commitment to rigorous scholarship and exceptional public engagement. More than just a collection, it’s a living conversation between past and present, honoring ancestral heritage while illuminating contemporary expressions – a truly unique experience for any visitor seeking a deeper understanding of this captivating region.

    The heart of The MAC's identity lies in its unwavering dedication to the cultures of the Plateau. The Center for Plateau Cultural Studies is an immersive journey into the traditions, artistry, and evolving realities of these indigenous communities. Visitors are immediately struck by the sheer beauty and intricate detail of traditional crafts – meticulously woven baskets that seem to hold the whispers of generations, ceremonial regalia adorned with symbolic motifs that speak volumes about belief systems, and powerful works of art that powerfully connect the artist to the land. But The MAC doesn’t simply present history as static display; it actively engages with living cultures, showcasing contemporary Plateau artists whose work skillfully blends ancestral heritage with modern perspectives. This commitment extends far beyond visual arts, encompassing storytelling, oral histories, and educational programs designed not just to inform but to foster genuine understanding and respect – a vital element in bridging cultural divides.

    Echoes of the Plateau & Visions of Tomorrow

    Alongside this profound focus on Native American heritage, The MAC also delves into the broader regional history of Spokane, tracing its transformation from a gathering place for indigenous peoples to a bustling center of commerce and innovation. Exhibits meticulously illuminate the lives of early settlers – their struggles, triumphs, and the remarkable decisions that shaped the city we know today. You’ll discover how the arrival of the Northern Pacific Railway dramatically altered the landscape and demographics, leading to rapid growth and a complex interplay of cultures. The museum doesn't shy away from exploring difficult topics like displacement and assimilation, presenting a nuanced and honest account of Spokane’s past – essential for fostering critical reflection on its present.

    Architecture & Spaces for Discovery

    The MAC’s architecture itself is a harmonious blend of old and new, reflecting the museum's commitment to both preserving history and embracing contemporary design. The modern main building provides state-of-the-art exhibition spaces bathed in natural light, creating an inviting atmosphere that encourages exploration. However, the experience extends far beyond this sleek structure; The MAC proudly preserves and offers tours of the historic Campbell House, a stunning 1898 mansion designed by renowned architect Kirtland Cutter. This beautifully preserved home provides a captivating glimpse into the opulent lifestyle of Spokane’s early elite, showcasing Cutter's masterful interpretation of the Romanesque Revival style – a testament to his skill and vision. The Campbell House is more than just a building; it’s a portal to a bygone era.

    Notable Exhibitions & Community Engagement

    The MAC consistently hosts rotating exhibits that delve into diverse themes, from contemporary Native American art and photography to explorations of regional folklore and industrial history. Currently, the museum features “Threads of Resilience,” an exhibition celebrating the enduring artistry and cultural continuity of the Plateau tribes. Beyond its exhibition spaces, The MAC fosters vibrant community engagement through a dynamic auditorium and outdoor amphitheater that host lectures, performances, and cultural celebrations throughout the year. Regular workshops offer opportunities to learn traditional crafts, explore local history, and connect with fellow art enthusiasts. A welcoming café, museum store brimming with regional artisan goods, and dedicated education center further enhance the visitor experience – solidifying The MAC’s role as a true hub for artistic and intellectual exchange.

    A Legacy of Preservation & Inspiration

    For researchers and scholars, The MAC’s Joel E. Ferris Research Library & Archives offers an invaluable resource. Housing a wealth of historical documents, photographs, and research materials related to the Inland Northwest, this collection provides a deep dive into the region's past for those seeking detailed insights. But perhaps most importantly, The MAC is not merely about preserving the past; it’s about inspiring future generations. Through its diverse range of exhibits, educational programs, and community outreach initiatives, the museum cultivates a love of art, history, and culture in visitors of all ages – fostering a sense of connection to both their heritage and the wider world. Whether you are an avid collector searching for inspiration, an interior designer seeking unique regional aesthetics, or simply someone with a curiosity to learn, The Northwest Museum of Arts & Culture offers an unforgettable journey into the heart of the Inland Northwest—a place where history, art, and culture truly come alive.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Silver Screen (30 Dissolves)

    wahooart.com/pt/art/download/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/

    Como citar esta obra

    MLA
    fernández, teresita. Silver Screen (30 Dissolves). 2011, Northwest Museum of Arts and Culture. https://wahooart.com/pt/art/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/
    APA
    fernández, teresita (2011). Silver Screen (30 Dissolves) [Painting]. Northwest Museum of Arts and Culture. https://wahooart.com/pt/art/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/
    Chicago
    teresita fernández. Silver Screen (30 Dissolves). 2011. Northwest Museum of Arts and Culture. https://wahooart.com/pt/art/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/
    Harvard
    fernández, teresita (2011) Silver Screen (30 Dissolves). Northwest Museum of Arts and Culture. Available at: https://wahooart.com/pt/art/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/

    Observe de perto

    Silver Screen (30 Dissolves) — teresita fernández

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Night Writing (Tristan and Isolde) (2011), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. teresita fernández tinha cerca de 43 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

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