Papel

Guia de Obras de Estudantes

Jaosokor

Nome Turma Data

solano, susana, Jaosokor (1997), Museu Guggenheim Bilbao. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
solano, susana wahooart.com/pt/artists/solano-susana/
Datas do artista
1946 – ?
Pintura
1997
Dimensões originais
113 x 424 cm
Movimento
Contemporary
Realizado em
Museu Guggenheim Bilbao wahooart.com/pt/museums/museu-guggenheim-bilbao-bilbao_pt/

No contexto

Jaosokor — solano, susana

Dimensões

As dimensões originais são 113 × 424 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Sombreado: a trajetória de solano, susana (1946–?) ▲ esta obra, 1997

Obras comparáveis

  • Untitled, 2004 wahooart.com/pt/art/solano-susana-untitled-D66RVL-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/solano-susana-jaosokor-D92KVN-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    White #eaeae8

    Paleta catalogada

    • #EAEAE8
    • #AD966A
    • #D6BC92
    • #856F42
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    White
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Jaosokor — solano, susana

    Jaosokor features a canoe-shaped iron armature covered with strips of transparent, colorless plastic knotted at regular intervals. Animated by the ambient light of the gallery, the surface of the sculpture subtly evokes the properties of water, an element Solano has alluded to elsewhere in her work. Although it is made from industrial materials, this structure suggests a tribal handicraft, an association strengthened by the accompanying photograph, hung on a nearby wall, of the face of a South Sea Islander. Solano was inspired to produce this work by a sojourn in Irian Jaya, the western, Indonesian part of the island of New Guinea, where she spent time in the small village of Jaosokor. With its juxtaposition of indigenous forms and motifs with synthetic, Western materials, Jaosokor stages a confrontation between two worlds. According to the curator Teresa Blanch, who has written extensively on Solano, the piece

    Artista e museu

    Artista

    solano, susana

    Nascido em Barcelona, Spain

    The Architecture of Memory: The Sculptural World of Susana Solano

    Born in the vibrant cultural landscape of Barcelona in 1946, Susana Solano has spent a lifetime translating the intangible textures of memory into the enduring weight of metal. Her artistic journey did not begin with the heavy strike of a hammer against iron, but rather with the delicate application of pigment to canvas. As a painter, she explored the nuances of color and form, yet it was in the late 1970s that she underwent a profound metamorphosis, moving away from the two-dimensional plane to embrace the physical presence of sculpture. This transition allowed her to engage directly with the concept of space, creating works that do not merely occupy a room but actively redefine the architectural boundaries within it.

    Solano’s early education at the Real Acadèmia Catalana de Bellas Artes de San Jorge provided her with a rigorous foundation in art history and technique, yet her true inspiration was often found far from the classroom. Her childhood excursions through the Catalan landscape—from the family estate of "El Palau" in Falset to the sun-dasting Mediterranean coast—instilled in her a deep sensitivity to how light, terrain, and enclosure interact. These formative experiences became the silent protagonists of her later work, imbuing her monumental structures with a sense of place and a palpable, quiet solitude.

    Materiality and the Language of Iron

    In the mid-1980s, Solano’s practice underwent a definitive shift toward geometric minimalism, a movement that saw her adopting sheet iron as her primary medium. This choice was not merely aesthetic but deeply rooted in the Catalan artisanal forging traditions that have long defined the region's craftsmanship. By working with industrial materials like iron, steel, lead, and wire mesh, she established a dialogue between the rugged strength of metal and the ephemeral nature of light and shadow. Her sculptures often feature large-scale enclosures that evoke the feeling of bridges, tables, or even ancient thermal baths—spaces designed for ritual, transformation, and reflection.

    The brilliance of Solano’s technique lies in her ability to manipulate heavy, imposing materials to achieve a sense of weightlessness. Through the clever use of wire mesh and glass, she creates surfaces that appear both fragile and enduring. One can observe this duality in works such as Jaosokor, where an iron armature is draped in transparent plastic, creating a surface that mimics the shimmering properties of water. This mastery over contrast allows her to explore complex themes:

    Containment and Liberation: The tension between enclosed metal structures and the open space they frame.

    The Organic and the Industrial: Blending synthetic, modern materials with forms that suggest tribal or natural origins.

    Light as a Sculptural Element: Using transparency and mesh to allow ambient light to animate and transform the metal surfaces.

    A Legacy of Presence and Permanence

    The historical significance of Susana Solano lies in her ability to bridge the gap between the abstract traditions of Spanish masters like Julio González, Jorge Oteiza, and Eduardo Chillida and a more contemporary, personal narrative. While she shares their fascination with the philosophical implications of materiality, her work is uniquely marked by an emotional intimacy—a way of sculpting the "inner landscape" of the human psyche. Her sculptures do not just stand as objects; they act as thresholds, inviting the viewer to step into a space of contemplation and spiritual inquiry.

    Throughout her prolific career, Solano’s work has been exhibited extensively across Europe, Spain, and the United States, earning her a place in prestigious collections such as the Guggenheim Museum and MACBA. As she continues to live and work in Barcelona, her legacy remains one of profound resilience. She has proven that even the coldest, most industrial materials can be imbued with the warmth of memory, the softness of light, and the eternal human search for meaning within the spaces we inhabit.

    Museu

    Museu Guggenheim Bilbao

    Em exibição em Bilbao, Espanha

    A Symphony of Titanium and Light: The Guggenheim Museum Bilbao

    Rising from the banks of the Nervión River in Bilbao, Spain, the Guggenheim Museum is more than just a repository for art; it’s an audacious architectural statement, a testament to urban renewal, and a breathtaking experience that has irrevocably transformed the city. Designed by the visionary architect Frank Gehry, this titanium-clad masterpiece isn't merely built – it appears to have grown organically from its riverside setting, mirroring the dynamic spirit of Bilbao itself. The museum’s creation is inextricably linked to the Basque government’s ambitious plan to revitalize a once-struggling industrial port, and its success serves as a potent symbol of cultural regeneration.

    The story begins in the early 1990s, when the Guggenheim Foundation approached the Basque government with an extraordinary proposition: to construct a museum within the heart of Bilbao’s decaying docklands. Recognizing the potential for transformative change, the Basque authorities enthusiastically embraced the idea, committing to fund the project and establishing a partnership that would bring world-class art and architecture to the region. Gehry, known for his deconstructivist style and innovative use of materials, was selected to design the building, tasked with creating something truly unique – a structure that would not only house an impressive collection but also act as a catalyst for economic growth and cultural pride.

    A Collection Reflecting a New Era

    Inside the Guggenheim Museum Bilbao lies a remarkably diverse collection spanning the 20th and 21st centuries, with a particular emphasis on large-scale installations and works that engage directly with space. While the museum proudly showcases iconic pieces from the Solomon R. Guggenheim Foundation’s holdings – including the vibrant canvases of Mark Rothko, the pop art explorations of Andy Warhol, and the playful sculptures of Jeff Koons – it also champions Spanish and Basque artists, providing a vital platform for regional talent to gain international recognition. The collection isn't static; rotating exhibitions ensure that visitors are consistently presented with fresh perspectives and challenging narratives, reflecting the museum’s commitment to engaging with contemporary art trends.

    One particularly poignant permanent installation is Yoko Ono’s “Wish Tree for Bilbao,” a captivating interactive artwork inviting guests to write their hopes and dreams on tags and attach them to a sprawling tree. This living tapestry of collective aspirations serves as a powerful reminder of the museum's role as a space for reflection, connection, and shared experience. The galleries themselves are integral to the overall experience; soaring ceilings, expansive views of the river, and carefully considered lighting all contribute to an atmosphere that enhances the emotional impact of the artwork.

    The Heart of the Museum: “The Flower”

    At the very core of the Guggenheim Bilbao lies “The Flower,” a monumental atrium bathed in natural light. This breathtaking space – a swirling vortex of titanium and glass – serves as both the museum’s organizing center and its spiritual heart. It's not merely a passageway; it’s a destination, a place for contemplation and connection. From "The Flower," visitors can access all of the galleries, each offering a unique perspective on the art within. The interplay of light and shadow throughout the building is masterful, creating an ethereal atmosphere that heightens the emotional impact of the artwork.

    Gehry’s genius lies in his ability to seamlessly integrate architecture and art, blurring the boundaries between the two and creating a holistic experience that transcends traditional museum conventions. The undulating curves of the exterior, seemingly defying gravity, are not accidental; they were meticulously calculated using advanced computer modeling techniques, resulting in a structure that is both visually stunning and structurally sound. The building’s design cleverly utilizes the surrounding landscape, with its flowing lines echoing the movement of water and reflecting the dynamic energy of Bilbao.

    Beyond the Building: A Catalyst for Change

    The Guggenheim Museum Bilbao represents more than just a remarkable architectural achievement; it's a powerful symbol of urban renewal. Its construction coincided with a period of significant economic and social transformation in Bilbao, and its success has been inextricably linked to the city’s revitalization. The museum drew millions of visitors each year, boosting tourism revenue, stimulating local businesses, and fostering a renewed sense of civic pride. This phenomenon, now known as the “Bilbao Effect,” demonstrates the transformative power of art and architecture to revitalize communities and inspire positive change. The Guggenheim continues to be a vital cultural hub, attracting artists, collectors, and visitors from around the world, solidifying Bilbao’s position as a leading destination for culture and innovation.

    Additional Research:

    Museu Guggenheim Bilbao (Official Website):

    https://www.guggenheim-bilbao.eus/en

    Wikipedia - Guggenheim Museum Bilbao:

    https://pt.wikipedia.org/wiki/Museu_Guggenheim_Bilbao

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Jaosokor

    wahooart.com/pt/art/download/solano-susana-jaosokor-D92KVN-en/

    Como citar esta obra

    MLA
    susana, solano,. Jaosokor. 1997, Museu Guggenheim Bilbao. https://wahooart.com/pt/art/solano-susana-jaosokor-D92KVN-en/
    APA
    susana, solano, (1997). Jaosokor [Painting]. Museu Guggenheim Bilbao. https://wahooart.com/pt/art/solano-susana-jaosokor-D92KVN-en/
    Chicago
    solano, susana. Jaosokor. 1997. Museu Guggenheim Bilbao. https://wahooart.com/pt/art/solano-susana-jaosokor-D92KVN-en/
    Harvard
    susana, solano, (1997) Jaosokor. Museu Guggenheim Bilbao. Available at: https://wahooart.com/pt/art/solano-susana-jaosokor-D92KVN-en/

    Observe de perto

    Jaosokor — solano, susana

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 1 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: metal sculpture, iron art, tribal motifs. Concorda? O que acrescentaria ou removeria?
    5. Relembre Untitled (2004), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

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