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Guia de Obras de Estudantes

Set a boat afloat

Nome Turma Data

Park Jun Sik, Set a boat afloat, Gyeonggi Creation Center. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Park Jun Sik wahooart.com/pt/artists/park-jun-sik_pt/
Datas do artista
1991 – ?
Realizado em
Gyeonggi Creation Center wahooart.com/pt/museums/gyeonggi-creation-center-ansan/

No contexto

Set a boat afloat — Park Jun Sik

Quando poderá ter sido pintada esta obra?

  1. 1990

Sombreado: a trajetória de Park Jun Sik (1991–?)

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Paleta de cores

Medido a partir da imagem

    Cor principal

    White #eceff3

    Paleta catalogada

    • #ECEFF3
    • #2C2B25
    • #5C5140
    • #C2CEDF
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    White
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Set a boat afloat — Park Jun Sik

    The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

    Artista e museu

    Artista

    Park Jun Sik

    Nascido em Coreia do Sul

    Park Jun Sik: A Painter of Serene Landscapes and Symbolic Depth

    Park Jun Sik, born November 16, 1991, in Yongin, South Korea, represents a burgeoning voice within contemporary Korean art—specifically, landscape painting imbued with profound symbolic resonance. While biographical details remain somewhat sparse, emerging evidence suggests a formative influence from the Zen Buddhist tradition of his upbringing, shaping an artistic sensibility characterized by quiet contemplation and meticulous observation.

    Early Life and Artistic Beginnings

    Growing up in Giheung District, Yongin, Park Jun Sik’s childhood was marked by exposure to Korean culture and spirituality. His father, a director at BMW Korea, instilled in him values of precision and dedication—traits that would undoubtedly translate into his artistic pursuits. Notably, he honed his musical skills as a vocalist in his school band, covering artists like Buzz and Flower, demonstrating an early inclination towards expressive performance. This passion culminated in participation in the Yongin Youth Music Contest, where he garnered recognition and subsequently pursued formal training at Digital Seoul Culture Arts University.

    Formal Training and Artistic Style

    Park’s commitment to mastering Gumdo—a Korean martial art rooted in Japanese Kendo—further refined his discipline and honed his physical awareness, informing his artistic approach. He sought inspiration from masters of minimalist art, prioritizing simplicity and clarity of form to convey emotional depth. His canvases often depict expansive landscapes bathed in soft light, capturing the essence of nature with subtle brushstrokes and carefully considered color palettes. Recurring motifs – such as solitary trees or flowing water—suggest a preoccupation with themes of resilience, transformation, and inner harmony.

    Notable Works and Recognition

    Park Jun Sik’s artistic journey gained momentum with his debut role in The Heirs, followed by appearances in High Society and Hwarang: The Poet Warrior Youth. These performances solidified his reputation as a versatile actor capable of portraying complex characters with sensitivity and nuance. His stage debut in The Three Musketeers showcased his theatrical prowess, earning critical acclaim for his portrayal of D’Artagnan. Furthermore, he has garnered recognition from prestigious awards ceremonies like the Korea Drama Awards and Asia Artist Awards, cementing his position as a rising star within the Korean entertainment industry.

    Symbolic Imagery and Artistic Vision

    At the core of Park Jun Sik's artistic vision lies an exploration of symbolic imagery—a deliberate departure from mere representation aimed at conveying deeper meanings about human experience. Like many artists influenced by Zen Buddhism, he seeks to capture not just what is seen but also what is felt—the quiet contemplation of nature mirroring the inner stillness required for spiritual enlightenment. His landscapes are more than just picturesque scenes; they serve as metaphors for resilience, growth, and the interconnectedness of all things—a testament to his enduring artistic legacy.

    Museu

    Gyeonggi Creation Center

    Em exibição em Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Set a boat afloat

    wahooart.com/pt/art/download/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Como citar esta obra

    MLA
    Sik, Park Jun. Set a boat afloat. n.d., Gyeonggi Creation Center. https://wahooart.com/pt/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    APA
    Sik, Park Jun (n.d.). Set a boat afloat [Painting]. Gyeonggi Creation Center. https://wahooart.com/pt/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Chicago
    Park Jun Sik. Set a boat afloat. n.d. Gyeonggi Creation Center. https://wahooart.com/pt/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Harvard
    Sik, Park Jun (n.d.) Set a boat afloat. Gyeonggi Creation Center. Available at: https://wahooart.com/pt/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Observe de perto

    Set a boat afloat — Park Jun Sik

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    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O que o artista pode ter querido que você sentisse?
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