Papel

Guia de Obras de Estudantes

Mandolin Player

Nome Turma Data

Milton Avery, Mandolin Player (1950). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Milton Avery wahooart.com/pt/artists/milton-avery_pt/
Datas do artista
1885 – 1965
Pintura
1950
Dimensões originais
46 x 31 cm

No contexto

Mandolin Player — Milton Avery

Dimensões

As dimensões originais são 46 × 31 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 65. The artist lived to 80. 34 of the 48 dated works by this artist in our catalogue came earlier.

Sombreado: a trajetória de Milton Avery (1885–1965) ▲ esta obra, 1950

First works: up to 1940 Main working years: 1940–1952 Late works: from 1952

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/milton-avery-mandolin-player-AS7MDM-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #3a2f27

    Paleta catalogada

    • #3A2F27
    • #D0B9A3
    • #86705E
    • #5B4A3B
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Milton Avery over the last twelve months — 4 countries in all.

    The ten leading countries

    1. 1 China 82,1%
    2. 2 Coréia do Sul 7,7%
    3. 3 Estados Unidos da América 7,7%
    4. 4 Bulgária 2,6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Milton Avery

    1. 1 Landscape and Rolling Hills, 1942 8,9%
    2. 2 Night Harbor, 1957 6,7%
    3. 3 Black Sea 6,7%
    4. 4 Spring Orchard, 1959 4,4%
    5. 5 Untitled (Rock and Water View), 1925 4,4%
    6. 6 Dunes and Sea, 1958 4,4%
    7. 7 Portrait of a Girl 4,4%
    8. 8 Spring 4,4%
    9. 9 Child with Doll, 1944 2,2%
    10. 10 Mandolin Player, 1950 this painting 2,2%
    11. 11 Rocky Pool 2,2%
    12. 12 Green Sea, 1954 2,2%
    13. 13 Flight 2,2%
    14. 14 March on the Balcony 2,2%
    15. 15 Swimmers and Sunbathers, 1945 2,2%
    16. 16 Dunes and Sea I 2,2%
    17. 17 Milk Pitcher 2,2%
    18. 18 Dark Mountain 2,2%
    19. 19 Girl Writing 2,2%
    20. 20 Hint of Autumn 2,2%

    Together these works take 70,7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 189 works by this artist, of which 33 were looked at at least once. This painting ranks 10 of them, with 2,2% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artista e museu

    Artista

    Milton Avery

    Nascido em Altmar, Estados Unidos da América

    A Quiet Revolution in Color: The Life and Art of Milton Avery

    Milton Clark Avery, born March 7, 1885, in the small hamlet of Altmar, New York, wasn’t a painter who stormed the art world with manifestos or radical pronouncements. Instead, his revolution unfolded quietly, through a subtle yet profound exploration of color and form that would deeply influence generations of American artists. His early life was steeped in practicality; as the son of a tanner, Avery began working at sixteen to support his family after his father’s untimely death, taking on various blue-collar jobs while nurturing a burgeoning passion for art. This period instilled in him a grounded sensibility, a connection to everyday life that would permeate his work.

    Early Life and Artistic Beginnings

    Raised in rural New York State amidst the hardships of working-class existence, Avery’s formative years shaped his artistic vision profoundly. The death of his brother-in-law in 1915 left him responsible for caring for nine female relatives—a circumstance that instilled a deep sense of responsibility and fostered an unwavering dedication to providing for his family. Recognizing his innate talent for visual representation, he pursued formal training at the Connecticut League of Art Students and later at the Art Students League of New York, honing his skills through disciplined observation and experimentation.

    Influences from European Modernism

    Avery’s artistic journey wasn't defined by immediate acclaim but rather by a gradual assimilation of influential movements. He absorbed the bold color palettes of French Fauvism—artists like Henri Matisse served as pivotal mentors—and the expressive distortions characteristic of German Expressionism, particularly the work of Ernst Ludwig Kirchner. However, Avery skillfully synthesized these lessons into something uniquely his own; he didn’t merely imitate stylistic conventions but rather interrogated their underlying principles, seeking to distill essence and convey emotion.

    The Rise of Color Field Painting & Recognition by Roy Neuberger

    Avery's breakthrough came in the 1930s with the patronage of Roy Neuberger, a New York art dealer who recognized the exceptional quality and originality of his paintings. Neuberger’s astute judgment propelled Avery into the spotlight, initiating an ambitious campaign to disseminate his work internationally—a pivotal moment that secured his place as a cornerstone of American Modernism. Among Neuberger's most notable acquisitions was Gaspé Landscape, which became emblematic of Avery’s distinctive style: luminous color fields juxtaposed with simplified geometric forms.

    A Legacy of Serenity and Influence

    Milton Avery’s enduring legacy resides in his unwavering commitment to exploring the expressive potential of color—a pursuit that profoundly impacted subsequent generations of artists. Artists like Mark Rothko and Adolph Gottlieb acknowledged Avery's influence, recognizing his pioneering role in establishing Color Field painting as a dominant aesthetic trend. His paintings continue to captivate audiences today with their serene beauty, understated elegance, and profound emotional resonance—a testament to an artist who dared to redefine the boundaries of artistic expression.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Mandolin Player

    wahooart.com/pt/art/download/milton-avery-mandolin-player-AS7MDM-en/

    Como citar esta obra

    MLA
    Avery, Milton. Mandolin Player. 1950, https://wahooart.com/pt/art/milton-avery-mandolin-player-AS7MDM-en/
    APA
    Avery, Milton (1950). Mandolin Player [Painting]. https://wahooart.com/pt/art/milton-avery-mandolin-player-AS7MDM-en/
    Chicago
    Milton Avery. Mandolin Player. 1950. https://wahooart.com/pt/art/milton-avery-mandolin-player-AS7MDM-en/
    Harvard
    Avery, Milton (1950) Mandolin Player. Available at: https://wahooart.com/pt/art/milton-avery-mandolin-player-AS7MDM-en/

    Observe de perto

    Mandolin Player — Milton Avery

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Child with Doll (1944), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Milton Avery tinha cerca de 65 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    "Mandolin Player" de Milton Avery está em domínio público?

    A informação de direitos autorais para "Mandolin Player" de Milton Avery: a obra está em ainda protegido por direitos autorais. Isso determina se reproduções da imagem podem ser feitas livremente.

    Com que idade Milton Avery criou "Mandolin Player"?

    Quando "Mandolin Player" foi criada em 1950, Milton Avery — nascido(a) em 1885 — tinha 65 anos.

    A qual artista "Mandolin Player" é atribuída?

    "Mandolin Player" foi criado por Milton Avery. As informações nesta página descrevem a obra original de Milton Avery.

    Qual é a tonalidade predominante de "Mandolin Player" de Milton Avery?

    Um tom Golden Yellow Range percorre "Mandolin Player" de Milton Avery.

    Existe uma apresentação de slides para "Mandolin Player" de Milton Avery?

    Um slideshow está disponível: a página Apresentação de slides de "Mandolin Player" de Milton Avery.

    Quais cores predominam em "Mandolin Player" de Milton Avery?

    A identidade cromática de "Mandolin Player" de Milton Avery: uma paleta Earthy, dominada por Espresso (#3a2f27).

    Qual é a data de criação de "Mandolin Player" de Milton Avery?

    "Mandolin Player" de Milton Avery foi criado em 1950.