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Guia de Obras de Estudantes

Ecole royale polytechnique : a visit from Napoleon on April 28, 1815

Nome Turma Data

melchior peronard, Ecole royale polytechnique : a visit from Napoleon on April 28, 1815 (1840). Domínio público.

Informações principais

Artista
melchior peronard wahooart.com/pt/artists/melchior-peronard/
Datas do artista
1805 – 1881
Pintura
1840
Dimensões originais
5 x 66 cm

No contexto

Ecole royale polytechnique : a visit from Napoleon on April 28, 1815 — melchior peronard

Qual é o tamanho?

As dimensões originais são 5 × 66 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880

Sombreado: a trajetória de melchior peronard (1805–1881) ▲ esta obra, 1840

Paleta de cores

Medido a partir da imagem

    Cor principal

    Putty #e9dac6

    Paleta catalogada

    • #E9DAC6
    • #B2A594
    • #544F42
    • #8C8273
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    melchior peronard

    Nascido em Paris, France

    Charles Gough: A Romantic Martyr of the Lake District

    The story of Charles Gough is a haunting one, inextricably linked to the dramatic beauty and perilous landscapes of the English Lake District. Born in Manchester in 1784, Gough’s life was tragically cut short in April 1805 at the young age of twenty-one, leaving behind a legacy shrouded in mystery and romantic legend. While he achieved little recognition during his lifetime – a frustrating reality for an artist of considerable talent – Gough has since become enshrined as a symbol of the Romantic movement’s fascination with nature, risk, and the sublime. His untimely death, coupled with the discovery of his skeletal remains on the treacherous slopes of Helvellyn, fueled speculation and artistic interpretations that cemented his place in literary and artistic memory.

    Gough's early life offered little indication of the artistic path he would pursue. He was described as a “venturesome person,” prone to taking risks and seeking adventure – traits that ultimately contributed to his demise. He embarked on a solitary excursion into the Lake District in April 1805, intending to sketch the dramatic scenery. Accompanied by his loyal dog, Foxie, he began his ascent of Helvellyn, a formidable peak known for its challenging terrain. The circumstances surrounding his fall remain unclear, though prevailing theories suggest a misstep on Striding Edge, a narrow and exposed ridge that has claimed the lives of many climbers over the centuries. The discovery of Foxie guarding Gough’s remains – including fishing tackle, a gold watch, silver pencil, and two glasses – provided chilling evidence of his fate.

    The immediate aftermath of Gough's death sparked intense public interest and fueled numerous theories about the circumstances surrounding his demise. Initial reports, sensationalized by local newspapers, depicted a gruesome scene: the dog having devoured her master’s remains. However, subsequent investigations revealed a more complex picture, suggesting that Foxie had merely scavenged what she could from the exposed skeleton. The discovery of Gough's hat, torn in two, further added to the mystery and contributed to the romanticized narrative surrounding his death. The event was quickly seized upon by artists and writers, who saw in it a potent symbol of youthful folly, the allure of nature’s power, and the tragic consequences of unchecked ambition.

    The Influence of Romanticism and Early Genre Painting

    Gough's work reflects the burgeoning artistic trends of his time, particularly the influence of the English Romantic movement. Emerging in the late 18th and early 19th centuries, Romanticism rejected the classical ideals of restraint and order in favor of emotional expression, individualism, and a profound connection with nature. Gough’s landscapes, characterized by dramatic lighting, atmospheric perspective, and an emphasis on mood and feeling, align closely with these aesthetic principles.

    Interestingly, Gough's artistic development was shaped by his exposure to the works of earlier artists, notably Jean-Baptiste Greuze, a prominent French genre painter. Greuze’s emotionally charged scenes depicting domestic life, moral dilemmas, and human relationships exerted a significant influence on Gough’s style. Like Greuze, Gough focused on portraying everyday subjects with a heightened sense of realism and emotional intensity. However, Gough's work possessed a distinctively Romantic sensibility, infused with a fascination for the wild beauty of the Lake District and a willingness to explore themes of risk, isolation, and the sublime.

    A Legacy Forged in Myth and Artistic Interpretation

    Despite his relatively short career and lack of widespread recognition during his lifetime, Charles Gough’s story has been profoundly shaped by subsequent artistic interpretations. The circumstances surrounding his death – the dramatic setting, the loyal dog, the skeletal remains – provided a rich source of inspiration for artists and writers throughout the 19th century. His tale became inextricably linked to the Romantic imagination, embodying the movement's fascination with the sublime, the tragic hero, and the power of nature.

    The most enduring artistic representation of Gough’s story is arguably the painting The Nightmare, created by Henry Fuseli in 1782. Fuseli’s depiction of a woman tormented by a demonic figure, inspired by Goethe's Faust, draws parallels with Gough’s fate – a young man consumed by ambition and ultimately lost to the unforgiving forces of nature. The painting served as a powerful visual metaphor for the Romantic sensibility, capturing the anxieties, fears, and spiritual yearnings that characterized the era.

    Connections to Other Artists

    Gough’s story resonates with other artists who explored themes of death, loss, and the relationship between humanity and nature. His fate mirrors that of Jean-Baptiste Greuze, another French painter whose work focused on emotionally charged scenes of domestic life and moral dilemmas. Both artists employed a highly expressive style to convey complex emotions and engage viewers in profound reflections on human existence. Furthermore, Gough’s encounter with the perilous landscape of Helvellyn echoes the experiences of other Romantic artists who sought inspiration in the wild beauty of the British countryside – including William Turner and J.M.W. Turner.

    The enduring fascination with Charles Gough's story serves as a testament to the power of art to transform historical events into timeless myths, capturing the imagination and inspiring generations of artists and audiences alike. His tragic fate in the Lake District continues to evoke a sense of mystery, romance, and the humbling force of nature.

    Saiba mais

    • O artista melchior peronard wahooart.com/pt/artists/melchior-peronard/
    • Obras semelhantes Mais obras para comparar wahooart.com/pt/art/similar/melchior-peronard-ecole-royale-polytechnique-a-visit-from-napoleon-D7CCBM-en/

    Disponível online

    QR code que direciona para a página de download de Ecole royale polytechnique : a visit from Napoleon on April 28, 1815

    wahooart.com/pt/art/download/melchior-peronard-ecole-royale-polytechnique-a-visit-from-napoleon-D7CCBM-en/

    Como citar esta obra

    MLA
    peronard, melchior. Ecole royale polytechnique : a visit from Napoleon on April 28, 1815. 1840, https://wahooart.com/pt/art/melchior-peronard-ecole-royale-polytechnique-a-visit-from-napoleon-D7CCBM-en/
    APA
    peronard, melchior (1840). Ecole royale polytechnique : a visit from Napoleon on April 28, 1815 [Painting]. https://wahooart.com/pt/art/melchior-peronard-ecole-royale-polytechnique-a-visit-from-napoleon-D7CCBM-en/
    Chicago
    melchior peronard. Ecole royale polytechnique : a visit from Napoleon on April 28, 1815. 1840. https://wahooart.com/pt/art/melchior-peronard-ecole-royale-polytechnique-a-visit-from-napoleon-D7CCBM-en/
    Harvard
    peronard, melchior (1840) Ecole royale polytechnique : a visit from Napoleon on April 28, 1815. Available at: https://wahooart.com/pt/art/melchior-peronard-ecole-royale-polytechnique-a-visit-from-napoleon-D7CCBM-en/

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    Ecole royale polytechnique : a visit from Napoleon on April 28, 1815 — melchior peronard

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    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. melchior peronard tinha cerca de 35 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

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