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Guia de Obras de Estudantes

Farmer Herne

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Nome Turma Data
marcellus laroon ii, Farmer Herne (1740). Domínio público.

Informações principais

Artista
marcellus laroon ii wahooart.com/pt/artists/marcellus-laroon-ii/
Datas do artista
1653 – 1702
Pintura
1740
Dimensões originais
76 x 62 cm

In context

Farmer Herne — marcellus laroon ii

How big is it?

The original measures 76 × 62 cm (height × width), drawn here beside an adult of average height.

Ano de criação

  1. 1650
  2. 1660
  3. 1670
  4. 1680
  5. 1690
  6. 1700
  7. 1710
  8. 1720
  9. 1730
  10. 1740

Sombreado: a trajetória de marcellus laroon ii (1653–1702) ▲ esta obra, 1740

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #5c381d

    Paleta catalogada

    • #5C381D
    • #29190F
    • #845B30
    • #C99469
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Farmer Herne — marcellus laroon ii

    Artista

    marcellus laroon ii

    Marcellus Laroon II: A London Drapery and Cry of the City

    Marcellus Laroon, a name perhaps less familiar than those of his contemporaries Rembrandt or Van Dyck, nevertheless holds a significant place in 17th-century English art. Born in The Hague around 1653, he arrived in London as a young man, bringing with him the artistic sensibilities of his Dutch heritage and quickly establishing himself as a skilled painter and engraver deeply attuned to the vibrant, often gritty, realities of urban life. His legacy rests primarily on his evocative depictions of drapery – an area where he achieved unparalleled mastery – and his poignant portrayals of “The Cries of London,” a series of prints that captured the voices and scenes of everyday commerce within the city’s bustling streets.

    Laroon's early artistic education was firmly rooted in his father’s workshop. Marcellus Lauron, a painter of French extraction who had settled in the Netherlands, instilled in his son a foundational understanding of technique and composition. It is believed that Laroon received initial instruction from “La Zoon,” an enigmatic figure whose precise identity remains obscure, before studying under one of the Flessiers – a family of Dutch painters and framemakers renowned for their work in London during the mid-17th century.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Farmer Herne

    wahooart.com/pt/art/download/marcellus-laroon-ii-farmer-herne-AS7VG7-en/

    Como citar esta obra

    MLA
    ii, marcellus laroon. Farmer Herne. 1740, https://wahooart.com/pt/art/marcellus-laroon-ii-farmer-herne-AS7VG7-en/
    APA
    ii, marcellus laroon (1740). Farmer Herne [Painting]. https://wahooart.com/pt/art/marcellus-laroon-ii-farmer-herne-AS7VG7-en/
    Chicago
    marcellus laroon ii. Farmer Herne. 1740. https://wahooart.com/pt/art/marcellus-laroon-ii-farmer-herne-AS7VG7-en/
    Harvard
    ii, marcellus laroon (1740) Farmer Herne. Available at: https://wahooart.com/pt/art/marcellus-laroon-ii-farmer-herne-AS7VG7-en/

    Look closely

    Farmer Herne — marcellus laroon ii

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Owen MacSwiney (1676–1754) (1736), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.