Papel

Guia de Obras de Estudantes

Untitled

Nome Turma Data

Louise Nevelson, Untitled (1967). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Louise Nevelson wahooart.com/pt/artists/louise-nevelson/
Datas do artista
1899 – 1988
Pintura
1967
Dimensões originais
93 x 66 cm
Movimento
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

No contexto

Untitled — Louise Nevelson

Qual é o tamanho?

As dimensões originais são 93 × 66 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Sombreado: a trajetória de Louise Nevelson (1899–1988) ▲ esta obra, 1967

Obras comparáveis

  • Paisagem Lunar wahooart.com/pt/art/louise-nevelson-paisagem-lunar-D4D7B3-pt/
  • Lunar Landscape, 1960 wahooart.com/pt/art/louise-nevelson-lunar-landscape-D3YLAK-en/
  • Dawn wahooart.com/pt/art/louise-nevelson-dawn-D42VR9-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/louise-nevelson-untitled-AQQRC6-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Gray #837f74

    Paleta catalogada

    • #837F74
    • #1B1613
    • #322D2A
    • #6F6B61
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Gray
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Louise Nevelson

    Nascido em Pereslav, Russia

    Louise Nevelson: A Pioneer of American Sculpture

    Born: Pereslav, Russia (1899)

    Died: 1988

    Early Life and Influences

    Louise Nevelson, born Leah Berliawsky in the Poltava Governorate of the Russian Empire (present-day Ukraine), emigrated to the United States with her family in 1905. They settled in Rockland, Maine.

    Her father’s lumber business exposed her to wood, a material that would become central to her artistic practice.

    Early exposure to art came through a plaster cast of Joan of Arc at the Rockland Public Library, sparking her ambition to become an artist.

    She attended high school in Rockland and displayed early talent in watercolor painting, foreshadowing her later abstract style.

    Marriage to Charles Nevelson in 1920 allowed her to pursue art studies in New York City.

    Artistic Development and Signature Style

    Nevelson studied at the Art Students League of New York, learning from instructors like Hans Hofmann and Chaim Gross.

    Early experimentation included found objects, painting, and printing before focusing on sculpture.

    Her signature style emerged in the late 1950s: monumental, monochromatic wooden wall pieces and sculptures.

    She assembled discarded wood scraps into intricate puzzle-like structures, often painted black or white.

    This unique approach transformed everyday materials into powerful abstract compositions.

    The all-black environments she created in the late 1950s garnered significant attention and established her reputation.

    Major Achievements and Recognition

    Exhibited at the 31st Venice Biennale, gaining international recognition.

    Her work was featured in major exhibitions, including "Sixteen Americans" at The Museum of Modern Art (1959-1960).

    Received numerous awards and honorary doctorates throughout her career.

    Commissioned for significant public works, including the Louise Nevelson Plaza in Lower Manhattan and the Nevelson Chapel at St. Peter's Church.

    Her sculptures are held in prominent museum collections worldwide.

    Historical Significance

    Louise Nevelson is considered one of the most important figures in 20th-century American sculpture.

    She pioneered a unique approach to assemblage art, transforming found objects into evocative and monumental works.

    Her monochromatic style and abstract forms challenged conventional notions of sculpture and expanded its possibilities.

    Nevelson's work continues to inspire artists and captivate audiences with its power, mystery, and enduring beauty.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Untitled

    wahooart.com/pt/art/download/louise-nevelson-untitled-AQQRC6-en/

    Como citar esta obra

    MLA
    Nevelson, Louise. Untitled. 1967, https://wahooart.com/pt/art/louise-nevelson-untitled-AQQRC6-en/
    APA
    Nevelson, Louise (1967). Untitled [Painting]. https://wahooart.com/pt/art/louise-nevelson-untitled-AQQRC6-en/
    Chicago
    Louise Nevelson. Untitled. 1967. https://wahooart.com/pt/art/louise-nevelson-untitled-AQQRC6-en/
    Harvard
    Nevelson, Louise (1967) Untitled. Available at: https://wahooart.com/pt/art/louise-nevelson-untitled-AQQRC6-en/

    Observe de perto

    Untitled — Louise Nevelson

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: abstract form, geometric shapes, monochromatic palette. Concorda? O que acrescentaria ou removeria?
    4. Relembre Paisagem Lunar, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.