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Guia de Obras de Estudantes

Icicle Flower

Nome Turma Data

lee sanghyeob, Icicle Flower (2012), korea-craft-and-design-foundation. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
lee sanghyeob wahooart.com/pt/artists/lee-sanghyeob/
Datas do artista
1983 – ?
Pintura
2012
Dimensões originais
33 x 29 cm
Realizado em
korea-craft-and-design-foundation wahooart.com/pt/museums/korea-craft-and-design-foundation-seoul/

No contexto

Icicle Flower — lee sanghyeob

Dimensões

As dimensões originais são 33 × 29 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Sombreado: a trajetória de lee sanghyeob (1983–?) ▲ esta obra, 2012

Paleta de cores

Medido a partir da imagem

    Cor principal

    Gray #969794

    Paleta catalogada

    • #969794
    • #1D1E1E
    • #C7C8C5
    • #626363
    Nome da cor principal
    Gray
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Icicle Flower — lee sanghyeob

    Metal artist Lee Sanghyeob creates huge sculptures by beating a silver plate, which is one of the noble metals. He even hammers thousands or tens of thousands of times to make a moon jar with a maximum diameter of 63 centimeters. In order to make a work of this size, he needs to hammer for five to six hours a day over three to four months. This work is his first large-scale piece with a large opening, and he used silver alloy instead of pure silver to get enough thickness for the curved lines.

    Artista e museu

    Artista

    lee sanghyeob

    Nascido em South Korea

    The Ethereal Resonance of Lee Sang-hyeob

    In the vibrant and ever-evolving tapestry of contemporary Korean art, few voices capture the delicate tension between strength and fragility quite like Lee Sang-hyeob. Born on May 8, 1983, in the culturally rich landscape of Daegu, South Korea, Lee has cultivated a practice that transcends simple medium, moving fluidly between the tactile world of metal sculpture and the emotive depths of abstract expressionism. His artistic journey is not merely a progression of skill, but a profound exploration of the human condition, where every hammer strike on silver and every brushstroke on canvas serves as a meditation on memory, identity, and the ephemeral nature of existence.

    The foundations of Lee’s creative spirit were deeply influenced by the legacy of the Korean master Lee Ungno. From this lineage, Sang-hyeob inherited a fascination with capturing the very essence of life through dynamic movement and a vivid, emotive palette. This early exposure to masters who prioritized the soul of the subject over mere representation allowed him to develop a style that is both grounded in tradition and fiercely modern. His work often seeks to bridge the gap between Eastern philosophical depth and Western abstract techniques, creating a dialogue that feels both ancient and urgently contemporary.

    The Alchemy of Metal and Emotion

    One of the most breathtaking dimensions of Lee’s artistry lies in his mastery of metalwork, specifically his ability to transform cold, noble metals into organic, breathing forms. As a metal artist, he engages in an almost ritualistic process of creation. He is known for his monumental sculptures, such as his celebrated moon jars, which are achieved through the grueling and meditative process of beating silver plates. To create a single large-scale piece, Lee may hammer a silver alloy thousands or even tens of thousands of times, dedicating five to six hours a day over several months to achieve the perfect curvature.

    This physical endurance is inseparable from the meaning of his work. The repetitive, rhythmic percussion of the hammer against metal mirrors the persistence required for resilience in life. In these sculptures, the silver does not merely sit as an object; it carries the history of its own making. This same dedication to texture and surface is mirrored in his "Icicle Flower" series. In this collection of canvases, Lee utilizes bold hues and heavily textured surfaces to evoke a sense of vulnerability. Much like an icicle flower that exists precariously between freezing and melting, his paintings capture moments of transition, where beauty is found in the very state of being susceptible to change.

    A Legacy of Contemplation and Connection

    Throughout his career, Lee Sang-hyeob has moved beyond the confines of a single medium to become a symbol of Korean contemporary innovation. His exhibitions have graced prestigious stages, including collaborations with institutions such as the U.S. Department of the Interior Museum, bringing his uniquely Korean perspective to a global audience. His work invites viewers into a space of deep contemplation, using symbolic imagery to navigate the complexities of human experience and societal concerns.

    The significance of Lee’s contribution to the art world lies in his ability to foster a cross-cultural dialogue. By blending the meticulous craftsmanship of traditional Korean metalwork with the gestural freedom of modern abstraction, he creates an aesthetic language that is universally understood. His achievements serve as a testament to the power of art to act as a bridge—between the past and the present, between the physical object and the spiritual emotion, and between the individual artist and the collective human experience.

    Museu

    korea-craft-and-design-foundation

    Em exibição em Seoul, South Korea

    A Living Dialogue Between Heritage and Modernity

    In the heart of Seoul, where the pulse of a hyper-modern metropolis meets the quiet echoes of antiquity, lies the Korea Craft & Design Foundation (KCDF). It is far more than a mere repository for artifacts; it is a vibrant, breathing sanctuary where the ancestral soul of Korea finds expression in the contemporary moment. To enter KCDF is to embark on a sensory pilgrimage, stepping into a space where the boundaries between historical preservation and avant-garde innovation dissolve. The foundation serves as a vital bridge, ensuring that the meticulous skills of master artisans are not lost to the passage of time but are instead reimagined for the modern lifestyle, making it an essential destination for those who seek beauty that is both deeply rooted and strikingly current.

    The collection itself unfolds like a beautifully woven tapestry, offering a chronological journey through the very essence of Korean identity. One cannot help but be captivated by the ethereal grace of Goryeo celadon, whose jade-like glazes possess a translucent, otherworldly quality that seems to capture the very mist of a mountain morning. These ceramics stand in poetic contrast to the robust, earthy stoneware of earlier dynasties, which embody a sense of resilience and grounded strength. As one moves through the galleries, the tactile richness of Korean textiles takes center stage. The Hanbok fabrics, with their luminous hues and intricate patterns, do more than decorate; they communicate social hierarchies, Confucian values, and the rhythmic shifts of the seasons. Each embroidered screen and silken thread tells a story of devotion, where painstaking technique meets profound symbolic meaning.

    The Art of Material and Form

    Beyond the delicate allure of silk and porcelain, KCDF celebrates the structural mastery of woodcraft and metalwork. The museum showcases furniture that is a masterclass in functional artistry, where the natural grain of precious woods is honored through sophisticated carving and joinery. This architectural approach to object-making reflects a uniquely Korean aesthetic—one that finds harmony in the balance between utility and elegance. Similarly, the metalwork collection reveals how precious metals can be transformed into wearable art, blending ornamental splendor with cultural narratives. For the interior designer or collector, these pieces represent more than decoration; they are sculptural elements that bring a sense of historical depth and artisanal integrity to any contemporary space.

    The architecture of the foundation itself mirrors this philosophy of harmonious fusion. The building’s sleek, minimalist design acts as a quiet, sophisticated canvas, allowing the intricate details of the crafts to command the viewer's full attention. Large, intentional windows invite natural light to flood the interiors, creating a seamless connection between the curated treasures within and the shifting landscape of Seoul outside. This transparency fosters an atmosphere of contemplation, inviting visitors to lose themselves in the subtle textures of clay, fiber, and metal.

    A Vision for the Future of Craft

    What truly distinguishes KCDF is its proactive role as a cultural incubator. While much of the foundation's mission is dedicated to the preservation of fading traditions, there is an unmistakable energy directed toward the future. The institution does not merely look backward with nostalgia; it actively nurtures a thriving ecosystem for young makers and contemporary designers. Through groundbreaking exhibitions and collaborative projects, KCDF explores how traditional techniques can be reinterpreted through modern materials and digital sensibilities. This commitment to innovation ensures that Korean craft remains a living, evolving language rather than a static relic of the past.

    Whether through workshops that revive forgotten skills or international showcases that bring Korean design to the global stage, the foundation continues to expand its influence. It is this unique ability to marry the ancient with the experimental that makes KCDF a singular cultural landmark. For the art lover, it offers a profound connection to Korea's cultural soul; for the designer, it provides an inexhaustible well of inspiration; and for the world, it presents a compelling vision of how heritage can drive the creative spirit of tomorrow.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Icicle Flower

    wahooart.com/pt/art/download/lee-sanghyeob-icicle-flower-DD28C4-en/

    Como citar esta obra

    MLA
    sanghyeob, lee. Icicle Flower. 2012, korea-craft-and-design-foundation. https://wahooart.com/pt/art/lee-sanghyeob-icicle-flower-DD28C4-en/
    APA
    sanghyeob, lee (2012). Icicle Flower [Painting]. korea-craft-and-design-foundation. https://wahooart.com/pt/art/lee-sanghyeob-icicle-flower-DD28C4-en/
    Chicago
    lee sanghyeob. Icicle Flower. 2012. korea-craft-and-design-foundation. https://wahooart.com/pt/art/lee-sanghyeob-icicle-flower-DD28C4-en/
    Harvard
    sanghyeob, lee (2012) Icicle Flower. korea-craft-and-design-foundation. Available at: https://wahooart.com/pt/art/lee-sanghyeob-icicle-flower-DD28C4-en/

    Observe de perto

    Icicle Flower — lee sanghyeob

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. lee sanghyeob tinha cerca de 29 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

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