Papel

Guia de Obras de Estudantes

Calla

Nome Turma Data

lee in-sung, Calla (1932). Domínio público.

Informações principais

Artista
lee in-sung wahooart.com/pt/artists/lee-in-sung/
Datas do artista
1912 – 1950
Pintura
1932
Dimensões originais
38 x 29 cm

No contexto

Calla — lee in-sung

Dimensões

As dimensões originais são 38 × 29 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Sombreado: a trajetória de lee in-sung (1912–1950) ▲ esta obra, 1932

Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #3e3b31

    Paleta catalogada

    • #3E3B31
    • #C5C1A8
    • #948266
    • #6A5C4A
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Calla — lee in-sung

    This work has winned the prize in the 11th Chosun Art Exhibition. In-Sung Lee has displayed this painting while he was learning art in Japan. He has made a conspicuous figure in the art world when Korea was under the reign of Japan. From 1932, he has winned 6 continuous special prizes in the Chosun Art Exhibition. He became an invited artist of the Chosun Art Exhibition in 1937 but passed away during Korean war in 1950. This early period work was painted while his peculiar expressive style was forming. It is a work of watercolors but it has the opaque and turbid aspects of oil painting. It belonged to the Korean royal family but it was given to a minister and one of his descendants had kept it until recently. The national museum of contemporary art in Korea found this painting in 1988. The title is a Japanese name for calla lily. The white calla lily is flower that has the meaning of restoration so this painting can be interpreted as a desire for the liberation of his country. The vertical setting of the flower and vase and the horizontal short brush strokes are very harmonic and create a stable composition.

    Artista e museu

    Artista

    lee in-sung

    Nascido em Daegu, South Korea

    The Dawn of a Korean Visionary

    Born in the heart of Daegu in 1912, Lee In-sung emerged as a singular force in the evolution of Korean modern art, an artist whose brush captured the very soul of a changing nation. Raised within an artistic lineage, his early years were steeped in a profound appreciation for visual expression, nurtured by parents who were artists themselves. As Korea navigated the turbulent waters of rapid modernization and Japanese colonial rule, Lee sought to forge a path that was both contemporary and deeply rooted in his heritage. His journey through the Seoul Art School allowed him to absorb the whispers of the European avant-garde, yet his heart remained tethered to the soil of his homeland, setting the stage for an artistic career that would eventually earn him the evocative title of Korea’s Gauguin.

    A Symphony of Saturated Hues and Local Color

    Lee In-sung’s brushwork was a bold rebellion against academic rigidity, favoring instead an immersive experience of color and form. Heavily influenced by the expressive palettes of Paul Gauguin, Lee translated these Western stylistic principles into a uniquely Korean idiom, seeking to capture the essence of his country's natural beauty through unparalleled vibrancy. He possessed an uncanny ability to translate atmospheric qualities into pigment, particularly through his mastery of light and seasonal shifts. His technique was characterized by:

    Layered Luminosity: A method of building color to create a sense of depth that mirrored the hazy, golden light of Korean autumn days.

    Bold Brushstrokes: Using saturated, opaque strokes that gave even his watercolors an almost oil-like, tactile presence.

    Symbolic Landscapes: Depicting nature not just as scenery, but as a vessel for emotion and national identity.

    In masterpieces such as On an Autumn Day, one finds a striking fusion of the exotic and the indigenous, where vibrant sunflowers and lush greenery evoke a sense of pristine, untouched beauty. Even in his still lifes, such as the celebrated Calla, Lee utilized the symbolic weight of flowers to reflect deeper desires for restoration and liberation, creating compositions that were both stable and harmonically profound.

    Legacy Forged in the Crucible of History

    The trajectory of Lee’s career was marked by both meteoric success and profound tragedy. From 1932, he achieved an unprecedented feat, winning six consecutive special prizes at the Chosun Art Exhibition, a testament to his growing influence and technical mastery. However, his life and work were inextricably linked to the political upheavals of his era. While his participation in exhibitions during the Japanese occupation remains a subject of historical nuance, his relentless pursuit of local color served as a vital preservation of Korean aesthetic identity amidst external pressures. His life was tragically cut short during the Korean War in 1950, yet his artistic spirit endured. Today, Lee In-sung is remembered not merely as a painter of landscapes, but as a pioneer who dared to paint the heart of a nation through a kaleidoscope of brilliant, enduring color.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Calla

    wahooart.com/pt/art/download/lee-in-sung-calla-D49QLA-en/

    Como citar esta obra

    MLA
    in-sung, lee. Calla. 1932, https://wahooart.com/pt/art/lee-in-sung-calla-D49QLA-en/
    APA
    in-sung, lee (1932). Calla [Painting]. https://wahooart.com/pt/art/lee-in-sung-calla-D49QLA-en/
    Chicago
    lee in-sung. Calla. 1932. https://wahooart.com/pt/art/lee-in-sung-calla-D49QLA-en/
    Harvard
    in-sung, lee (1932) Calla. Available at: https://wahooart.com/pt/art/lee-in-sung-calla-D49QLA-en/

    Observe de perto

    Calla — lee in-sung

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. lee in-sung tinha cerca de 20 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

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