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Black Light

Nome Turma Data

Lawrence Calcagno, Black Light (1969). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Lawrence Calcagno wahooart.com/pt/artists/lawrence-calcagno/
Datas do artista
1913 – 1993
Pintura
1969
Dimensões originais
81 x 274 cm

No contexto

Black Light — Lawrence Calcagno

Dimensões

As dimensões originais são 81 × 274 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Sombreado: a trajetória de Lawrence Calcagno (1913–1993) ▲ esta obra, 1969

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #1b1317

    Paleta catalogada

    • #1B1317
    • #8A6B72
    • #F5EBDB
    • #4B2A38
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Lawrence Calcagno

    Nascido em San Francisco, United States of America

    Lawrence Calcagno: A Landscape of the Mind

    Born in San Francisco’s Potrero Hill district in 1913, Lawrence Calcagno’s artistic journey was one shaped by a unique confluence of experiences – from the rugged beauty of his childhood ranch in the Santa Lucia Mountains to the vibrant cultural currents of Europe and the burgeoning Abstract Expressionist movement. His life, marked by travel and a deep connection with nature, profoundly influenced his distinctive style: a luminous, emotionally resonant abstraction that sought to capture not just visual forms but also the intangible essence of the landscape and the human psyche. Calcagno’s work stands as a testament to the power of observation, introspection, and a lifelong pursuit of artistic truth.

    Early Years and Influences

    Calcagno's early years were spent immersed in the natural world. Growing up on his family’s ranch provided him with an intimate understanding of California’s diverse landscapes – from the rolling hills to the dramatic coastline. This formative experience instilled a deep appreciation for light, color, and form, which would later become central themes in his art. Following this rural upbringing, he enlisted in the United States Army Air Corps during World War II, where his artistic talent was recognized with first prize in the national Army art contest. This early recognition ignited a passion for painting that would guide him through his subsequent studies and career.

    His formal training began at the California School of Fine Arts in San Francisco under the tutelage of influential figures like Mark Rothko, Clyfford Still, Edward Corbett, and Richard Diebenkorn. These teachers exposed him to a range of approaches – Rothko’s exploration of color fields, Still’s monumental forms, and Diebenkorn's Bay Area landscapes – all of which contributed to the development of Calcagno’s unique visual language. A pivotal moment came with his relocation to Europe in 1950, where he studied at L’Academie de la Grande Chaumiere in Paris and the Instituto d’Arte Statale in Florence, immersing himself in the artistic traditions of the Old World.

    The Development of a Distinct Style

    Calcagno's style evolved over time, reflecting his diverse experiences and influences. Initially influenced by Still’s use of large fields of color and monumental forms, he gradually developed a more lyrical and atmospheric approach. His paintings are characterized by their luminous quality, achieved through the layering of thin washes of paint that create a sense of depth and atmosphere. He often employed a limited palette of warm earth tones – ochres, siennas, and umbers – to evoke the feeling of sunlight filtering through the landscape. His compositions typically feature horizontal bands or hazy horizons, creating a sense of spaciousness and suggesting an infinite expanse.

    A key element of Calcagno’s work is his exploration of psychological themes. As he himself described, “Painting was the one avenue through which I could find psychical tolerance and be released.” His paintings are not merely representations of landscapes; they are expressions of inner states – a meditation on solitude, mystery, and the relationship between humanity and nature. The recurring motifs of horizon lines, light, and shadow suggest a search for meaning in the face of existential questions.

    Later Years and Legacy

    Calcagno’s career spanned several decades, during which he taught at various universities – including Albright-Knox Art School, University of Buffalo, University of Illinois Urbana-Champaign, and Carnegie Mellon University. He also served as an artist-in-residence at institutions such as the McDowell Colony and Yaddo, providing him with opportunities for reflection and creative exploration. His work gained recognition through solo exhibitions in New York, Paris, Mexico City, London, and Copenhagen, and was included in major group shows like the Whitney Museum Annuals and Biennials.

    Lawrence Calcagno died in 1993 in State College, Pennsylvania. His paintings are now held in prominent museum collections across the United States, including the Museum of Fine Arts, Boston; the National Gallery of Art, Washington, D.C.; and the Smithsonian American Art Museum. Calcagno’s legacy as a significant figure in the Abstract Expressionist movement is secured by his distinctive style, his profound engagement with psychological themes, and his unwavering commitment to capturing the beauty and mystery of the natural world.

    Key Works

    “Watch in the Night” (1945) – Award-winning drawing from the Army Art Contest

    Various landscapes exploring California horizons

    Abstract compositions reflecting inner states and emotional resonance

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Black Light

    wahooart.com/pt/art/download/lawrence-calcagno-black-light-D39PBK-en/

    Como citar esta obra

    MLA
    Calcagno, Lawrence. Black Light. 1969, https://wahooart.com/pt/art/lawrence-calcagno-black-light-D39PBK-en/
    APA
    Calcagno, Lawrence (1969). Black Light [Painting]. https://wahooart.com/pt/art/lawrence-calcagno-black-light-D39PBK-en/
    Chicago
    Lawrence Calcagno. Black Light. 1969. https://wahooart.com/pt/art/lawrence-calcagno-black-light-D39PBK-en/
    Harvard
    Calcagno, Lawrence (1969) Black Light. Available at: https://wahooart.com/pt/art/lawrence-calcagno-black-light-D39PBK-en/

    Observe de perto

    Black Light — Lawrence Calcagno

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre San Andreas III (1963), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Lawrence Calcagno tinha cerca de 56 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

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