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Guia de Obras de Estudantes

Rubber man

Nome Turma Data

Khvay Samnang, Rubber man (2014), Queensland Art Gallery | Gallery of Modern Art. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Khvay Samnang wahooart.com/pt/artists/khvay-samnang/
Datas do artista
1982 –
Pintura a óleo
2014
Técnica
Painting
Dimensões originais
80 x 120 cm
Movimento
Contemporary Art
Período
Contemporary
Realizado em
Queensland Art Gallery | Gallery of Modern Art wahooart.com/pt/museums/queensland-art-gallery-gallery-of-modern-art-brisbane_pt/

No contexto

Rubber man — Khvay Samnang

Qual é o tamanho?

As dimensões originais são 80 × 120 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Linha superior: os anos. Linha inferior: a idade do artista no início e no fim de cada período, contando 0 a partir do nascimento.

Pintado quando o artista tinha 32. 0 das 2 obras datadas deste artista em nosso catálogo são anteriores.

▲ esta obra, 2014 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/khvay-samnang-rubber-man-D6G54B-en/

Cores

Medido a partir da imagem

    Cor principal

    Putty #cdc2ad

    Paleta catalogada

    • #CDC2AD
    • #96674A
    • #343328
    • #85BEDD

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Rubber man — Khvay Samnang

    Rubber man alludes to the ongoing establishment of vast, foreign-owned rubber plantations, displacing villagers and destroying communities and places of spiritual significance in Ratanakiri Province. Khvay Samnang (Cambodia b.1982) is shown pouring a bucket of white rubber sap over his face and naked body, obscuring his features and masking his identity. Samnang is a founding member of the first Cambodian contemporary artist collective, Stiev Selapak / Art Rebels, who established the first dedicated exhibition spaces for contemporary art in Cambodia. His works carry strong social and political messages which he acts out. Using his own body to interact with his surroundings and connect with places and communities, he exposes social issues that have emerged in Cambodia from practices such as land acquisition and private development.Exhibited in

    Artista e museu

    Artista

    Khvay Samnang

    Nascido em Svay Rieng, Cambodia

    A Voice from the Cambodian Landscape

    Born in Svay Rieng, Cambodia, Khvay Samnang has emerged as one of the most profound voices in the contemporary Cambodian art scene. His multidisciplinary practice—spanning photography, video, performance, and installation—serves as a visceral medium through which he explores the complex intersections of human identity, environmental degradation, and the encroaching forces of globalization. Educated at the Royal University of Fine Arts in Phnom Penh, where he graduated from the Painting Department, Samnang has developed a method of artistic inquiry that is deeply rooted in meticulous research and a physical connection to the lands and communities he documents.

    His work often functions as a form of counter-mapping, challenging the official narratives of development and land acquisition. By embedding himself within local communities, such as the Indigenous Chong people in the Areng Valley, Samnang moves beyond mere observation to participate in the lived realities of those facing displacement. His practice is not merely about documenting loss but about creating poignant gestures that act as offerings for new interpretations of history and cultural continuity.

    Symbolism and the Body as Canvas

    In the works of Khvay Samnang, the human body becomes a site of political and social struggle. He frequently utilizes his own form to enact rituals that mirror the ecological and humanitarian crises facing Cambodia. One of his most hauntingly evocative series, Rubber Man, captures the artist pouring thick, white rubber sap over his naked body. This act serves as a powerful metaphor for how industrial interests can coat, smother, and ultimately overwrite local cultures and traditions. The liquid latex creates a mask that obscures his features, symbolizing the erasure of individual and collective identity in the face of vast, foreign-owned plantations in provinces like Ratanakiri.

    Through these performances, Samnang explores several recurring themes:

    Environmental Transformation: The way industrial expansion alters the physical and spiritual landscape.

    Identity and Erasure: The use of masking and obscuration to represent the loss of indigenous ways of life.

    The Politics of Land: Investigating how land acquisition and private development impact low socio-economic areas and ancestral territories.

    Legacy and Artistic Contribution

    Beyond his individual practice, Samnang has been a pivotal figure in establishing the infrastructure for contemporary art in Cambodia. As a founding member of the Stiev Selapak / Art Rebels collective, he played a crucial role in creating dedicated exhibition spaces such as Sa Sa Art Projects and SA SA BASSAC. These platforms provided essential resources for experimental residencies and creative education, fostering a new generation of artists capable of exploring the continuities and disruptions caused by Cambodia's turbulent history.

    His international recognition has brought global attention to the socio-political nuances of Southeast Asian ecology and human rights. Having participated in prestigious platforms such as documenta 14 and various international biennales, Samnang continues to use his art to expose the tensions between natural beauty and extractive reality, ensuring that the voices of the displaced and the stories of the land are heard on a global stage.

    Museu

    Queensland Art Gallery | Gallery of Modern Art

    Em exibição em Brisbane, Austrália

    A Jewel of Brisbane: Unveiling the Queensland Art Gallery & Gallery of Modern Art

    Nestled within the vibrant heart of South Bank, Brisbane’s Queensland Art Gallery and Gallery of Modern Art (QAGOMA) stands as a testament to the city's burgeoning cultural landscape. More than simply a repository of artworks, it’s an immersive experience—a dynamic dialogue between past and present, local and international, traditional and contemporary. Established in 1895 as the Queensland National Art Gallery, QAGOMA has evolved into a dual institution, each reflecting distinct artistic visions while united by a shared commitment to fostering creativity and enriching lives. The gallery’s architecture itself is a captivating element, seamlessly blending with its surroundings and offering visitors breathtaking views of the Brisbane River.

    The core collection within the Queensland Art Gallery is remarkably diverse, spanning centuries and continents. Early holdings showcase colonial Australian art, including significant works by artists like John Lavery, whose evocative depictions of Brisbane’s social life offer a poignant glimpse into the city's formative years. These paintings capture the bustling markets, elegant balls, and everyday scenes of a rapidly growing metropolis – providing invaluable historical context alongside their artistic merit. However, it’s the gallery’s expansion into international art that truly captivates. You’ll discover masterpieces from European masters – Picasso’s “La Belle Hollandaise,” a vibrant exploration of light and color, where the interplay of shadows and reflections creates an almost palpable sense of movement; Matisse’s “La Palme,” a bold celebration of nature’s beauty, brimming with joyous hues and simplified forms that evoke a feeling of idyllic serenity; and works by Monet, Renoir, and Van Gogh, each offering a unique perspective on the world. Beyond these iconic pieces, QAGOMA boasts an impressive collection of Indigenous Australian art, reflecting the rich cultural heritage and storytelling traditions of Australia's First Peoples – intricate carvings depicting ancestral beings, vibrant paintings that narrate creation stories, and ceremonial objects imbued with spiritual significance. The gallery’s commitment to showcasing this vital artistic voice is a cornerstone of its mission, ensuring these profound narratives are accessible and celebrated.

    A Dual Vision: Gallery of Modern Art & QAGOMA

    The creation of the Gallery of Modern Art (GOMA) in 2006 marked a pivotal moment in QAGOMA’s evolution. Designed by the renowned architect Robin Gibson, GOMA is an architectural marvel—a striking pavilion that dramatically contrasts with the more traditional style of the Queensland Art Gallery. Its undulating roofline and expansive glass façade create a sense of openness and invite visitors to explore its diverse collection of contemporary art. GOMA’s focus lies in showcasing cutting-edge works from both Australian and international artists, pushing boundaries and challenging conventional notions of artistic expression. From immersive installations that demand active engagement to thought-provoking sculptures that provoke contemplation, GOMA offers a dynamic and engaging experience for audiences seeking to engage with the most innovative voices in the art world. The space itself is designed to foster dialogue and interaction, encouraging visitors to question, interpret, and connect with the artwork on a deeply personal level.

    Exhibitions That Spark Dialogue

    QAGOMA’s exhibition program is consistently lauded for its intellectual rigor and artistic ambition. Past highlights include “Surrealism: The Poetry of Dreams,” a captivating exploration of the movement's influence on artists like Dalí, Magritte, and Ernst; “Matisse: Drawing Life,” which showcased the artist’s masterful use of line and form to capture the essence of everyday objects and figures; and “Andy Warhol: Revisited,” offering a profound insight into the pop art icon’s creative process through his silkscreen prints and studio ephemera. More recently, exhibitions such as "Archie Moore: kith and kin" have captivated audiences with their unique perspectives on identity and belonging, exploring themes of family, community, and cultural heritage. The gallery regularly hosts large-scale international touring exhibitions, bringing world-renowned artists and artworks to Brisbane, further solidifying its position as a leading cultural destination. These curated events are not merely displays; they’re carefully constructed narratives designed to stimulate critical thinking and broaden our understanding of the art world.

    Beyond the Art: Architecture & Community Engagement

    QAGOMA’s significance extends beyond its impressive collection and dynamic exhibition program. The gallery's architectural design—a harmonious blend of functionality and aesthetics—contributes significantly to the overall experience. The integration of the Queensland Cultural Centre, including the State Library of Queensland, creates a vibrant cultural hub that attracts visitors from across Australia and around the world. Furthermore, QAGOMA is deeply committed to community engagement, offering a wide range of educational programs for children and adults, fostering creativity and appreciation for the arts among all demographics. The gallery’s dedication to accessibility ensures that art remains inclusive and engaging for everyone, with dedicated tours, workshops, and resources catering to diverse needs and interests. It's more than just a museum; it’s a vital part of Brisbane’s social fabric, a place where people from all walks of life can connect with art and each other.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Rubber man

    wahooart.com/pt/art/download/khvay-samnang-rubber-man-D6G54B-en/

    Como citar esta obra

    MLA
    Samnang, Khvay. Rubber man. 2014, Queensland Art Gallery | Gallery of Modern Art. https://wahooart.com/pt/art/khvay-samnang-rubber-man-D6G54B-en/
    APA
    Samnang, Khvay (2014). Rubber man [Painting]. Queensland Art Gallery | Gallery of Modern Art. https://wahooart.com/pt/art/khvay-samnang-rubber-man-D6G54B-en/
    Chicago
    Khvay Samnang. Rubber man. 2014. Queensland Art Gallery | Gallery of Modern Art. https://wahooart.com/pt/art/khvay-samnang-rubber-man-D6G54B-en/
    Harvard
    Samnang, Khvay (2014) Rubber man. Queensland Art Gallery | Gallery of Modern Art. Available at: https://wahooart.com/pt/art/khvay-samnang-rubber-man-D6G54B-en/

    Observe de perto

    Rubber man — Khvay Samnang

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: performance art, land displacement, social protest. Concorda? O que acrescentaria ou removeria?
    4. Relembre Rubber man (2014), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Khvay Samnang tinha cerca de 32 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Onde posso encontrar estatísticas sobre "Rubber man", de Khvay Samnang?

    A página Estatísticas de "Rubber man", de Khvay Samnang apresenta estatísticas de visitas públicas: o número de visitas mensais desta obra, uma comparação com as obras mais visualizadas do artista e a origem dos seus visitantes.

    Para que uso é sugerida a reprodução de "Rubber man", de Khvay Samnang?

    A recomendação de uso para uma impressão de "Rubber man" é Conversation.

    "Rubber man" está em domínio público?

    "Rubber man", de Khvay Samnang está em ainda protegido por direitos autorais. Este status determina como a imagem da obra pode ser reproduzida.