Papel

Guia de Obras de Estudantes

Green Vase

Nome Turma Data

kerry harker, Green Vase (2004). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
kerry harker wahooart.com/pt/artists/kerry-harker/
Datas do artista
1971 – ?
Pintura
2004
Dimensões originais
30 x 24 cm

No contexto

Green Vase — kerry harker

Qual é o tamanho?

As dimensões originais são 30 × 24 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1970
  2. 1980
  3. 1990
  4. 2000

Sombreado: a trajetória de kerry harker (1971–?) ▲ esta obra, 2004

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/kerry-harker-green-vase-ARANL8-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Yellow Green #b6e744

    Paleta catalogada

    • #B6E744
    • #A3D32E
    • #3D5315
    • #AFE036
    Paleta
    Vivid A família de cores predominante na imagem.
    Nome da cor principal
    Yellow Green
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Vivid Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    kerry harker

    Kerry Harker: A Symphony of Color and Vintage Echoes

    Kerry Harker’s work is immediately arresting – a vibrant collision of saturated hues, reminiscent of mid-century American advertising posters and vintage ceramics. Yet, beneath the surface exuberance lies a considered exploration of form, color theory, and the enduring power of historical imagery. Born in 1971, Harker has steadily cultivated a distinctive artistic voice rooted in both meticulous craft and a deep appreciation for the aesthetic traditions of the past.

    Harker’s journey began with formal training at Cleveland College of Art & Design and continued at The University of Leeds, culminating in a BA (Hons) in Fine Art and an MA in Feminist History. This dual grounding – artistic practice alongside critical inquiry into gender and visual culture – profoundly shaped her approach to ceramics. Her early experiences at institutions like the Bridget Riley Art Foundation further solidified her understanding of color theory and its potential for expressive communication. Crucially, Harker’s work isn't simply a nostalgic homage; it’s an active engagement with history, reinterpreting familiar motifs through a contemporary lens.

    The Language of Form and Color

    At the heart of Harker’s practice lies a masterful manipulation of form and color. She primarily works with porcelain, meticulously hand-building teacups, jugs, tureens, and other tableware pieces – objects imbued with both functional utility and decorative significance. Her palette is boldly chromatic, drawing heavily from the saturated hues prevalent in vintage advertising campaigns of the 1950s and 60s. These bold, unapologetic colors—think vibrant oranges, yellows, pinks, and blues—evoke a sense of nostalgia while simultaneously possessing a strikingly modern energy.

    Harker’s process is intensely detailed. She begins with hand-thrown forms, often incorporating elements of asymmetry and irregular shaping to subtly disrupt the formality of traditional ceramics. The surfaces are then glazed using multiple layers, building up complex textures and shimmering effects that amplify the intensity of the colors. This layering technique isn't merely decorative; it’s a deliberate exploration of transparency and depth, creating an illusionistic quality reminiscent of vintage posters and illustrations.

    Influences and Historical Context

    Harker’s work is deeply informed by several key influences. The visual language of American advertising—particularly the bold typography, graphic patterns, and vibrant color schemes—serves as a primary source of inspiration. She also draws heavily from the history of ceramics, referencing both traditional English porcelain production and the rise of mass-produced tableware in the 20th century. Her participation in the Jonathan Vickers Fine Art Award residency provided an opportunity to explore the rich heritage of Derbyshire pottery, culminating in pieces like “Orange Sauce Tureen,” which directly referenced the region’s industrial past.

    Furthermore, Harker's academic background in feminist history informs her engagement with historical imagery. She often uses these motifs—floral patterns, geometric shapes, and stylized figures—to explore themes of gender, identity, and cultural representation. Her work subtly challenges conventional notions of beauty and femininity, offering a fresh perspective on familiar symbols.

    Recognition and Legacy

    Kerry Harker’s distinctive style has garnered significant recognition within the contemporary ceramics world. She has exhibited extensively in galleries across the UK, including London, Leeds, and Manchester, and her work is featured in prestigious collections such as The Kerry Stokes Collection in Perth, Australia. Her residency at the Jonathan Vickers Fine Art Award further cemented her position as a leading figure in British ceramic art.

    More recently, Harker has been involved in curatorial projects, including a community-based initiative exploring the politics of contemporary art and urban green space in east Leeds. This demonstrates a commitment to engaging with broader social issues through her artistic practice. Kerry Harker’s work is not simply beautiful; it's thoughtful, evocative, and deeply rooted in both historical context and contemporary concerns – a testament to her skill as an artist and her unique vision.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Green Vase

    wahooart.com/pt/art/download/kerry-harker-green-vase-ARANL8-en/

    Como citar esta obra

    MLA
    harker, kerry. Green Vase. 2004, https://wahooart.com/pt/art/kerry-harker-green-vase-ARANL8-en/
    APA
    harker, kerry (2004). Green Vase [Painting]. https://wahooart.com/pt/art/kerry-harker-green-vase-ARANL8-en/
    Chicago
    kerry harker. Green Vase. 2004. https://wahooart.com/pt/art/kerry-harker-green-vase-ARANL8-en/
    Harvard
    harker, kerry (2004) Green Vase. Available at: https://wahooart.com/pt/art/kerry-harker-green-vase-ARANL8-en/

    Observe de perto

    Green Vase — kerry harker

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Cobalt Blue Teacup and Saucer (2004), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. kerry harker tinha cerca de 33 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.