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Guia de Obras de Estudantes

The Refugees

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Nome Turma Data
kerr eby, The Refugees (1935). Domínio público.

Informações principais

Artista
kerr eby wahooart.com/pt/artists/kerr-eby/
Datas do artista
1889 – 1946
Pintura
1935
Dimensões originais
82 x 122 cm

In context

The Refugees — kerr eby

How big is it?

The original measures 82 × 122 cm (height × width), drawn here beside an adult of average height.

Ano de criação

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Sombreado: a trajetória de kerr eby (1889–1946) ▲ esta obra, 1935

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/kerr-eby-the-refugees-AQTFZV-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Driftwood #c69248

    Paleta catalogada

    • #C69248
    • #151110
    • #432D1A
    • #845A2D
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Driftwood
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    The Refugees — kerr eby

    Artista

    kerr eby

    Kerr Eby: A Chronicle of War and Witness

    Born in the bustling metropolis of Tokyo in 1889, Kerr Eby’s artistic journey began far from the familiar landscapes of his Canadian heritage. His parents, devout Methodist missionaries, instilled within him a deep appreciation for observation and a keen eye for detail – qualities that would prove instrumental in shaping his distinctive style. Early life in Canada provided a grounding in traditional art training, but it was his relocation to New York City in 1907 that truly ignited his artistic ambitions. He enrolled at Pratt Institute and later honed his skills at the prestigious Art Students League, immersing himself in the vibrant artistic community of the city.

    Eby’s formative years were marked by a fascination with printmaking, an art form he mastered through apprenticeships and hands-on experience. He secured a position at the American Lithographic Company, gaining invaluable insight into the technical intricacies of etching and lithography – skills that would later become central to his artistic practice. Crucially, he benefited from the influence of his uncle, Frederick Keppel Sr., a prominent art dealer who championed the recognition of prints as a legitimate form of fine art within America. This support, combined with his own dedication, allowed Eby to develop a remarkable technical proficiency and a unique visual language.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de The Refugees

    wahooart.com/pt/art/download/kerr-eby-the-refugees-AQTFZV-en/

    Como citar esta obra

    MLA
    eby, kerr. The Refugees. 1935, https://wahooart.com/pt/art/kerr-eby-the-refugees-AQTFZV-en/
    APA
    eby, kerr (1935). The Refugees [Painting]. https://wahooart.com/pt/art/kerr-eby-the-refugees-AQTFZV-en/
    Chicago
    kerr eby. The Refugees. 1935. https://wahooart.com/pt/art/kerr-eby-the-refugees-AQTFZV-en/
    Harvard
    eby, kerr (1935) The Refugees. Available at: https://wahooart.com/pt/art/kerr-eby-the-refugees-AQTFZV-en/

    Look closely

    The Refugees — kerr eby

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Shadows (1936), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. kerr eby was about 46 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.