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Guia de Obras de Estudantes

Axial Figure 68

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Nome Turma Data
jan lebenstein, Axial Figure 68 (1960). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
jan lebenstein wahooart.com/pt/artists/jan-lebenstein/
Datas do artista
1930 – 1999
Pintura
1960
Dimensões originais
200 x 70 cm

In context

Axial Figure 68 — jan lebenstein

How big is it?

The original measures 200 × 70 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

Ano de criação

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Sombreado: a trajetória de jan lebenstein (1930–1999) ▲ esta obra, 1960

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #3a3322

    Paleta catalogada

    • #3A3322
    • #564A2B
    • #695B38
    • #483F27
    Paleta
    Monochrome A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Axial Figure 68 — jan lebenstein

    Artista

    jan lebenstein

    Jan Lebenstein: A Visionary of Axial Forms

    Born in Brest Litovsk, Poland, in 1930 and tragically passing away in Krakow in 1999, Jan Lebenstein remains a profoundly enigmatic figure within the landscape of 20th-century art. His work, characterized by its arresting simplicity and deeply felt existentialism, defies easy categorization, oscillating between abstraction and figuration while consistently exploring themes of identity, connection, and the human condition. Lebenstein’s artistic journey was shaped by a complex interplay of influences – from the early austerity of Polish Expressionism to the subtle nuances of Utrillo's interiors and the stark geometries of Wols – culminating in his signature “Axial Figures,” a series that continues to captivate and provoke contemplation.

    His formal training at Warsaw’s Academy of Fine Arts under Artur Nacht-Samborski provided a foundational understanding of traditional techniques, yet Lebenstein quickly diverged from established norms. He wasn't interested in replicating reality; instead, he sought to distill it into its most essential elements. This pursuit led him to develop his distinctive visual language – vertical compositions dominated by simplified, almost insect-like human figures, often presented within starkly delineated interiors.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Axial Figure 68

    wahooart.com/pt/art/download/jan-lebenstein-axial-figure-68-AS7TG3-en/

    Como citar esta obra

    MLA
    lebenstein, jan. Axial Figure 68. 1960, https://wahooart.com/pt/art/jan-lebenstein-axial-figure-68-AS7TG3-en/
    APA
    lebenstein, jan (1960). Axial Figure 68 [Painting]. https://wahooart.com/pt/art/jan-lebenstein-axial-figure-68-AS7TG3-en/
    Chicago
    jan lebenstein. Axial Figure 68. 1960. https://wahooart.com/pt/art/jan-lebenstein-axial-figure-68-AS7TG3-en/
    Harvard
    lebenstein, jan (1960) Axial Figure 68. Available at: https://wahooart.com/pt/art/jan-lebenstein-axial-figure-68-AS7TG3-en/

    Look closely

    Axial Figure 68 — jan lebenstein

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Axial Figure 90 (1960), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. jan lebenstein was about 30 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.